Paintings for Warm White Walls (page 26)

Soft and muted

Gentle, low-color paintings that keep a pale room calm. The warmest come first, to answer the cream in the wall. Showing 1,201 to 1,248 of 1,315.

A Turn in the Road, Alfred Sisley, 1873, oil on canvas

Alfred Sisley A Turn in the Road, 1873 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Two pale-skinned little girls sit back-to-back on a sandy beach, almost filling the width of this vertical painting. The girls wear matching pale, ice-blue pinafores over short sleeve, ocean-blue dresses.

Mary Cassatt Children Playing on the Beach, 1884 National Gallery of Art

The Customs House at Varengeville, Claude Monet, 1897, oil on canvas

Claude Monet The Customs House at Varengeville, 1897 Art Institute of Chicago

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

This painting displays an elevated view of a bustling port town. In the center, a tall tree with dense green foliage stands out against a light blue sky with fluffy white clouds.

Jurgan Frederick Huge Composite Harbor Scene with Castle, c. 1875 National Gallery of Art

Summer, Pierre Puvis de Chavannes, 1891, oil on fabric

Pierre Puvis de Chavannes Summer, 1891 Cleveland Museum of Art

Edward Guthrie Kennedy, James McNeill Whistler, 1893–95, oil on wood

James McNeill Whistler Edward Guthrie Kennedy, 1893–95 The Met

Two sailboats and a rowboat float on a glistening, azure-blue river spanned by a stone bridge to our right in this horizontal landscape painting.

Claude Monet The Bridge at Argenteuil, 1874 National Gallery of Art

To our left, a young woman sits facing us on a low stone wall at the base of the vertical, black bars of an iron fence and a young girl stands facing away from us to our right in this horizontal painting. Both have pale skin.

Édouard Manet The Railway, 1873 National Gallery of Art

Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.

Claude Monet The Beach at Sainte-Adresse, 1867 Art Institute of Chicago

Young Peasant Having Her Coffee, Camille Pissarro, 1881, oil on canvas

Camille Pissarro Young Peasant Having Her Coffee, 1881 Art Institute of Chicago

The Seine at Bougival, Alfred Sisley, 1876, oil on canvas

Alfred Sisley The Seine at Bougival, 1876 The Met

A snowy landscape in cool tones featuring a prominent, snow-dusted haystack in reddish brown in front of a row of red-brown trees and low, blue mountains, all beheath a pink-gray strip of sky.

Claude Monet Stack of Wheat, 1890–91 Art Institute of Chicago

Watering Place at Marly, Alfred Sisley, 1875, oil on canvas

Alfred Sisley Watering Place at Marly, 1875 Art Institute of Chicago

Mary Cassatt Girl Arranging Her Hair, 1886 National Gallery of Art

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

Are They Thinking about the Grape? (Pensent-ils au raisin?), François Boucher, 1747, oil on canvas

François Boucher Are They Thinking about the Grape? (Pensent-ils au raisin?), 1747 Art Institute of Chicago

A pale-skinned boy with round, almost doll-like proportions sits on pointed rocks in front of a pale blue sky in this slightly stylized, vertical painting. The boy’s body and face are square to us.

Henri Rousseau Boy on the Rocks, 1895/1897 National Gallery of Art

David Sears, Jr., Gilbert Stuart, ca. 1815, oil on canvas

Gilbert Stuart David Sears, Jr., ca. 1815 The Met

The Funding Bill, Eastman Johnson, 1881, oil on canvas

Eastman Johnson The Funding Bill, 1881 The Met

View of Marly-le-Roi from Coeur-Volant, Alfred Sisley, 1876, oil on canvas

Alfred Sisley View of Marly-le-Roi from Coeur-Volant, 1876 The Met

Gulian Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Gulian Verplanck, 1771 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Shown from the chest up, a young boy wearing an aquamarine-blue jacket sits facing us in this vertical portrait painting. His body is slightly angled to our right and he looks just over our right shoulder. He has close-cropped, dark hair.

Paul Cézanne Louis Guillaume, 1879-1890 National Gallery of Art

Panoramic View of the Alps, Les Dents du Midi, Gustave Courbet, 1877, oil on fabric

Gustave Courbet Panoramic View of the Alps, Les Dents du Midi, 1877 Cleveland Museum of Art

Madame Léon Clapisson, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Madame Léon Clapisson, 1883 Art Institute of Chicago

Rabbit Warren at Pontoise, Snow, Camille Pissarro, 1879, oil on canvas

Camille Pissarro Rabbit Warren at Pontoise, Snow, 1879 Art Institute of Chicago

A pale-skinned young girl with blond hair, wearing a blue dress, stands in a garden in this vertical painting. The girl and background are painted with blended strokes, giving the scene and especially the girl a soft look.

Pierre-Auguste Renoir A Girl with a Watering Can, 1876 National Gallery of Art

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Claude Monet Cliff Walk at Pourville, 1882 Art Institute of Chicago

Lake George, Free Study, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, Free Study, 1872 The Met

The Pigeon Tower at Bellevue, Paul Cézanne, 1890, oil on fabric

Paul Cézanne The Pigeon Tower at Bellevue, 1890 Cleveland Museum of Art

Mont Sainte-Victoire, Paul Cézanne, ca. 1902–6, oil on canvas

Paul Cézanne Mont Sainte-Victoire, ca. 1902–6 The Met

Shown from the knees up, a woman with peach-colored skin and dark hair sits facing us and holding a baby in this stylized, vertical portrait painting.

Amedeo Modigliani Roma Woman with Baby, 1919 National Gallery of Art

Boating, Édouard Manet, 1874, oil on canvas

Édouard Manet Boating, 1874 The Met

The Departure of the Boats, Étretat, Claude Monet, 1885, oil on canvas

Claude Monet The Departure of the Boats, Étretat, 1885 Art Institute of Chicago

Still Life with Peaches and Grapes, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Still Life with Peaches and Grapes, 1881 The Met

We look slightly down onto a port-side town along a canal, with a church across the water from us in this horizontal landscape painting. A bright blue sky with billowing white, pink, and gray clouds fills the top two-thirds of the painting.

Canaletto Entrance to the Grand Canal from the Molo, Venice, 1742/1744 National Gallery of Art

The Lock at Pontoise, Camille Pissarro, 1872, oil on fabric

Camille Pissarro The Lock at Pontoise, 1872 Cleveland Museum of Art

The Bridge at Villeneuve-la-Garenne, Alfred Sisley, 1872, oil on canvas

Alfred Sisley The Bridge at Villeneuve-la-Garenne, 1872 The Met

Venice, Palazzo Dario, Claude Monet, 1908, oil on canvas

Claude Monet Venice, Palazzo Dario, 1908 Art Institute of Chicago

The Funeral, Édouard Manet, ca. 1867, oil on canvas

Édouard Manet The Funeral, ca. 1867 The Met

Sahurs Meadows in Morning Sun, Alfred Sisley, 1894, oil on canvas

Alfred Sisley Sahurs Meadows in Morning Sun, 1894 The Met

The Apple Seller, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir The Apple Seller, c. 1890 Cleveland Museum of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

The Vase of Tulips, Paul Cézanne, c. 1890, oil on canvas

Paul Cézanne The Vase of Tulips, c. 1890 Art Institute of Chicago

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in pastel colors.

Claude Monet Waterloo Bridge, London, at Sunset, 1904 National Gallery of Art

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