Large Paintings for the Bedroom (page 2)

Showing 49 to 96 of 219 large paintings

Shooting the Rapids, Saguenay River, Winslow Homer, 1905–10, oil on canvas with chalk

Winslow Homer Shooting the Rapids, Saguenay River, 1905–10 The Met

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

We look slightly down onto a port-side town along a canal, with a church across the water from us in this horizontal landscape painting. A bright blue sky with billowing white, pink, and gray clouds fills the top two-thirds of the painting.

Canaletto Entrance to the Grand Canal from the Molo, Venice, 1742/1744 National Gallery of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

An arched bridge faintly materializes in a haze of soft turquoise blue and mint green in this horizontal landscape painting. The bridge has four arches under a flat deck, and it extends off each side of the canvas.

Claude Monet Waterloo Bridge, London, at Dusk, 1904 National Gallery of Art

A small complex of white buildings with red-tile roofs are engulfed in a patchwork of lush, green farm fields over rolling hills in this nearly square painting.

Camille Pissarro Landscape at Les Pâtis, Pontoise, 1868 National Gallery of Art

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

High Point: Shandaken Mountains, Asher Brown Durand, 1853, oil on canvas

Asher Brown Durand High Point: Shandaken Mountains, 1853 The Met

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

Woodland Road, Meindert Hobbema, ca. 1670, oil on canvas

Meindert Hobbema Woodland Road, ca. 1670 The Met

Sleep, Pierre Puvis de Chavannes, ca. 1867–70, oil on canvas

Pierre Puvis de Chavannes Sleep, ca. 1867–70 The Met

The Edge of the Woods at Monts-Girard, Fontainebleau Forest, Théodore Rousseau, 1852–54, oil on wood

Théodore Rousseau The Edge of the Woods at Monts-Girard, Fontainebleau Forest, 1852–54 The Met

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition.

Aelbert Cuyp Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665 National Gallery of Art

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

A rutted, dirt road curves from the bottom center of the canvas toward and behind a grove of tall trees to our left, beneath a pale blue sky with fluffy white clouds that fills the top two-thirds of this horizontal landscape painting.

Meindert Hobbema A Wooded Landscape, 1663 National Gallery of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

Young Herdsmen with Cows, Aelbert Cuyp, ca. 1655–60, oil on canvas

Aelbert Cuyp Young Herdsmen with Cows, ca. 1655–60 The Met

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

The Ford, Claude Lorrain, possibly 1636, oil on canvas

Claude Lorrain The Ford, possibly 1636 The Met

Pastoral Landscape: The Roman Campagna, Claude Lorrain, ca. 1639, oil on canvas

Claude Lorrain Pastoral Landscape: The Roman Campagna, ca. 1639 The Met

Mountains painted in tones of sage and mint green and mauve purple are backlit against a hazy sky in this expansive, nearly square landscape painting.

Joseph Wright of Derby Italian Landscape, 1790 National Gallery of Art

The Valley of Les Puits-Noir, Gustave Courbet, 1868, oil on canvas

Gustave Courbet The Valley of Les Puits-Noir, 1868 Art Institute of Chicago

Landscape with a Village in the Distance, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Village in the Distance, 1646 The Met

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

Sunrise, Claude Lorrain, possibly 1646–47, oil on canvas

Claude Lorrain Sunrise, possibly 1646–47 The Met

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

The painting depicts a view overlooking a valley with a river in the distance. The almost-cloudless sky is painted in shades of light blue with faint pink near the horizon.

George Inness View of the Tiber near Perugia, 1872-1874 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

The Forest in Winter at Sunset, Théodore Rousseau, ca. 1846–67, oil on canvas

Théodore Rousseau The Forest in Winter at Sunset, ca. 1846–67 The Met

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art