Paintings for Terracotta Walls (page 10)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 433 to 480 of 1,311.

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap.

Berthe Morisot The Artist's Daughter with a Parakeet, 1890 National Gallery of Art

The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450, tempera on canvas, transferred from wood

Andrea Mantegna The Adoration of the Shepherds, shortly after 1450 The Met

Honey-gold sunlight from low along the horizon to our left falls across the copper and bronze-colored canopies of trees that frame our view of a stone church with stained glass windows and ornate spires in this horizontal landscape…

Thomas Cole The Return, 1837 National Gallery of Art

El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya El Maragato Threatens Friar Pedro de Zaldivia with His Gun, c. 1806 Art Institute of Chicago

This painting shows a person seated at a table in a bright yellow chair, facing the right. The person has pale skin and gray hair, and they are wearing a loose-fitting light brown garment, similar to a long coat or dress.

Édouard Vuillard Breakfast, 1894 National Gallery of Art

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

Still Life with a Glass and Oysters, Jan Davidsz de Heem, ca. 1640, oil on wood

Jan Davidsz de Heem Still Life with a Glass and Oysters, ca. 1640 The Met

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

The Jabach Family, Charles Le Brun, ca. 1660, oil on canvas

Charles Le Brun The Jabach Family, ca. 1660 The Met

The Raffle (Raffling for the Goose), William Sidney Mount, 1837, oil on mahogany

William Sidney Mount The Raffle (Raffling for the Goose), 1837 The Met

Untitled (Cracked Watermelon), Charles Ethan Porter, ca. 1890, oil on canvas

Charles Ethan Porter Untitled (Cracked Watermelon), ca. 1890 The Met

Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi, ca. 1440, tempera and gold on wood, transferred from wood

Fra Filippo Lippi Madonna and Child Enthroned with Two Angels, ca. 1440 The Met

Francesco d'Este (born ca. 1429, died after 1486), Rogier van der Weyden, ca. 1460, oil on wood

Rogier van der Weyden Francesco d'Este (born ca. 1429, died after 1486), ca. 1460 The Met

A tall woman with pale white skin and a shorter man with brown skin stand on a terrace in this vertical, full-length portrait.

Anthony van Dyck Marchesa Elena Grimaldi Cattaneo, 1623 National Gallery of Art

A three-part panel featuring a variety of scenes, vertically stacked and richly painted. The central panel features the Virgin Mary and and Child flanked by archangels Gabriel and Michael, twelve disciples below them in grid formation.

Central Ethiopia Triptych, Late 17th century Art Institute of Chicago

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

We look across a wide, low clearing at a mountain rising beyond rocky hills, which are mostly covered in pines and blazing red and orange autumn trees, in this horizontal landscape painting.

Thomas Cole A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), 1839 National Gallery of Art

The image depicts a group of individuals engaged in a dance. They are in a tightly-knit, curved line, with dynamic poses suggestive of movement and rhythm.

George Catlin Dog Dance - Sioux, 1861 National Gallery of Art

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

A Cottage in the Woods, Meindert Hobbema, c. 1662, oil on canvas

Meindert Hobbema A Cottage in the Woods, c. 1662 Cleveland Museum of Art

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

William Forsyth (1749–1814), Henry Raeburn, ca. 1800, oil on canvas

Henry Raeburn William Forsyth (1749–1814), ca. 1800 The Met

This painting is a portrait of a man standing, seen from the knees up, his torso and head slightly turned to the left.

Thomas Gainsborough Francis Basset, Lord de Dunstanville, c. 1786 National Gallery of Art

Still Life with Herrings, Jean-Baptiste-Siméon Chardin, c. 1735, oil on canvas

Jean-Baptiste-Siméon Chardin Still Life with Herrings, c. 1735 Cleveland Museum of Art

A pale-skinned woman with honey-blond hair reclines among wheat stalks and grape vines in this horizontal painting. She lies on her side with her head to our right and her body facing us. Her upper body is propped on her left elbow.

Jacopo Tintoretto Summer, c. 1546/1548 National Gallery of Art

Shown from the waist up, a cleanshaven man with pale, peachy skin, wearing a black cap and a voluminous fur-lined, black cloak, is positioned behind a crimson-red ledge or tabletop in this vertical portrait painting.

Hans Holbein the Younger Sir Brian Tuke, c. 1527/1528 or c. 1532/1534 National Gallery of Art

Friar Pedro Clubs El Maragato with the Butt of the Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806 Art Institute of Chicago

Shown from the chest up, a clean-shaven young man with pale, peachy skin looks off to our left against a cloudy sky in this vertical portrait painting.

Giovanni Bellini Portrait of a Young Man in Red, c. 1480 National Gallery of Art

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

Shown from the shins up, a pale-skinned, balding, bearded man wearing a voluminous rust-red robe lined with black-speckled white fur looks out at us in this vertical portrait painting.

Jacopo Tintoretto A Procurator of Saint Mark's, c. 1575/1585 National Gallery of Art

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Basawan, Mughal dynasty (1526-1857), c. 1590-1595, opaque watercolor and gold on paper

Basawan The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Mughal dynasty (1526-1857), c. 1590-1595 Art Institute of Chicago

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

Arion on a Sea Horse and Bacchante on a Panther (pair), William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse and Bacchante on a Panther (pair), 1855 Cleveland Museum of Art

Roses in a Vase, Henri Fantin-Latour, 1878, oil on fabric

Henri Fantin-Latour Roses in a Vase, 1878 Cleveland Museum of Art

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

A young, light-skinned, rosy-cheeked child stands against a landscape of trees and rolling hills in this vertical portrait painting. Some areas are loosely painted, especially in the background, giving the portrait a soft look.

Thomas Gainsborough Master John Heathcote, c. 1771/1772 National Gallery of Art

James Johnston of Straiton (died 1841), Henry Raeburn, 1800, oil on canvas

Henry Raeburn James Johnston of Straiton (died 1841), 1800 The Met

Shown from the chest up, a man with pale, yellow-tinged skin is angled to our right with downcast eyes in this vertical portrait painting. He is cleanshaven with chin-length black hair.

Sandro Botticelli Giuliano de' Medici, c. 1478/1480 National Gallery of Art

A woman sits in the center of this vertical panel painting and gazes down at a baby lying across her lap while two winged angels hold up a red, gold, and black brocade-like patterned cloth behind her.

Fra Angelico The Madonna of Humility, c. 1430 National Gallery of Art

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

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