Hallway and Entryway Paintings: Tall Works for Narrow Walls (page 5)

Tall formats and welcoming scenes for the walls you pass every day.

Showing 193 to 240 of 456 paintings

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

Pierre-Auguste Renoir Head of a Young Girl, c. 1890 National Gallery of Art

Shown from the chest up, a clean-shaven young man with pale, peachy skin looks off to our left against a cloudy sky in this vertical portrait painting.

Giovanni Bellini Portrait of a Young Man in Red, c. 1480 National Gallery of Art

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

Édouard Manet Portrait of a Lady, c. 1879 National Gallery of Art

Shown from the chest up with his body and head facing us, a pale-skinned young man cuts his light-brown eyes sharply to our right in this vertical portrait painting.

Anthony van Dyck Head of a Young Man, c. 1617/1618 National Gallery of Art

Annie C. Lochrey Husson (Mrs. Louis Husson), Thomas Eakins, c. 1905, oil on canvas

Thomas Eakins Annie C. Lochrey Husson (Mrs. Louis Husson), c. 1905 National Gallery of Art

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

Shown from the chest up, a cleanshaven man with peachy skin sits angled to our right in this vertical portrait painting. He has chin-length, curly, auburn-red hair. He gazes off to our right with hazel eyes under thick brows.

Hans Holbein the Younger Portrait of a Young Man, c. 1520/1530 National Gallery of Art

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Shown from the lap up, an older woman with pale, slightly sagging skin and frosty gray hair sits facing us in this loosely painted vertical portrait.

Mary Cassatt Portrait of a Lady, c. 1887 National Gallery of Art

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Portrait of a Man, Jean-François Millet, c. 1845, oil on canvas

Jean-François Millet Portrait of a Man, c. 1845 National Gallery of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting.

Amedeo Modigliani Monsieur Deleu, 1916 National Gallery of Art

Rose and coral pink, vivid white, delphinium blue, and buttercup yellow flowers with deep green leaves are arranged in a blue and white vase in front of a pale sea-green background in this vertical still life painting.

Paul Cézanne Flowers in a Rococo Vase, c. 1876 National Gallery of Art

This painting depicts the upper half of a person's body. Their body is facing us, but their head is turned to the right in a three-quarters view, looking away from us.

Gustave Courbet Portrait of a Young Girl, 1857 National Gallery of Art

A dark-haired, disembodied head of a haloed man with pale, peach skin floats against a red and yellow background in this vertical portrait.

Paul Gauguin Self-Portrait, 1889 National Gallery of Art

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Shown from the hips up, a pale-skinned woman wearing a tightly corseted dress looks off to our left in this vertical pastel drawing. The portrait is loosely sketched with blended areas, giving it a soft look.

Édouard Manet Madame Michel-Lévy, 1882 National Gallery of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

A bouquet of cut flowers in a clear glass vase nearly fills this vertical painting. The vase has straight sides and the rounded bottom is supported by short, round feet.

Édouard Manet Flowers in a Crystal Vase, c. 1882 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art

A white dog spotted with caramel-brown and with long, floppy ears sits in a garden setting near a green park bench in this loosely painted vertical portrait.

Henri de Toulouse-Lautrec The Artist's Dog Flèche, c. 1881 National Gallery of Art

This painting is a portrait of a person with dark hair styled neatly in an updo with soft waves over their forehead.

Thomas Eakins Harriet Husson Carville (Mrs. James G. Carville), 1904 National Gallery of Art

A loose arrangement of colorful wildflowers bursting out of a red clay jug sits near the back left corner of a tabletop and fills the top two-thirds of this vertical still life painting.

Pierre-Auguste Renoir Flowers in a Vase, c. 1866 National Gallery of Art

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

Painted in muted lime green, plum purple, buttercup yellow, slate and royal blue, the head and shoulders of a man with peach-colored skin sitting in front of a window looks at us in this stylized, vertical portrait.

Paul Gauguin Self-Portrait Dedicated to Carrière, 1888 or 1889 National Gallery of Art

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting.

Frans Hals Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638 National Gallery of Art

Shown from the chest up, a young man with a plump, pale-skinned face hooks one elbow over the back of a wooden chair and looks at us in this vertical portrait painting.

Frans Hals Portrait of a Young Man, 1646/1648 National Gallery of Art

Four flowers and greenery create a loose bouquet in a clear glass in this vertical still life, which is painted with visible brushstrokes throughout. The glass has a tall, narrow, rounded bowl on a flaring foot like a drinking glass.

Berthe Morisot Peonies, c. 1869 National Gallery of Art

The face of a young man with peachy-colored skin and dark hair fills this vertical painting. The man is lit from our left but is angled to slightly to our right, so his face is mostly in shadow.

Edgar Degas Self-Portrait with White Collar, c. 1857 National Gallery of Art

Shown from the hips up, a pale-skinned young girl wearing an ink-black garment with a cream-white collar and a coral-red sash and necklaces holds a terrier dog as she looks at us in this vertical portrait painting.

John Singer Sargent Miss Beatrice Townsend, 1882 National Gallery of Art

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

Himself, Robert Henri, 1913, oil on canvas

Robert Henri Himself, 1913 Art Institute of Chicago

Portrait of a Man with Gray Hair, Henry Raeburn, 1810–20, oil on canvas

Henry Raeburn Portrait of a Man with Gray Hair, 1810–20 Art Institute of Chicago

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Joseph Gerrish, John Singleton Copley, 1770, oil on canvas

John Singleton Copley Joseph Gerrish, 1770 Art Institute of Chicago

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art