Paintings for Warm White Walls (page 25)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 1,153 to 1,200 of 1,315.

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

Virgin and Child, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Virgin and Child, 1619 The Met

Allegorical Figure Representing Temperance, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Temperance, 1760 The Met

From a darkened arena around a boxing ring, we look up at two bare chested men, one with pale, white skin and the other with brown skin, who lock arms in a boxing match in this horizontal painting.

George Bellows Both Members of This Club, 1909 National Gallery of Art

Portrait of a Man, Possibly Girolamo Rosati, Lorenzo Lotto, 1533–34, oil on canvas

Lorenzo Lotto Portrait of a Man, Possibly Girolamo Rosati, 1533–34 Cleveland Museum of Art

Woman in a Riding Habit (L'Amazone), Gustave Courbet, ca. 1855–59, oil on canvas

Gustave Courbet Woman in a Riding Habit (L'Amazone), ca. 1855–59 The Met

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape.

Fitz Henry Lane Lumber Schooners at Evening on Penobscot Bay, 1863 National Gallery of Art

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, Jacometto, ca. 1485–95, oil on wood; (verso: oil and gold on wood)

Jacometto Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille, ca. 1485–95 The Met

Painting of three male figures, two older men in top hats and a younger man with red hair, standing outdoors around a wooden table with a pitcher on it, drinking from glasses.

Vincent van Gogh The Drinkers, 1890 Art Institute of Chicago

Rose and coral pink, vivid white, delphinium blue, and buttercup yellow flowers with deep green leaves are arranged in a blue and white vase in front of a pale sea-green background in this vertical still life painting.

Paul Cézanne Flowers in a Rococo Vase, c. 1876 National Gallery of Art

Idle Hours, Julian Alden Weir, 1888, oil on canvas

Julian Alden Weir Idle Hours, 1888 The Met

The Card Players, Paul Cézanne, 1890–92, oil on canvas

Paul Cézanne The Card Players, 1890–92 The Met

Mountain Scene, Albert Bierstadt, 1880–90, oil on paper

Albert Bierstadt Mountain Scene, 1880–90 The Met

This painting depicts a scene where a winding path on the bottom left leads into a wooded area.

Alfred Sisley The Road in the Woods, 1879 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

A pale-skinned girl wearing an arctic-blue ballet costume stands looking at us and almost fills this vertical painting. The scene is painted with blended strokes, giving it a soft, almost blurry look.

Pierre-Auguste Renoir The Dancer, 1874 National Gallery of Art

Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Vincent van Gogh Fishing in Spring, the Pont de Clichy (Asnières), 1887 Art Institute of Chicago

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

Life-size painting of an urban scene in Paris.

Gustave Caillebotte Paris Street; Rainy Day, 1877 Art Institute of Chicago

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

Edge of the Woods Near L'Hermitage, Pontoise, Camille Pissarro, 1879, oil on fabric

Camille Pissarro Edge of the Woods Near L'Hermitage, Pontoise, 1879 Cleveland Museum of Art

Arques-la-Bataille, John Henry Twachtman, 1885, oil on canvas

John Henry Twachtman Arques-la-Bataille, 1885 The Met

View of Toledo, El Greco, ca. 1599–1600, oil on canvas

El Greco View of Toledo, ca. 1599–1600 The Met

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto, ca. 1485–95, oil on wood; verso: oil and gold on wood

Jacometto Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, ca. 1485–95 The Met

Lush treetops give way to a body of water and a hill in this loosely painted horizontal landscape.

Pierre-Auguste Renoir View of Monte Carlo from Cap Martin, c. 1884 National Gallery of Art

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

The Pink Cloud, Henri-Edmond Cross, c. 1896, oil on canvas

Henri-Edmond Cross The Pink Cloud, c. 1896 Cleveland Museum of Art

A nearly square landscape with a bridge to our right and a person walking at the lower center is painted loosely in tones of pine, spruce, and sage green with a few touches of yellow, black, and brown.

Ernest Lawson High Bridge at Night, New York City, c. 1910/1920 National Gallery of Art

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

Portrait of a Gentleman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Gentleman, ca. 1775 The Met

A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.

Piet Mondrian Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 Art Institute of Chicago

A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting.

Claude Monet The Houses of Parliament, Sunset, 1903 National Gallery of Art

The Road from Moret to Saint-Mammès, Alfred Sisley, 1883–85, oil on canvas

Alfred Sisley The Road from Moret to Saint-Mammès, 1883–85 The Met

Seven people with cream-white skin crowd together, sitting at or standing among tables in an interior space in this vertical painting. The composition is dominated by shades of blue and pale green.

Henri de Toulouse-Lautrec A Corner of the Moulin de la Galette, 1892 National Gallery of Art

Portrait of a Woman, Charles Willson Peale, ca. 1775, oil on canvas

Charles Willson Peale Portrait of a Woman, ca. 1775 The Met

Lady in Gray, James McNeill Whistler, ca. 1883, watercolor and gouache on dark brown wove paper

James McNeill Whistler Lady in Gray, ca. 1883 The Met

Shown from the knees up, a young woman with peachy skin and red hair sits facing us on a pine-green bench in this vertical painting.

Mary Cassatt Woman with a Red Zinnia (Revery), 1891-1892 National Gallery of Art

Mottled, geometric shapes painted in shades of peanut brown, beige, grass and spruce green, smoky gray, golden and buttercup yellow, and topaz and lapis blue are arranged across this wide, horizontal, abstract painting.

Roger de La Fresnaye The Watering Can (Emblems: The Garden), 1913 National Gallery of Art

Street in Moret, Alfred Sisley, c. 1890, oil on canvas

Alfred Sisley Street in Moret, c. 1890 Art Institute of Chicago

Martin Euclid Thompson, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Martin Euclid Thompson, 1830 The Met

Villas at Trouville, Gustave Caillebotte, 1884, oil on canvas

Gustave Caillebotte Villas at Trouville, 1884 Cleveland Museum of Art

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky.

Paul Cézanne Houses in Provence: The Riaux Valley near L'Estaque, c. 1883 National Gallery of Art

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

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