Paintings from the Art Institute of Chicago (page 2)

Showing 49 to 96 of 326 paintings

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills.

George Bellows Love of Winter, 1914 Art Institute of Chicago

Dense and varied landscape with open fields, groves of bushy trees, and a row of thin conifers. A light-blue river tranverses the canvas, and a church steeple emerges from the trees at left of center.

Édouard Vuillard Landscape: Window Overlooking the Woods, 1899 Art Institute of Chicago

The Garden of Palazzo Contarini dal Zaffo, Francesco Guardi, Late 1770s, oil on canvas

Francesco Guardi The Garden of Palazzo Contarini dal Zaffo, Late 1770s Art Institute of Chicago

Opulently dressed light-skinned man and woman drink at a small table. A mirror behind them reflects a crowd. Her blue dress and dark hat dominate.

William Glackens At Mouquin's, 1905 Art Institute of Chicago

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Small painting of woman in pink and black sitting on park bench.

William Merritt Chase A City Park, c. 1887 Art Institute of Chicago

In a beige room, a group of light-skinned men of various ages and a young boy clap as a figure in tattered clothing at center, his back to the viewer, dances and holds a tin cup in the air.

William Sidney Mount Bar-room Scene, 1835 Art Institute of Chicago

Dark moody painting of crumbling castle tower and walls amidst river and forest.

Jacob van Ruisdael Landscape with the Ruins of the Castle of Egmond, 1650–55 Art Institute of Chicago

A heronǳ silhouette sits amongst the brush in a golden hued forest.

George Inness The Home of the Heron, 1893 Art Institute of Chicago

Winter landscape painting with rocky stream lined by orange leafed trees.

John Henry Twachtman Icebound, c. 1889 Art Institute of Chicago

Dozens of figures in a brown field filled with discarded corn silks form two rows and sit across from each other husking corn, a farm in the background.

Eastman Johnson Husking Bee, Island of Nantucket, 1876 Art Institute of Chicago

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.

Thomas Lawrence Isabella Wolff, 1803–15 Art Institute of Chicago

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

Large painting of ancient arch ruins, statues, humans are small in comparison.

Hubert Robert The Fountains, 1787–88 Art Institute of Chicago

Large painting, woman in pink dress in front of classical sculpture, shrine.

Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65 Art Institute of Chicago

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Horace Pippin Cabin in the Cotton, c. 1931–37 Art Institute of Chicago

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress.

Joshua Johnson Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805 Art Institute of Chicago

Large, dark painting of Jesus sitting with three standing soldiers.

Édouard Manet Jesus Mocked by the Soldiers, 1865 Art Institute of Chicago

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Portrait of man, black coat, white collar, hand in book.

Ammi Phillips Cornelius Allerton, 1821–22 Art Institute of Chicago

Long scroll ink painting depicting people with their animals and belongings crossing a river.

Unknown artist Yang Pu Moving His Family, Yuan dynasty (1279–1368) 元朝 Art Institute of Chicago

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

Very dark painting of a light-skinned, mostly clean-shaven young man in dark suit and dark full-length coat, holding a rolled-up paper and gloves.

James McNeill Whistler Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894 Art Institute of Chicago

A tired-looking brown and white cow lies down on a patch of dry earth, a dark-brown bull and cow standing behind her against an overcast sky.

Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow, 1647 Art Institute of Chicago

Four women with musical instruments lounge in a massive garden courtyard.

Carl Blechen The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834 Art Institute of Chicago

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

John Philip Simpson The Captive Slave (Ira Aldridge), 1827 Art Institute of Chicago

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

John Smibert Richard Bill, 1733 Art Institute of Chicago

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

A multitude of vibrantly colored shapes interweave with one another.

Marsden Hartley Movement, 1913 Art Institute of Chicago

Watercolor of tiny people and horses, framed with gold flowers on navy background.

'Aliquli Jabbadar Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century Art Institute of Chicago

A man with sparse brown facial hair stands in a full-length black robe on a multicolored tiled floor, a white and brown dog behind him.

Giovanni Battista Moroni Gian Lodovico Madruzzo, 1551–52 Art Institute of Chicago

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Basawan, Mughal dynasty (1526-1857), c. 1590-1595, opaque watercolor and gold on paper

Basawan The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Mughal dynasty (1526-1857), c. 1590-1595 Art Institute of Chicago

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

Waterloo Bridge, Gray Weather, Claude Monet, 1900, oil on canvas

Claude Monet Waterloo Bridge, Gray Weather, 1900 Art Institute of Chicago

Sarah Dupont, Thomas Gainsborough, c. 1777–79, oil on canvas

Thomas Gainsborough Sarah Dupont, c. 1777–79 Art Institute of Chicago

Portrait of a Lady, Frans Hals, 1627, oil on canvas

Frans Hals Portrait of a Lady, 1627 Art Institute of Chicago

Fête champêtre (Pastoral Gathering), Antoine Watteau, 1718–21, oil on panel

Antoine Watteau Fête champêtre (Pastoral Gathering), 1718–21 Art Institute of Chicago

Paintings from the Art Institute of Chicago (page 2)

Rooms these paintings suit

The other museums