Horizontal Paintings for a Home Office (page 5)

Showing 193 to 240 of 284 horizontal paintings

Venice: The Rialto, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Rialto, 1763 The Met

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers.

John Frederick Kensett Landing at Sabbath Day Point, c. 1853 National Gallery of Art

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, Hubert Robert, c.1769, oil on canvas

Hubert Robert Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, c.1769 Cleveland Museum of Art

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Honoré Daumier In Church, 1855/1857 National Gallery of Art

In the distance, a fortress sits on a rocky plateau below a sky filled with lightly rolling white and gray clouds in this horizontal landscape painting.

Bernardo Bellotto The Fortress of Königstein, 1756-1758 National Gallery of Art

Firemen's Washing Day, William P. Chappel, 1870s, oil on slate paper

William P. Chappel Firemen's Washing Day, 1870s The Met

Arches in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert Arches in Ruins, 1781 The Met

A Colonnade in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert A Colonnade in Ruins, 1781 The Met

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

Landscape, Camille Corot, 1865/70, oil on canvas

Camille Corot Landscape, 1865/70 Art Institute of Chicago

The Ford, Claude Lorrain, possibly 1636, oil on canvas

Claude Lorrain The Ford, possibly 1636 The Met

View of the Port of Saint-Valéry-sur-Somme, Eugène Boudin, 1891, oil on canvas

Eugène Boudin View of the Port of Saint-Valéry-sur-Somme, 1891 Cleveland Museum of Art

Painting of bedroom, blue walls, green window, tan bed, red bedding.

Vincent van Gogh The Bedroom, 1889 Art Institute of Chicago

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

James McNeill Whistler Nocturne: Blue and Gold—Southampton Water, 1872 Art Institute of Chicago

Boating, Édouard Manet, 1874, oil on canvas

Édouard Manet Boating, 1874 The Met

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643, oil on canvas

Claude Lorrain The Trojan Women Setting Fire to Their Fleet, ca. 1643 The Met

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left.

Berthe Morisot Woman at Her Toilette, 1875–80 Art Institute of Chicago

In a beige room, a group of light-skinned men of various ages and a young boy clap as a figure in tattered clothing at center, his back to the viewer, dances and holds a tin cup in the air.

William Sidney Mount Bar-room Scene, 1835 Art Institute of Chicago

Leisure Time in an Elegant Setting, Pieter de Hooch, ca. 1663–65, oil on canvas

Pieter de Hooch Leisure Time in an Elegant Setting, ca. 1663–65 The Met

Broken Eggs, Jean-Baptiste Greuze, 1756, oil on canvas

Jean-Baptiste Greuze Broken Eggs, 1756 The Met

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

The Penitence of Saint Jerome, Joachim Patinir, ca. 1515, oil on wood

Joachim Patinir The Penitence of Saint Jerome, ca. 1515 The Met

Panoramic View of the Alps, Les Dents du Midi, Gustave Courbet, 1877, oil on fabric

Gustave Courbet Panoramic View of the Alps, Les Dents du Midi, 1877 Cleveland Museum of Art

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Mountain Scene, Albert Bierstadt, 1880–90, oil on paper

Albert Bierstadt Mountain Scene, 1880–90 The Met

Searchlight on Harbor Entrance, Santiago de Cuba, Winslow Homer, 1902, oil on canvas

Winslow Homer Searchlight on Harbor Entrance, Santiago de Cuba, 1902 The Met

Mont Sainte-Victoire, Paul Cézanne, ca. 1902–6, oil on canvas

Paul Cézanne Mont Sainte-Victoire, ca. 1902–6 The Met

View of the Domaine Saint-Joseph, Paul Cézanne, late 1880s, oil on canvas

Paul Cézanne View of the Domaine Saint-Joseph, late 1880s The Met

Christ Asleep during the Tempest, Eugène Delacroix, ca. 1853, oil on canvas

Eugène Delacroix Christ Asleep during the Tempest, ca. 1853 The Met

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

Lush treetops give way to a body of water and a hill in this loosely painted horizontal landscape.

Pierre-Auguste Renoir View of Monte Carlo from Cap Martin, c. 1884 National Gallery of Art

From behind a low stone wall, on which a young woman with pale skin sits, we look across a wide, shimmering blue waterway toward a town along the opposite shore, under a pale blue sky with wispy white clouds in this horizontal landscape…

Berthe Morisot The Harbor at Lorient, 1869 National Gallery of Art

Pale beige, angular houses cluster at the center of the horizontal landscape painting. The hilly, rocky landscape around and below the houses is painted with cool blues and greens, and warm ivory and caramel brown beneath a pale blue sky.

Paul Cézanne Houses in Provence: The Riaux Valley near L'Estaque, c. 1883 National Gallery of Art

In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting.

Claude Monet Interior, after Dinner, 1868/1869 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

An ice- and powder-blue sky swirled with faint peach takes up the top two-thirds of this landscape painting.

Alfred Sisley First Snow at Veneux-Nadon, 1878 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art