Guest Room Paintings: Welcoming Landscapes and Flowers (page 7)

Easy, generous classics that any visitor will wake up happy to see.

Showing 289 to 336 of 727 paintings

A River in a Meadow, Théodore Rousseau, ca. 1840, oil on wood

Théodore Rousseau A River in a Meadow, ca. 1840 The Met

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

Landscape with a Village in the Distance, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Village in the Distance, 1646 The Met

Grainfields, Jacob van Ruisdael, mid- or late 1660s, oil on canvas

Jacob van Ruisdael Grainfields, mid- or late 1660s The Met

Summer Flowers, Henri Fantin-Latour, 1880, oil on canvas

Henri Fantin-Latour Summer Flowers, 1880 The Met

Landscape with Ducks, Charles-François Daubigny, 1872, oil on wood

Charles-François Daubigny Landscape with Ducks, 1872 The Met

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

The Pond (La Mare), Théodore Rousseau, 1855, oil on wood

Théodore Rousseau The Pond (La Mare), 1855 The Met

Warm sunlight bathes a scene with a herd of five golden tan, ivory, or chocolate-brown cows lying or standing on a low hill near four people on foot and on horseback in this horizontal landscape painting.

Aelbert Cuyp Landscape with Herdsmen, mid 1650s National Gallery of Art

This painting depicts a pastoral scene with grassy marshland dotted with several yellow haystacks. A river winds through the flat green landscape, and on the right side a shallow boat sits next to the edge of the water.

Martin Johnson Heade View of Marshfield, c. 1866/1876 National Gallery of Art

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

An elegantly dressed man and woman ride horses toward us and to our right in a landscape with low, rolling hills, stone buildings, and trees in this horizontal painting. The two horses and riders take up the right half of the composition.

Aelbert Cuyp Lady and Gentleman on Horseback, c. 1655, reworked 1660/1665 National Gallery of Art

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

About a dozen people walk and a few ride horses across a bridge spanning river that cuts through a sandy landscape in this horizontal painting.

Jean-Léon Gérôme View of Medinet El-Fayoum, c. 1868/1870 National Gallery of Art

This painting shows a group of potted pansies. There is a large basket filled with yellow pansies on the left, surrounded by at least four smaller terracotta pots on the right containing purple, white, blue, and orange pansies.

Henri Fantin-Latour Pansies, 1874 National Gallery of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

This painting depicts a rural landscape with a shepherdess tending to a flock of sheep on a tree-lined dirt path. She is facing away from us and wears a blue skirt with a white shirt and a white bonnet covering her hair.

George Inness Hillside at Étretat, 1876 National Gallery of Art

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

Two men and a dog walk or stand on a rutted dirt road that stretches into the distance in front of us, between a grove of trees to our left and a shallow, narrow canal or ditch to our right in this horizontal landscape painting.

Meindert Hobbema Wooded Landscape with Figures, c. 1658 National Gallery of Art

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

A path enclosed almost entirely with trees stretches into a dense, sun-dappled forest before us in this horizontal landscape painting.

Narcisse Virgilio Díaz de la Peña In the Forest, 1874 National Gallery of Art

This painting shows a woodland scene with tall trees surrounding a small, still pond. The trees and grassy ground are painted in shades of olive-green, rusty orange, yellow ochre, and dark brown.

Narcisse Virgilio Díaz de la Peña The Frog Pond, 1876 National Gallery of Art

Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition.

Jacob van Ruisdael Dunes by the Sea, 1648 National Gallery of Art

We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting.

George Inness The Lackawanna Valley, c. 1856 National Gallery of Art

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

The painting shows a cityscape with a large cylindrical reddish-brown fortress on the right. In the center, a wide river winds through the city, with people by the riverbank and more people walking along a winding road on the left.

Francesco Guardi Fanciful View of the Castel Sant'Angelo, Rome, c. 1785 National Gallery of Art

A garden with two fountains stretches back to a manor house in the distance in this horizontal landscape painting. The horizon comes about a third of the way up the composition, and gray clouds tower in the vivid blue sky above.

Jacob van Ruisdael Country House in a Park, c. 1675 National Gallery of Art

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

We look across a river and slightly up at a pair of tall, leafy trees framed by steely-gray clouds against a a vivid blue sky in this nearly square landscape painting.

Jacob van Ruisdael Landscape, c. 1670 National Gallery of Art

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

We look slightly down onto a panorama with dozens of pale-skinned men, women, and children skating and standing on a frozen river in this horizontal landscape painting.

Hendrick Avercamp A Scene on the Ice, c. 1625 National Gallery of Art

The painting depicts a view overlooking a valley with a river in the distance. The almost-cloudless sky is painted in shades of light blue with faint pink near the horizon.

George Inness View of the Tiber near Perugia, 1872-1874 National Gallery of Art

A placid river winds past low hills with cows to fields blanketed with trees leading back to mountains lining the horizon in this hazy, horizontal, landscape painting.

Asher Brown Durand A Pastoral Scene, 1858 National Gallery of Art

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon.

Edward Hicks The Grave of William Penn, c. 1847/1848 National Gallery of Art

Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting.

Frédéric Bazille Young Woman with Peonies, 1870 National Gallery of Art

Mountains painted in tones of sage and mint green and mauve purple are backlit against a hazy sky in this expansive, nearly square landscape painting.

Joseph Wright of Derby Italian Landscape, 1790 National Gallery of Art