Paintings from the National Gallery of Art (page 3)

Showing 97 to 144 of 937 paintings

Rose and coral pink, vivid white, delphinium blue, and buttercup yellow flowers with deep green leaves are arranged in a blue and white vase in front of a pale sea-green background in this vertical still life painting.

Paul Cézanne Flowers in a Rococo Vase, c. 1876 National Gallery of Art

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

We look slightly down onto a man riding a white horse away from us on a dirt road winding through a sun-drenched, rocky landscape in this horizontal painting.

Camille Corot A View near Volterra, 1838 National Gallery of Art

This painting depicts the upper half of a person's body. Their body is facing us, but their head is turned to the right in a three-quarters view, looking away from us.

Gustave Courbet Portrait of a Young Girl, 1857 National Gallery of Art

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

A dark-haired, disembodied head of a haloed man with pale, peach skin floats against a red and yellow background in this vertical portrait.

Paul Gauguin Self-Portrait, 1889 National Gallery of Art

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas.

Vincent van Gogh The Olive Orchard, 1889 National Gallery of Art

Shown from the hips up, a pale-skinned woman wearing a tightly corseted dress looks off to our left in this vertical pastel drawing. The portrait is loosely sketched with blended areas, giving it a soft look.

Édouard Manet Madame Michel-Lévy, 1882 National Gallery of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

Painted almost entirely in tones of topaz, lapis, and sky blue, the façade of a building abutting a waterway fills this horizontal painting. Brushstrokes are visible throughout and they blend to make the scene appear hazy.

Claude Monet Palazzo da Mula, Venice, 1908 National Gallery of Art

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in muted blue, pink, and brown.

Claude Monet Waterloo Bridge, Gray Day, 1903 National Gallery of Art

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

We look down onto a wide, bustling, tree-lined avenue filled with buildings, people, and horse-drawn carriages in this horizontal painting.

Camille Pissarro Boulevard des Italiens, Morning, Sunlight, 1897 National Gallery of Art

A wide river cuts through a loosely painted, sunlit landscape in this almost square painting.

Alfred Sisley The Banks of the Oise, 1877/1878 National Gallery of Art

This painting depicts a scene where a winding path on the bottom left leads into a wooded area.

Alfred Sisley The Road in the Woods, 1879 National Gallery of Art

We look across a wide, low clearing at a mountain rising beyond rocky hills, which are mostly covered in pines and blazing red and orange autumn trees, in this horizontal landscape painting.

Thomas Cole A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch), 1839 National Gallery of Art

Three women, one man, and a winged child gather near a cave opening within a vast, distant landscape in this horizontal painting. The people are small in scale, taking up the lower left quadrant of the composition, and all have pale skin.

Claude Lorrain The Judgment of Paris, 1645/1646 National Gallery of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

We look across the water at two sailing ships with cream-white sails and dark rigging floating in a shimmering, ice-blue river against a distant shore lined with trees, hills, and buildings in this nearly square landscape painting.

Claude Monet Ships Riding on the Seine at Rouen, 1872/1873 National Gallery of Art

We look across a glimmering river toward docks, about a dozen small boats, and a mustard-brown, boxy building under a bridge that crosses the width of the canvas in this horizontal landscape painting.

Claude Monet Bridge at Argenteuil on a Gray Day, c. 1876 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

From behind a low stone wall, on which a young woman with pale skin sits, we look across a wide, shimmering blue waterway toward a town along the opposite shore, under a pale blue sky with wispy white clouds in this horizontal landscape…

Berthe Morisot The Harbor at Lorient, 1869 National Gallery of Art

At least one rowboat occupied by two people floats on a lake, which is surrounded by lush green vegetation in this vertical landscape painting.

Berthe Morisot Girl in a Boat with Geese, c. 1889 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

This painting depicts a game being played on a grassy field. The game is taking place in the central green lawn, with buildings in the distance surrounded by trees.

Camille Pissarro Hampton Court Green, 1891 National Gallery of Art

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

We look down onto a plaza with a sliver of a tall building rising along the left edge of the painting, a row of verdant, green trees to our right, and a row of buildings enclosing the space in the distance in this nearly square landscape…

Camille Pissarro Place du Carrousel, Paris, 1900 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

We look down on a few dozen people walking along the sidewalks of a wide, sunlit bridge in this almost square painting. The scene is loosely painted, which gives it a hazy, sun-dappled look and makes some details indistinct.

Pierre-Auguste Renoir Pont Neuf, Paris, 1872 National Gallery of Art

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right.

Alfred Sisley Boulevard Héloïse, Argenteuil, 1872 National Gallery of Art

Painted in mostly in jewel tones of topaz and aquamarine blue, and sage, spring, and pine green, a meadow is enclosed by a wooden fence, against a landscape of gently rolling hills under a vibrant sky in this horizontal painting.

Alfred Sisley Meadow, 1875 National Gallery of Art

A white dog spotted with caramel-brown and with long, floppy ears sits in a garden setting near a green park bench in this loosely painted vertical portrait.

Henri de Toulouse-Lautrec The Artist's Dog Flèche, c. 1881 National Gallery of Art

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

A few pale brown buildings with terracotta red roofs are nestled among hills at the base of a towering, icy-blue mountain in this horizontal landscape painting.

Paul Cézanne Montagne Sainte-Victoire, from near Gardanne, c. 1887 National Gallery of Art

Rooms these paintings suit

The other museums