Apartment and Dorm Paintings: Bold Works That Print Well at Home (page 7)

Bold, clear compositions that print well at home and move with you.

Showing 289 to 336 of 584 paintings

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

The image features a variety of fruit, including large white melons, a sliced red watermelon, and clusters of dark and white grapes with an assortment of green leaves.

Chipman Melons and Grapes, mid 19th century National Gallery of Art

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470, oil on oak

Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470 The Met

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

Egyptian Woman, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptian Woman, 1890–91 The Met

A woman with peachy skin and dark auburn hair is shown from her chest up sitting in a wooden chair in this vertical portrait painting.

Amedeo Modigliani Adrienne (Woman with Bangs), 1917 National Gallery of Art

Boy with Pitcher (La Régalade), Édouard Manet, 1862–72, oil on canvas

Édouard Manet Boy with Pitcher (La Régalade), 1862–72 Art Institute of Chicago

Head of an Italian Woman, Jean-Léon Gérôme, c. 1847, oil on fabric

Jean-Léon Gérôme Head of an Italian Woman, c. 1847 Cleveland Museum of Art

This painting is a portrait of a seated woman looking off to the left with a composed expression. She has light skin with rosy cheeks, brown eyes, and slightly upturned pink lips.

Gilbert Stuart Eleanor Parke Custis Lewis (Mrs. Lawrence Lewis), 1804 National Gallery of Art

This painting is an abstract composition of irregular shapes and vibrant colors. The different sections overlap and intersect in shades of green, blue, red, purple, and pink.

Alexej von Jawlensky Red Path, St. Prex, 1915 National Gallery of Art

Portrait of Isidoro Máiquez, Francisco de Goya, c. 1807, oil on canvas

Francisco de Goya Portrait of Isidoro Máiquez, c. 1807 Art Institute of Chicago

Monsieur Suisse, Gustave Courbet, 1861, oil on canvas

Gustave Courbet Monsieur Suisse, 1861 The Met

Cylindrical, C-shaped, and triangular forms are painted with flat areas of vivid pink, purple, navy, royal, and light blue, turquoise, white, black, and gray in this abstract, horizontal painting.

Patrick Henry Bruce Peinture/Nature Morte, c. 1924 National Gallery of Art

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, as a Monk, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, as a Monk, 1866 The Met

Gustave Boyer (b. 1840) in a Straw Hat, Paul Cézanne, 1870–71, oil on paper, laid down on canvas

Paul Cézanne Gustave Boyer (b. 1840) in a Straw Hat, 1870–71 The Met

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Self-Portrait, Armand Guillaumin, c. 1872–74, oil on canvas

Armand Guillaumin Self-Portrait, c. 1872–74 Cleveland Museum of Art

Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, William Sidney Mount, 1852, oil on canvas

William Sidney Mount Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, 1852 The Met

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

Mrs. Charles Gifford Dyer (Mary Anthony), John Singer Sargent, 1880, oil on canvas

John Singer Sargent Mrs. Charles Gifford Dyer (Mary Anthony), 1880 Art Institute of Chicago

Thistles, John Singer Sargent, 1883–89, oil on canvas

John Singer Sargent Thistles, 1883–89 Art Institute of Chicago

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

A blue and white bowl with a flaring rim is filled with small red strawberries, and the currants and cherries scattered around it are arranged along a wooden ledge or table in this horizontal still life painting.

Jacob van Hulsdonck Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620 National Gallery of Art

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

Head of a Girl, Anthony van Dyck, c. 1618–c. 1620, oil on panel

Anthony van Dyck Head of a Girl, c. 1618–c. 1620 Art Institute of Chicago

Tilla Durieux (Ottilie Godeffroy, 1880–1971), Pierre-Auguste Renoir, 1914, oil on canvas

Pierre-Auguste Renoir Tilla Durieux (Ottilie Godeffroy, 1880–1971), 1914 The Met

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

Study of Two Bedouins, John Singer Sargent, 1905–6, oil on canvas

John Singer Sargent Study of Two Bedouins, 1905–6 Art Institute of Chicago

Portrait of a woman in white with a bonnet perched on an architectural feature painting something to her right, a spouting water fountain, greenery, and a an ornate, low white fence behind her.

John Singer Sargent The Fountain, Villa Torlonia, Frascati, Italy, 1907 Art Institute of Chicago

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Man in a Green Coat, Gilbert Stuart, ca. 1779–85, oil on canvas

Gilbert Stuart Man in a Green Coat, ca. 1779–85 The Met

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, Jacometto, ca. 1485–95, oil on wood; verso: oil and gold on wood

Jacometto Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck, ca. 1485–95 The Met

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago