Small Paintings for the Bedroom (page 3)

Showing 97 to 143 of 143 small paintings

Marine, William Merritt Chase, c. 1888, oil on wood

William Merritt Chase Marine, c. 1888 Cleveland Museum of Art

Woman on Rose Divan, Henri Matisse, 1921, oil on canvas

Henri Matisse Woman on Rose Divan, 1921 Art Institute of Chicago

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

The Beach at Deauville, Eugène Boudin, 1864, oil on wood panel

Eugène Boudin The Beach at Deauville, 1864 Cleveland Museum of Art

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

Figures and a Dog in a Landscape, Narcisse Virgilio Díaz de la Peña, 1852, oil on wood

Narcisse Virgilio Díaz de la Peña Figures and a Dog in a Landscape, 1852 The Met

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662, oil on canvas

Johannes Vermeer Young Woman with a Water Pitcher, ca. 1662 The Met

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

This horizontal, rectangular painting is created entirely with dots and touches of sky and royal blue, butter and sunshine yellow, and spring green.

Georges Seurat Seascape (Gravelines), 1890 National Gallery of Art

Study for "A Sunday on La Grande Jatte", Georges Seurat, 1884, oil on wood

Georges Seurat Study for "A Sunday on La Grande Jatte", 1884 The Met

Willows and Farmhouse at Sainte-Catherine-lès-Arras, Camille Corot, 1871, oil on fabric

Camille Corot Willows and Farmhouse at Sainte-Catherine-lès-Arras, 1871 Cleveland Museum of Art

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

Eight men, women, and children stand or sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach at Trouville, 1864/1865 National Gallery of Art

Eleven men, women, and children stand around a freestanding flagpole near a floating dock on a beach in this horizontal landscape painting. The scene is loosely painted, and dozens more people are gathered on the dock.

Eugène Boudin On the Jetty, c. 1869/1870 National Gallery of Art

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting.

Eugène Boudin Beach Scene, 1862 National Gallery of Art

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

Gray Day on the Bay, William Merritt Chase, c. 1886, oil on wood

William Merritt Chase Gray Day on the Bay, c. 1886 Cleveland Museum of Art

Potted Pansies, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Potted Pansies, 1883 The Met

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

A pale-skinned woman sits at a table leaning over an open book in a brightly lit room in this loosely painted, horizontal scene.

Camille Corot Woman Reading in the Studio, c. 1868 National Gallery of Art

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

Study of Palm Trees, Jean-Léon Gérôme, 1855/56, oil on canvas, laid down on board

Jean-Léon Gérôme Study of Palm Trees, 1855/56 The Met

Boboli Garden, Florence, John Singer Sargent, ca. 1906–7, watercolor, gouache, and graphite on white wove paper, mounted on board

John Singer Sargent Boboli Garden, Florence, ca. 1906–7 The Met

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

Wild Boars in the Snow, Rosa Bonheur, c. 1872–77, oil on wood panel

Rosa Bonheur Wild Boars in the Snow, c. 1872–77 Cleveland Museum of Art

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

Terminus, the Device of Erasmus, Hans Holbein the Younger, c. 1532, oil on wood

Hans Holbein the Younger Terminus, the Device of Erasmus, c. 1532 Cleveland Museum of Art

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

This painting shows a woman standing, her left arm raised to her chest. She has dark hair in an updo and adorned with a white accessory, and wears a dress in shades of blue, white, and tan. She has a black necklace around her neck.

Pierre-Auguste Renoir Woman Standing by a Tree, 1866 National Gallery of Art

Study of Beeches, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Study of Beeches, 1872 The Met

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

A Man Leaning on a Parapet, Georges Seurat, ca. 1881, oil on wood

Georges Seurat A Man Leaning on a Parapet, ca. 1881 The Met

A Boy in a Red-Lined Cloak, Jean-Honoré Fragonard, 1780s, oil on wood

Jean-Honoré Fragonard A Boy in a Red-Lined Cloak, 1780s Cleveland Museum of Art

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

A Woman and Two Men in an Arbor, Pieter de Hooch, ca. 1657–58, oil on wood

Pieter de Hooch A Woman and Two Men in an Arbor, ca. 1657–58 The Met

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Narcisse Virgilio Díaz de la Peña Three Little Girls, c. 1870 Art Institute of Chicago

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

In the Woods, George Inness, 1866, oil on board

George Inness In the Woods, 1866 Cleveland Museum of Art