Paintings for Teal Walls (page 17)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 769 to 816 of 860.

In a beige room, a group of light-skinned men of various ages and a young boy clap as a figure in tattered clothing at center, his back to the viewer, dances and holds a tin cup in the air.

William Sidney Mount Bar-room Scene, 1835 Art Institute of Chicago

The image shows a group of five individuals - four standing and one seated in the foreground. The standing individuals have varied hand positions; two hold long pipes, and one appears to hold a bow and arrow.

George Catlin Chief and Members of the Konza Tribe, 1861/1869 National Gallery of Art

A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting.

Jan Davidsz de Heem Vase of Flowers, c. 1660 National Gallery of Art

Nine people are gathered in a landscape around the gaunt body of a young man being carried on a cloth in the lower half of this vertical painting. All the people have pale skin tinged with yellow, and all but one have shiny gold halos.

Fra Angelico The Entombment of Christ, c. 1450 National Gallery of Art

About a dozen rust-orange and golden yellow apples and peaches are arranged on a white plate next to white and floral-patterned cloths nestled around a white pitcher and bowl, all on a wood tabletop that tilts toward us in this nearly…

Paul Cézanne Still Life with Apples and Peaches, c. 1905 National Gallery of Art

The Adoration of the Eucharist, Peter Paul Rubens, c. 1626, oil on panel

Peter Paul Rubens The Adoration of the Eucharist, c. 1626 Art Institute of Chicago

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

Arab Horseman Attacked by a Lion, Eugène Delacroix, 1849–50, oil on paperboard

Eugène Delacroix Arab Horseman Attacked by a Lion, 1849–50 Art Institute of Chicago

The Card Players, Paul Cézanne, 1890–92, oil on canvas

Paul Cézanne The Card Players, 1890–92 The Met

In a deeply shadowed room, two women and several children are gathered at the center of this wide, oval painting, looking toward a young man and donkey who peer in over a half-door to our left.

Jean-Honoré Fragonard The Happy Family, c. 1775 National Gallery of Art

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

Study of a Young Woman, Johannes Vermeer, ca. 1665–67, oil on canvas

Johannes Vermeer Study of a Young Woman, ca. 1665–67 The Met

We look across a body of calm water onto a wooden pier, rowboats, sailboats, and a town on the distant shore, all beneath a cloudy sky that takes up the top three-quarters of this horizontal landscape.

Aelbert Cuyp A Pier Overlooking Dordrecht, early 1640s National Gallery of Art

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Francisco de Goya, 1804, oil on canvas

Francisco de Goya Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804 The Met

Mademoiselle V. . . in the Costume of an Espada, Édouard Manet, 1862, oil on canvas

Édouard Manet Mademoiselle V. . . in the Costume of an Espada, 1862 The Met

Antiochus and Stratonice, Jean-Auguste-Dominique Ingres, c. 1838, oil on linen

Jean-Auguste-Dominique Ingres Antiochus and Stratonice, c. 1838 Cleveland Museum of Art

Cosimo I de' Medici (1519–1574), Agnolo Bronzino, 1548, oil on wood

Agnolo Bronzino Cosimo I de' Medici (1519–1574), 1548 The Met

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

This horizontal painting shows a tapestry being unfurled and held up by winged, baby-like putti against a structure with gray and gold columns, seen at the edges of the composition.

Peter Paul Rubens The Meeting of Abraham and Melchizedek, c. 1626 National Gallery of Art

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

Four women with pale, peach skin, wearing long white dresses, stand or sit on a sunny beach in this wide, horizontal painting. People and carriages are painted as hazy gray silhouettes spread along the beach in the distance.

Winslow Homer East Hampton Beach, Long Island, 1874 National Gallery of Art

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

The image is a portrait showing the upper body of a woman seated next to a wooden table. She is positioned facing slightly to the right, with her arm resting on the table and holding a small pink rose in her left hand.

Charles Peale Polk Hannah Lemmon Corcoran (Mrs. Thomas Corcoran), c. 1802/1810 National Gallery of Art

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

This painting is a portrait of a man shown from the chest up, with his body partially turned to the right and his head facing us, the right side of his face in shadow.

Robert Henri George Cotton Smith, 1908 National Gallery of Art

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

Study for "The Bear Hunt" (for the Alcázar, Madrid), Peter Paul Rubens, c. 1639, oil on wood

Peter Paul Rubens Study for "The Bear Hunt" (for the Alcázar, Madrid), c. 1639 Cleveland Museum of Art

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

Joseph Anthony Jr., Gilbert Stuart, ca. 1795–98, oil on canvas

Gilbert Stuart Joseph Anthony Jr., ca. 1795–98 The Met

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders.

James McNeill Whistler Symphony in White, No. 1: The White Girl, 1861-1863, 1872 National Gallery of Art

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

Shown from the lap up, a woman with peach-colored skin sits leaning sideways against the back of a wooden chair with her head tilted to our left on her long neck in this vertical, stylized portrait.

Amedeo Modigliani Woman with Red Hair, 1917 National Gallery of Art

Elie Williams, Charles Willson Peale, 1789, oil on canvas

Charles Willson Peale Elie Williams, 1789 The Met

Daniel Crommelin Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Daniel Crommelin Verplanck, 1771 The Met

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Jean-Baptiste-Siméon Chardin The House of Cards, probably 1737 National Gallery of Art

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