Paintings for Terracotta Walls (page 20)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 913 to 960 of 1,311.

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Shown from the waist up, a smiling, light-skinned young man wears a voluminous, dark hat and a brown suit in this vertical portrait painting.

Frans Hals A Young Man in a Large Hat, 1626/1629 National Gallery of Art

Portrait of Isidoro Máiquez, Francisco de Goya, c. 1807, oil on canvas

Francisco de Goya Portrait of Isidoro Máiquez, c. 1807 Art Institute of Chicago

The painting shows a large bronze vase filled with a bouquet of wildflowers, including white daisies, light blue cornflowers, and bright red poppies and roses.

Odilon Redon Flowers in a Vase, c. 1910 National Gallery of Art

Virgin and Child in a Niche, Jan van Eyck, ca. 1440–50, oil on wood

Jan van Eyck Virgin and Child in a Niche, ca. 1440–50 The Met

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

Woman with Collie, John Singer Sargent, after 1890, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Woman with Collie, after 1890 The Met

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

Samuel Mifflin, Charles Willson Peale, 1777–80, oil on canvas

Charles Willson Peale Samuel Mifflin, 1777–80 The Met

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Shown from the shins up, two elegantly dressed women and two young boys, all with light skin, sit together on a bench in front of a stone balustrade with a forest landscape beyond in this horizontal portrait painting.

Élisabeth Louise Vigée Le Brun The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien, 1787 National Gallery of Art

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

After the Bullfight, Mary Cassatt, 1873, oil on canvas

Mary Cassatt After the Bullfight, 1873 Art Institute of Chicago

John Julius Angerstein (1736–1823), Thomas Lawrence, 1810, oil on canvas

Thomas Lawrence John Julius Angerstein (1736–1823), 1810 The Met

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting.

Paolo Veronese The Finding of Moses, c. 1581/1582 National Gallery of Art

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

A young man sets out in a golden boat on a river that winds from the bottom right corner of this horizontal painting across a lush landscape and into the distance before disappearing beyond two rocky outcroppings far off to our right.

Thomas Cole The Voyage of Life: Youth, 1842 National Gallery of Art

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, Joshua Reynolds, 1748, oil on canvas

Joshua Reynolds Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham, 1748 The Met

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait.

Francisco de Goya Señora Sabasa Garcia, c. 1806/1811 National Gallery of Art

A pale-skinned woman sits on a red velvet chair, which is almost entirely hidden by her voluminous, dark emerald-green and gold gown, in this vertical portrait painting.

Anthony van Dyck Marchesa Balbi, c. 1623 National Gallery of Art

Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck, ca. 1630, oil on canvas

Anthony van Dyck Virgin and Child with Saint Catherine of Alexandria, ca. 1630 The Met

This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up.

Eugène Delacroix A Horse Hitched to a Post, c. 1820 National Gallery of Art

The Music Lesson, Gerard ter Borch, c. 1670, oil on canvas

Gerard ter Borch The Music Lesson, c. 1670 Art Institute of Chicago

A woman sitting close to us in front of a deep landscape holds up a white cloth with the image of a man’s face on it in this vertical painting. The woman and the image on the cloth both have pale skin, hooded eyes, and long, straight noses.

Hans Memling Saint Veronica [obverse], c. 1470/1475 National Gallery of Art

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Peter Paul Rubens Portrait of Isabella Brant, c. 1620–25 Cleveland Museum of Art

Margaretha van Haexbergen (1614–1676), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Margaretha van Haexbergen (1614–1676), ca. 1666–67 The Met

Boy with a Lute, Frans Hals, ca. 1625, oil on canvas

Frans Hals Boy with a Lute, ca. 1625 The Met

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

Johannes Vermeer Woman Holding a Balance, c. 1664 National Gallery of Art

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