Paintings from the National Gallery of Art (page 9)

Showing 385 to 432 of 937 paintings

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

This painting depicts the upper half of a woman's body. She is turned slightly to the left and faces us, with pale skin, soft, rosy cheeks, dark brown eyes, and a neutral expression.

Gilbert Stuart Ann Calvert Stuart Robinson (Mrs. William Robinson), c. 1804 National Gallery of Art

Anna Maria Brodeau Thornton (Mrs. William Thornton), Gilbert Stuart, 1804, oil on canvas

Gilbert Stuart Anna Maria Brodeau Thornton (Mrs. William Thornton), 1804 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting.

Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747 National Gallery of Art

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition.

Aelbert Cuyp Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665 National Gallery of Art

We look down and across a canal filled with more than two dozen gondolas and sailing boats, and flanked by rows golden-yellow and parchment-white buildings connected by a wide, arched bridge in this horizontal landscape painting.

Francesco Guardi Grand Canal with the Rialto Bridge, Venice, probably c. 1780 National Gallery of Art

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Brace's Rock, Eastern Point, Gloucester, Fitz Henry Lane, c. 1864, oil on canvas

Fitz Henry Lane Brace's Rock, Eastern Point, Gloucester, c. 1864 National Gallery of Art

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

We look slightly down onto a bay that curves away from us into the distance and to our right in this horizontal landscape painting. C-shaped, shallow waves lap at the sandy beach from our right.

Worthington Whittredge Second Beach, Newport, c. 1878/1880 National Gallery of Art

This painting shows a landscape with a horizon in the lower third of the composition. On the left side of the painting, there are tall trees along a canal.

Johan Barthold Jongkind The Towpath, 1864 National Gallery of Art

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

Judith Leyster Young Boy in Profile, c. 1630 National Gallery of Art

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

About a dozen people walk and a few ride horses across a bridge spanning river that cuts through a sandy landscape in this horizontal painting.

Jean-Léon Gérôme View of Medinet El-Fayoum, c. 1868/1870 National Gallery of Art

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

This painting shows a group of potted pansies. There is a large basket filled with yellow pansies on the left, surrounded by at least four smaller terracotta pots on the right containing purple, white, blue, and orange pansies.

Henri Fantin-Latour Pansies, 1874 National Gallery of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

This painting depicts a rural landscape with a shepherdess tending to a flock of sheep on a tree-lined dirt path. She is facing away from us and wears a blue skirt with a white shirt and a white bonnet covering her hair.

George Inness Hillside at Étretat, 1876 National Gallery of Art

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

Two men and a dog walk or stand on a rutted dirt road that stretches into the distance in front of us, between a grove of trees to our left and a shallow, narrow canal or ditch to our right in this horizontal landscape painting.

Meindert Hobbema Wooded Landscape with Figures, c. 1658 National Gallery of Art

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

A path enclosed almost entirely with trees stretches into a dense, sun-dappled forest before us in this horizontal landscape painting.

Narcisse Virgilio Díaz de la Peña In the Forest, 1874 National Gallery of Art

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