Paintings for Teal Walls (page 4)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 145 to 192 of 860.

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

This painting shows several people in the sky, surrounded by billowing fabric. In the center is a person who appears to be sitting on a cloud-like form. The person is on their back with their legs towards us and their head tilted up.

Giovanni Battista Tiepolo Saint Roch Carried to Heaven by Angels, c. 1735/1745 National Gallery of Art

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown.

Thomas Eakins The Chaperone, c. 1908 National Gallery of Art

A man and woman greet each other at the center of a group of about a dozen people set within a landscape in this horizontal painting. All the people have pale, peachy skin.

Peter Paul Rubens The Meeting of David and Abigail, c. 1630 National Gallery of Art

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

The New Bonnet, Eastman Johnson, 1876, oil on academy board

Eastman Johnson The New Bonnet, 1876 The Met

Ecce Agnus Dei, Bartolomé Esteban Murillo, c. 1655, oil on canvas

Bartolomé Esteban Murillo Ecce Agnus Dei, c. 1655 Art Institute of Chicago

This painting shows a man seated on a decorative red chair, his body turned towards the left and his head turned to look at us. He has a round face, light skin, and gray curly hair that goes down past his shoulders.

John Singleton Copley Baron Graham, 1804 National Gallery of Art

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

Fish Market, Joachim Beuckelaer, 1568, oil on Baltic oak

Joachim Beuckelaer Fish Market, 1568 The Met

Cupid and Psyche, Jacques-Louis David, 1817, oil on canvas

Jacques-Louis David Cupid and Psyche, 1817 Cleveland Museum of Art

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

The painting depicts a man shown from the knees up, standing with his arms crossed over his chest and his head turned to the right. He has light skin, ruddy cheeks with a brown mole, a long nose, and small red lips in a neutral expression.

Joseph Wright of Derby Portrait of a Gentleman, c. 1770-1773 National Gallery of Art

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

Joseph-Henri Altès (1826–1895), Edgar Degas, 1868, oil on canvas

Edgar Degas Joseph-Henri Altès (1826–1895), 1868 The Met

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Doge Andrea Gritti, Titian, c. 1535, oil on canvas

Titian Doge Andrea Gritti, c. 1535 Art Institute of Chicago

General Étienne-Maurice Gérard (1773–1852), Jacques-Louis David, 1816, oil on canvas

Jacques-Louis David General Étienne-Maurice Gérard (1773–1852), 1816 The Met

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting.

Rembrandt van Rijn Self-Portrait, 1659 National Gallery of Art

A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel.

Agnolo Bronzino A Young Woman and Her Little Boy, c. 1540 National Gallery of Art

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

Large painting of soldier asleep outdoors surrounded by two women and a cupid.

Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45 Art Institute of Chicago

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

The Annunciation, Sandro Botticelli, ca. 1490, tempera and gold on wood

Sandro Botticelli The Annunciation, ca. 1490 The Met

The Annunciation, Hans Memling, 1480–89, oil on panel, transferred to canvas

Hans Memling The Annunciation, 1480–89 The Met

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

Bacchante on a Panther, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Bacchante on a Panther, 1855 Cleveland Museum of Art

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

A Young Woman at Her Toilet with a Maid, Gerard ter Borch, ca. 1650–51, oil on wood

Gerard ter Borch A Young Woman at Her Toilet with a Maid, ca. 1650–51 The Met

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

The image shows a portrait of a man with a soft, round face, a slightly double chin, small eyes, and a neutral expression. He has gray, voluminous hair styled in the fashion of the 18th century.

Joseph Wright of Derby Portrait of a Gentleman, c. 1760 National Gallery of Art

Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, John Singer Sargent, c. 1879, oil on canvas

John Singer Sargent Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, c. 1879 Art Institute of Chicago

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

The Clove - A Storm Scene in the Catskill Mountains, Jasper Francis Cropsey, 1851, oil on canvas

Jasper Francis Cropsey The Clove - A Storm Scene in the Catskill Mountains, 1851 Cleveland Museum of Art

This painting depicts three individuals in a colorful interior. A man on the left is standing on steps that are coming up from below. He wears a green suit with a white shirt underneath it and holds a hat.

Ernst Ludwig Kirchner The Visit - Couple and Newcomer, 1922 National Gallery of Art

Shown from the knees up, a cleanshaven, young man with pale, peachy skin leans on his right elbow, to our left, against a ledge and holds a black top hat in that hand in this vertical portrait painting.

Francisco de Goya Bartolomé Sureda y Miserol, c. 1803/1804 National Gallery of Art

A Gorge in the Mountains (Kauterskill Clove), Sanford Robinson Gifford, 1862, oil on canvas

Sanford Robinson Gifford A Gorge in the Mountains (Kauterskill Clove), 1862 The Met

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

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