Paintings for Terracotta Walls (page 21)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 961 to 1,008 of 1,311.

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right.

Franz Marc The Bewitched Mill, 1913 Art Institute of Chicago

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

This painting shows a busy scene at the edge of the water. The horizon is visible on the left, where blue-gray sky meets blue-gray water behind a line of tall masts.

Robert Henri Volendam Street Scene, 1910 National Gallery of Art

From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting.

John Constable The White Horse, 1818-1819 National Gallery of Art

Sparrow Hall, Winslow Homer, c. 1881-1882, oil on canvas

Winslow Homer Sparrow Hall, c. 1881-1882 National Gallery of Art

Shown from the lap up, a cleanshaven man with black hair and dark clothes faces us as he sits with his hands resting together in his lap in this stylized, vertical portrait painting.

Amedeo Modigliani Chaim Soutine, 1918 National Gallery of Art

A Shaded Avenue, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard A Shaded Avenue, ca. 1775 The Met

The Lovesick Maiden, Jan Steen, ca. 1660, oil on canvas

Jan Steen The Lovesick Maiden, ca. 1660 The Met

Portrait of white man dressed in all black with medallion and sword.

Jean-Auguste-Dominique Ingres Amédée-David, the Comte de Pastoret, 1823–26 Art Institute of Chicago

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

A Boy with a Cat—Morning, Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough A Boy with a Cat—Morning, 1787 The Met

Two pale-skinned women sit facing each other on a long sofa centered on the wall across from us in a room warmly lit from the right in this horizontal painting. The scene is loosely painted so some details are indistinct.

William Merritt Chase A Friendly Call, 1895 National Gallery of Art

A young, pale-skinned boy wearing a brilliant blue toga sits on a rock and holds a gold pitcher in a landscape in this vertical painting.

Giovanni Bellini The Infant Bacchus, probably 1505/1510 National Gallery of Art

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

Jupiter, in the Guise of Diana, and Callisto, François Boucher, 1763, oil on canvas

François Boucher Jupiter, in the Guise of Diana, and Callisto, 1763 The Met

This painting is a portrait of a person with dark hair styled neatly in an updo with soft waves over their forehead.

Thomas Eakins Harriet Husson Carville (Mrs. James G. Carville), 1904 National Gallery of Art

Still Life with Meat, Fish, Vegetables, and Fruit, Jacob van Hulsdonck, c. 1615–20, oil on panel, the reverse prepared with gesso

Jacob van Hulsdonck Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20 Cleveland Museum of Art

A white dog spotted with caramel-brown and with long, floppy ears sits in a garden setting near a green park bench in this loosely painted vertical portrait.

Henri de Toulouse-Lautrec The Artist's Dog Flèche, c. 1881 National Gallery of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right.

Alfred Sisley Boulevard Héloïse, Argenteuil, 1872 National Gallery of Art

Lady Lee (Margaret Wyatt, born about 1509), Hans Holbein the Younger, early 1540s, oil and gold on oak

Hans Holbein the Younger Lady Lee (Margaret Wyatt, born about 1509), early 1540s The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

José Costa y Bonells (died l870), Called Pepito, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya José Costa y Bonells (died l870), Called Pepito, ca. 1810 The Met

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

Large painting of young woman in white dress sitting next to crib.

Jacques-Louis David Madame de Pastoret and Her Son, 1791–92 Art Institute of Chicago

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

We look onto the side of a rowboat crowded with nine men trying to save a pale, nude young man who flails in the water in front of us as a shark approaches, mouth agape, from our right in this horizontal painting.

John Singleton Copley Watson and the Shark, 1778 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

Four flowers and greenery create a loose bouquet in a clear glass in this vertical still life, which is painted with visible brushstrokes throughout. The glass has a tall, narrow, rounded bowl on a flaring foot like a drinking glass.

Berthe Morisot Peonies, c. 1869 National Gallery of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

A long haired, bearded man holds a whip and stands in the middle of a crowd of about two dozen people who stand or twist, all in a building with columns and arches in this horizontal painting.

El Greco Christ Cleansing the Temple, probably before 1570 National Gallery of Art

The Horse Fair, Rosa Bonheur, 1852–55, oil on canvas

Rosa Bonheur The Horse Fair, 1852–55 The Met

Dressing for the Carnival, Winslow Homer, 1877, oil on canvas

Winslow Homer Dressing for the Carnival, 1877 The Met

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Olive Trees, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Olive Trees, 1889 The Met

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