Apartment and Dorm Paintings: Bold Works That Print Well at Home (page 3)

Bold, clear compositions that print well at home and move with you.

Showing 97 to 144 of 584 paintings

Painting of bedroom, blue walls, green window, tan bed, red bedding.

Vincent van Gogh The Bedroom, 1889 Art Institute of Chicago

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

Study of a Young Woman, Johannes Vermeer, ca. 1665–67, oil on canvas

Johannes Vermeer Study of a Young Woman, ca. 1665–67 The Met

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in pastel colors.

Claude Monet Waterloo Bridge, London, at Sunset, 1904 National Gallery of Art

Green hills roll back to a turquoise-blue sea in this almost square painting. The scene is built with layers of small dots in lavender, lilac, cool blue, warm green, yellow, and peach.

Georges Seurat Seascape at Port-en-Bessin, Normandy, 1888 National Gallery of Art

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

This painting is a portrait of a seated woman shown from the knees upwards. She is seated in a woven yellow armchair, with her right arm resting on one arm of the chair, while her left hand rests on her lap.

George Bellows Florence Sittenham Davey (Mrs. Randall Davey), 1914 National Gallery of Art

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

Shown from the knees up, a woman wearing an ice- and teal-blue dress and shawl sits in front of a window in this vertical painting. The scene is painted loosely with brushstrokes especially evident in the clothing and background.

Childe Hassam The New York Window, 1912 National Gallery of Art

We look down onto a wide, bustling, tree-lined avenue filled with buildings, people, and horse-drawn carriages in this horizontal painting.

Camille Pissarro Boulevard des Italiens, Morning, Sunlight, 1897 National Gallery of Art

This painting is a close-up portrait of a man's head and shoulders. He has pale skin and light, slightly disheveled brown hair with a strong widow's peak, and a short brown beard.

Henri Fantin-Latour Self-Portrait, 1861 National Gallery of Art

Margaret of Austria, Jean Hey,, ca. 1490, oil on oak panel

Jean Hey, Margaret of Austria, ca. 1490 The Met

Untitled (Cracked Watermelon), Charles Ethan Porter, ca. 1890, oil on canvas

Charles Ethan Porter Untitled (Cracked Watermelon), ca. 1890 The Met

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Shown from about the waist up, a woman with smooth, pale skin sits in a chair facing our right in front of a canvas on an easel in this vertical portrait. She leans onto her right elbow, which rests on the seat back.

Judith Leyster Self-Portrait, c. 1630 National Gallery of Art

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Henri de Toulouse-Lautrec Moulin de la Galette, 1889 Art Institute of Chicago

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in muted blue, pink, and brown.

Claude Monet Waterloo Bridge, Gray Day, 1903 National Gallery of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting.

George Bellows Blue Morning, 1909 National Gallery of Art

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

Portrait of Dora Wheeler, William Merritt Chase, 1882–83, oil on canvas

William Merritt Chase Portrait of Dora Wheeler, 1882–83 Cleveland Museum of Art

The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897, oil on canvas

Camille Pissarro The Boulevard Montmartre on a Winter Morning, 1897 The Met

Loosely painted scene of a brown-haired girl in her nightgown standing in a dark room, gazing out a window into a brighter night, her face unseen and her hand drawing back the pale curtain.

Edvard Munch The Girl by the Window, 1893 Art Institute of Chicago

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Juan de Pareja (ca. 1608–1670), Diego Velázquez, 1650, oil on canvas

Diego Velázquez Juan de Pareja (ca. 1608–1670), 1650 The Met

Shown from the knees up, a young woman wearing a white gown and bonnet sits in front of a balcony railing on a sunny day, holding a small dog on her lap in this vertical portrait painting.

Mary Cassatt Young Girl at a Window, c. 1883-1884 National Gallery of Art

Portrait of Isabella Brant, Peter Paul Rubens, c. 1620–25, oil on wood

Peter Paul Rubens Portrait of Isabella Brant, c. 1620–25 Cleveland Museum of Art

A pensive faced woman sits, slightly hunched, holding a book.

Camille Corot Interrupted Reading, c. 1870 Art Institute of Chicago

Rue Eugène Moussoir at Moret: Winter, Alfred Sisley, 1891, oil on canvas

Alfred Sisley Rue Eugène Moussoir at Moret: Winter, 1891 The Met

Abstract line composition of black lines at right angles forming quadrants including a gray square at upper left and a gray rectangle and red rectangle at lower right, against a white background.

Piet Mondrian Composition (No. 1) Gray-Red, 1935 Art Institute of Chicago

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, Paul Cézanne, 1888–90, oil on canvas

Paul Cézanne Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, 1888–90 The Met

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, 1866 The Met

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Still Life—Violin and Music, William Michael Harnett, 1888, oil on canvas

William Michael Harnett Still Life—Violin and Music, 1888 The Met

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

We look down onto nine pieces of fruit, a pitcher, a goblet, and a dish arranged on a rustic wood table in front of a floral curtain in this nearly square, loosely painted still life.

Paul Cézanne Still Life with Milk Jug and Fruit, c. 1900 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago