Realist Paintings for the Bedroom (page 2)

Showing 49 to 94 of 94 Realist paintings

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

Winter Landscape, Gustave Courbet, 1850 - 1877

Gustave Courbet Winter Landscape, 1850 - 1877 Rijksmuseum

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

View in the Forest of Fontainebleau, Gustave Courbet, 1855, oil on canvas

Gustave Courbet View in the Forest of Fontainebleau, 1855 Rijksmuseum

Young Ladies of the Village, Gustave Courbet, 1851–52, oil on canvas

Gustave Courbet Young Ladies of the Village, 1851–52 The Met

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Harvest Scene, Winslow Homer, ca. 1873, oil on canvas

Winslow Homer Harvest Scene, ca. 1873 The Met

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Study for Eagle Head, Manchester, Massachusetts, Winslow Homer, 1869 (?), oil on wood

Winslow Homer Study for Eagle Head, Manchester, Massachusetts, 1869 (?) The Met

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

Joan of Arc, Jules Bastien-Lepage, 1879, oil on canvas

Jules Bastien-Lepage Joan of Arc, 1879 The Met

Wooded Landscape, Gustave Courbet, 1860–65, oil on canvas

Gustave Courbet Wooded Landscape, 1860–65 Art Institute of Chicago

Maine Coast, Winslow Homer, 1896, oil on canvas

Winslow Homer Maine Coast, 1896 The Met

Marine: The Waterspout, Gustave Courbet, 1870, oil on canvas

Gustave Courbet Marine: The Waterspout, 1870 The Met

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

Four women with pale, peach skin, wearing long white dresses, stand or sit on a sunny beach in this wide, horizontal painting. People and carriages are painted as hazy gray silhouettes spread along the beach in the distance.

Winslow Homer East Hampton Beach, Long Island, 1874 National Gallery of Art

A narrow strip of beach and then a vivid turquoise stretch of water give way to a towering, hazy sky in this square landscape painting.

Gustave Courbet Calm Sea, 1866 National Gallery of Art

The Beach, Late Afternoon, Winslow Homer, 1869, oil on wood

Winslow Homer The Beach, Late Afternoon, 1869 The Met

Young Woman, Jean-François Millet, 1844–45, oil on canvas

Jean-François Millet Young Woman, 1844–45 Art Institute of Chicago

This painting shows a young girl sitting in a wooden chair, facing the right. She has pale skin, rosy cheeks, a slightly upturned nose, and long, brown hair put up behind her head. She is wearing a pale green dress and black shoes.

Eastman Johnson The Pets, 1856 National Gallery of Art

The New Bonnet, Eastman Johnson, 1876, oil on academy board

Eastman Johnson The New Bonnet, 1876 The Met

Environs of Fontainebleau: Woodland and Cattle, Rosa Bonheur, 1864, oil on canvas

Rosa Bonheur Environs of Fontainebleau: Woodland and Cattle, 1864 The Met

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Wild Boars in the Snow, Rosa Bonheur, c. 1872–77, oil on wood panel

Rosa Bonheur Wild Boars in the Snow, c. 1872–77 Cleveland Museum of Art

Three light-skinned men, one with his head and knee bandaged, sit and stand around a rusty, free-standing stove in a room with wide plank floors in this horizontal painting.

William Sidney Mount The Tough Story - Scene in a Country Tavern, 1837 National Gallery of Art

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson, 1872, oil on board

Eastman Johnson Winding Yarn (Interior of a Nantucket Kitchen), 1872 Cleveland Museum of Art