Paintings for Terracotta Walls (page 11)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 481 to 528 of 1,311.

Signora Gomez d'Arza, Thomas Eakins, 1901–2, oil on canvas

Thomas Eakins Signora Gomez d'Arza, 1901–2 The Met

John Barker (1707–1787), Joshua Reynolds, 1786, oil on canvas

Joshua Reynolds John Barker (1707–1787), 1786 The Met

Delaware Water Gap, George Inness, 1861, oil on canvas

George Inness Delaware Water Gap, 1861 The Met

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

Cupid and Psyche, Jacques-Louis David, 1817, oil on canvas

Jacques-Louis David Cupid and Psyche, 1817 Cleveland Museum of Art

This painting shows a man depicted from two angles; on the left, he faces us, while on the right, his back is to us. In both views he wears the same clothes and is in the same position.

Eugène Delacroix Two Studies of a Standing Indian from Calcutta, c. 1823/1824 National Gallery of Art

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

The Veteran in a New Field, Winslow Homer, 1865, oil on canvas

Winslow Homer The Veteran in a New Field, 1865 The Met

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", Thomas Eakins, 1876–77, oil on canvas mounted on board

Thomas Eakins Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77 Art Institute of Chicago

The Adoration of the Magi, Giovanni Battista Tiepolo, late 1750s, oil on canvas

Giovanni Battista Tiepolo The Adoration of the Magi, late 1750s The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

This painting shows three apples on a flat, gray surface. Two of the apples in the center are large, while one to the left is much smaller. The apples are glossy, covered in uneven patches of bright red and light green.

William Rickarby Miller Study of Apples from Nature, 1863 National Gallery of Art

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The Brierwood Pipe, Winslow Homer, 1864, oil on canvas

Winslow Homer The Brierwood Pipe, 1864 Cleveland Museum of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

Bashi-Bazouk, Jean-Léon Gérôme, 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, 1868–69 The Met

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

This painting is a portrait showing a man from the chest up.

Amedeo Modigliani Léon Bakst, 1917 National Gallery of Art

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Lamentation over the Body of Christ, Gerard David, c. 1500, oil on panel

Gerard David Lamentation over the Body of Christ, c. 1500 Art Institute of Chicago

Still Life with Pansies, Henri Fantin-Latour, 1874, oil on canvas

Henri Fantin-Latour Still Life with Pansies, 1874 The Met

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

A woman with pale, peachy skin and dark brown hair, wearing a long sleeved, floor-length white satin dress, stands facing and looking out at us in a room hung with shimmering, ivory-white drapery in this vertical portrait.

John Singer Sargent Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883 National Gallery of Art

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

View of Saint-Valéry-sur-Somme, Edgar Degas, 1896–98, oil on canvas

Edgar Degas View of Saint-Valéry-sur-Somme, 1896–98 The Met

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

Shown from the lap up, a woman with pale skin wearing a white satin dress and tall white bonnet sits sewing with her body facing our left in this vertical portrait painting.

Gilbert Stuart Catherine Brass Yates (Mrs. Richard Yates), 1793/1794 National Gallery of Art

A woman with peachy skin and dark auburn hair is shown from her chest up sitting in a wooden chair in this vertical portrait painting.

Amedeo Modigliani Adrienne (Woman with Bangs), 1917 National Gallery of Art

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

Still Life with Flowers and Prickly Pears, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Still Life with Flowers and Prickly Pears, ca. 1885 The Met

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

Christ Taking Leave of His Mother, Gerard David, ca. 1500, oil on wood

Gerard David Christ Taking Leave of His Mother, ca. 1500 The Met

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

The Smoker, Frans Hals, ca. 1623–25, oil on wood

Frans Hals The Smoker, ca. 1623–25 The Met

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

A multitude of vibrantly colored shapes interweave with one another.

Marsden Hartley Movement, 1913 Art Institute of Chicago

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

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