Paintings for Warm White Walls (page 24)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 1,105 to 1,152 of 1,315.

Waterfall, John Henry Twachtman, ca. 1889–91, oil on canvas

John Henry Twachtman Waterfall, ca. 1889–91 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

William Glackens At Mouquin's, 1905 Art Institute of Chicago

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Pierre-Auguste Renoir Near the Lake, 1879–80 Art Institute of Chicago

Early Morning After a Storm at Sea, Winslow Homer, 1900–1903, oil on canvas

Winslow Homer Early Morning After a Storm at Sea, 1900–1903 Cleveland Museum of Art

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

Water Lilies (Agapanthus), Claude Monet, c. 1915–26, oil on canvas

Claude Monet Water Lilies (Agapanthus), c. 1915–26 Cleveland Museum of Art

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

The Place du Havre, Paris, Camille Pissarro, 1893, oil on canvas

Camille Pissarro The Place du Havre, Paris, 1893 Art Institute of Chicago

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

A woman and the baby she holds float in a cloud flanked by two winged angels, as two women stand below in this tall, vertical painting. All the people have pale skin shaded with smoke gray, and their necks, fingers, and limbs are elongated.

El Greco Madonna and Child with Saint Martina and Saint Agnes, 1597/1599 National Gallery of Art

Painting of mother in blue, purple, and green-stripped dress washing child's feet.

Mary Cassatt The Child's Bath, 1893 Art Institute of Chicago

The Shepherd's Song, Pierre Puvis de Chavannes, 1891, oil on canvas

Pierre Puvis de Chavannes The Shepherd's Song, 1891 The Met

Saint Martin and the Beggar, El Greco, c. 1597–c. 1600, oil on canvas

El Greco Saint Martin and the Beggar, c. 1597–c. 1600 Art Institute of Chicago

Joseph Anthony Jr., Gilbert Stuart, ca. 1795–98, oil on canvas

Gilbert Stuart Joseph Anthony Jr., ca. 1795–98 The Met

Irises, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Irises, 1890 The Met

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

La Cervara, the Roman Campagna, Camille Corot, c. 1830–31, oil on fabric

Camille Corot La Cervara, the Roman Campagna, c. 1830–31 Cleveland Museum of Art

Among potted flowers and lush foliage, a tiny child in a white dress plays with a hoop. A woman peers at the child from an ivy-covered building at right.

Claude Monet The Artist's House at Argenteuil, 1873 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

The Red Kerchief, Claude Monet, c. 1868–73, oil on fabric

Claude Monet The Red Kerchief, c. 1868–73 Cleveland Museum of Art

View of Delphi with a Procession, Claude Lorrain, 1673, oil on canvas

Claude Lorrain View of Delphi with a Procession, 1673 Art Institute of Chicago

Winter landscape painting with rocky stream lined by orange leafed trees.

John Henry Twachtman Icebound, c. 1889 Art Institute of Chicago

Barges at Pontoise, Camille Pissarro, 1876, oil on canvas

Camille Pissarro Barges at Pontoise, 1876 The Met

Saddle Horse in Farm Yard, Winslow Homer, ca. 1870–75, oil on wood

Winslow Homer Saddle Horse in Farm Yard, ca. 1870–75 The Met

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

Portrait of a Man with Gray Hair, Henry Raeburn, 1810–20, oil on canvas

Henry Raeburn Portrait of a Man with Gray Hair, 1810–20 Art Institute of Chicago

Fish, William Merritt Chase, by 1910, oil on canvas

William Merritt Chase Fish, by 1910 The Met

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

Jonathan Sturges, Asher Brown Durand, ca. 1840, oil on canvas

Asher Brown Durand Jonathan Sturges, ca. 1840 The Met

A Fisherman, Eastman Johnson, 1865, brown inks on tan-color sized canvas

Eastman Johnson A Fisherman, 1865 The Met

Sanford Robinson Gifford, Eastman Johnson, 1880, oil on academy board

Eastman Johnson Sanford Robinson Gifford, 1880 The Met

Lake George, A Reminiscence, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, A Reminiscence, 1872 The Met

Lake George, New York, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, New York, 1872 The Met

Evening, New Bedford Harbor, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Evening, New Bedford Harbor, 1890 The Met

Moonlight, Dwight William Tryon, 1887, oil on wood

Dwight William Tryon Moonlight, 1887 The Met

Moonrise at Sunset, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Moonrise at Sunset, 1890 The Met

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

Capriccio: The Lagoon, Francesco Guardi, After 1770, oil on canvas

Francesco Guardi Capriccio: The Lagoon, After 1770 Art Institute of Chicago

Back to every group for warm white walls

Other wall colors