All paintings (page 35)

Showing 1,633 to 1,680 of 2,374 paintings

A rutted, dirt road curves from the bottom center of the canvas toward and behind a grove of tall trees to our left, beneath a pale blue sky with fluffy white clouds that fills the top two-thirds of this horizontal landscape painting.

Meindert Hobbema A Wooded Landscape, 1663 National Gallery of Art

Eight cows bathed in warm sunlight stand and lie on a riverbank carpeted in mossy green in this horizontal painting. The cows are amber, ginger, or tawny brown, bone white, or black, and all have short, curving horns.

Aelbert Cuyp River Landscape with Cows, 1645/1650 National Gallery of Art

We look slightly down onto a crush of pedestrians, horse-drawn carriages, wagons, and streetcars enclosed by a row of densely spaced buildings and skyscrapers opposite us in this horizontal painting.

George Bellows New York, 1911 National Gallery of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway.

Ernst Ludwig Kirchner Dance Hall Bellevue [obverse], 1909/1910 National Gallery of Art

In the center of this painting is a blue vase filled with a variety of flowers in different sizes and colors. The flowers are in shades of orange, pink, yellow, and blue, with green leaves surrounding the blossoms.

Odilon Redon Large Vase with Flowers, c. 1912 National Gallery of Art

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky.

Jasper Francis Cropsey Warwick Castle, England, 1857 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

This painting depicts the upper half of a seated young woman who is facing forward. She has fair skin, pale eyebrows, gray eyes, and thin lips in a neutral expression. The right side of her face is partially in shadow.

Joshua Reynolds Miss Beatrix Lister, 1765 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

The head of a pale-skinned man nearly fills this shadowy, vertical portrait painting. His shoulders angle to our right, and his dark eyes cut back to look at us.

Édouard Vuillard Self-Portrait, Aged 21, 1889 National Gallery of Art

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

The Lovesick Maiden, Jan Steen, ca. 1660, oil on canvas

Jan Steen The Lovesick Maiden, ca. 1660 The Met

Omnia Vincit Amor, or The Power of Love in the Three Elements, Benjamin West, 1809, oil on canvas

Benjamin West Omnia Vincit Amor, or The Power of Love in the Three Elements, 1809 The Met

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

Luncheon (Annette and Her Grandmother), Édouard Vuillard, 1899, oil on board

Édouard Vuillard Luncheon (Annette and Her Grandmother), 1899 Cleveland Museum of Art

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago