Vertical Paintings for the Bedroom (page 3)

Showing 97 to 144 of 144 vertical paintings

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662, oil on canvas

Johannes Vermeer Young Woman with a Water Pitcher, ca. 1662 The Met

A man with sparse brown facial hair stands in a full-length black robe on a multicolored tiled floor, a white and brown dog behind him.

Giovanni Battista Moroni Gian Lodovico Madruzzo, 1551–52 Art Institute of Chicago

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

Alfred Sisley, Pierre-Auguste Renoir, 1876, oil on canvas

Pierre-Auguste Renoir Alfred Sisley, 1876 Art Institute of Chicago

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

A Lane through the Trees, Camille Corot, ca. 1870–73, oil on canvas

Camille Corot A Lane through the Trees, ca. 1870–73 The Met

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

Two pale-skinned little girls sit back-to-back on a sandy beach, almost filling the width of this vertical painting. The girls wear matching pale, ice-blue pinafores over short sleeve, ocean-blue dresses.

Mary Cassatt Children Playing on the Beach, 1884 National Gallery of Art

The Ferryman, Camille Corot, ca. 1865, oil on canvas

Camille Corot The Ferryman, ca. 1865 The Met

Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh Two Poplars in the Alpilles near Saint-Rémy, 1889 Cleveland Museum of Art

Portrait of a Woman, Agnolo Bronzino, c. 1550, oil on wood

Agnolo Bronzino Portrait of a Woman, c. 1550 Cleveland Museum of Art

Curiosity, Gerard ter Borch, ca. 1660–62, oil on canvas

Gerard ter Borch Curiosity, ca. 1660–62 The Met

Shown from the knees up, a woman wearing an ice- and teal-blue dress and shawl sits in front of a window in this vertical painting. The scene is painted loosely with brushstrokes especially evident in the clothing and background.

Childe Hassam The New York Window, 1912 National Gallery of Art

This painting shows a man in a yellow jacket standing on a small brown rowboat on a wide, pale green river. Behind him is a large mint-green sailboat, its tall mast bare, the sails folded on the deck.

Childe Hassam Oyster Sloop, Cos Cob, 1902 National Gallery of Art

A Young Man with a Chain, Rembrandt van Rijn, c. 1629 or 1632, oil on wood

Rembrandt van Rijn A Young Man with a Chain, c. 1629 or 1632 Cleveland Museum of Art

Young Woman with a Lute, Johannes Vermeer, ca. 1662–63, oil on canvas

Johannes Vermeer Young Woman with a Lute, ca. 1662–63 The Met

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art

Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

The Music Lesson, Gerard ter Borch, c. 1670, oil on canvas

Gerard ter Borch The Music Lesson, c. 1670 Art Institute of Chicago

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

A young, pale-skinned woman sits with her back to us as she looks at a painting on an easel in a studio in this vertical painting.

Camille Corot Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand, c. 1868 National Gallery of Art

Dr. James Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart, c. 1815 Cleveland Museum of Art

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights.

El Greco The Feast in the House of Simon, c. 1608–14 Art Institute of Chicago

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

The Visit, Pieter de Hooch, ca. 1657, oil on wood

Pieter de Hooch The Visit, ca. 1657 The Met

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

Study of a Tree, Albert Bierstadt, ca. 1864, oil on paper mounted on board

Albert Bierstadt Study of a Tree, ca. 1864 The Met

This painting shows a grassy landscape from a slightly elevated angle. The horizon is high in the composition, with faint pink-and-yellow mountains or hills under a muted gray-blue sky. Closest to us, light greens and yellows suggest grass.

Édouard Vuillard On the Beach, c. 1907 National Gallery of Art

This painting shows a woman standing, her left arm raised to her chest. She has dark hair in an updo and adorned with a white accessory, and wears a dress in shades of blue, white, and tan. She has a black necklace around her neck.

Pierre-Auguste Renoir Woman Standing by a Tree, 1866 National Gallery of Art

Study of Beeches, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Study of Beeches, 1872 The Met

Edouard Delessert, Jean-Léon Gérôme, 1864, oil on panel

Jean-Léon Gérôme Edouard Delessert, 1864 National Gallery of Art

A Man Leaning on a Parapet, Georges Seurat, ca. 1881, oil on wood

Georges Seurat A Man Leaning on a Parapet, ca. 1881 The Met

A Boy in a Red-Lined Cloak, Jean-Honoré Fragonard, 1780s, oil on wood

Jean-Honoré Fragonard A Boy in a Red-Lined Cloak, 1780s Cleveland Museum of Art

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

A Woman and Two Men in an Arbor, Pieter de Hooch, ca. 1657–58, oil on wood

Pieter de Hooch A Woman and Two Men in an Arbor, ca. 1657–58 The Met

Painting of three light-skinned girls in a woodland setting. A dog in the foreground faces a girl with a puppy in her lap.

Narcisse Virgilio Díaz de la Peña Three Little Girls, c. 1870 Art Institute of Chicago

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

The Forest at Pontaubert, Georges Seurat, 1881, oil on canvas

Georges Seurat The Forest at Pontaubert, 1881 The Met

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

A Couple Playing Cards, with a Serving Woman, Pieter de Hooch, ca. 1665–75, oil on canvas

Pieter de Hooch A Couple Playing Cards, with a Serving Woman, ca. 1665–75 The Met

In the Woods, George Inness, 1866, oil on board

George Inness In the Woods, 1866 Cleveland Museum of Art