Hudson River School Paintings for the Living Room (page 2)

Showing 49 to 96 of 162 Hudson River School paintings

A Foggy Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett A Foggy Sky, 1872 The Met

Hudson River Scene, John Frederick Kensett, 1857, oil on canvas

John Frederick Kensett Hudson River Scene, 1857 The Met

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Salt Meadow in October, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Salt Meadow in October, 1872 The Met

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

Twilight on the Sound, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight on the Sound, Darien, Connecticut, 1872 The Met

Hackensack Meadows, Jasper Francis Cropsey, 1890, watercolor, gouache, and graphite on off-white wove paper

Jasper Francis Cropsey Hackensack Meadows, 1890 The Met

A dirt path winds through a field of gold-green grass back to a town built on low hills in this horizontal, densely hazy landscape painting. Several minuscule people walk on the path and at least one person rides a horse.

Sanford Robinson Gifford Siout, Egypt, 1874 National Gallery of Art

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

We look slightly down onto a bay that curves away from us into the distance and to our right in this horizontal landscape painting. C-shaped, shallow waves lap at the sandy beach from our right.

Worthington Whittredge Second Beach, Newport, c. 1878/1880 National Gallery of Art

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

A placid river winds past low hills with cows to fields blanketed with trees leading back to mountains lining the horizon in this hazy, horizontal, landscape painting.

Asher Brown Durand A Pastoral Scene, 1858 National Gallery of Art

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

Villa Malta, Rome, Sanford Robinson Gifford, 1879, oil on canvas

Sanford Robinson Gifford Villa Malta, Rome, 1879 Smithsonian American Art Museum

The Grand Canyon of the Yellowstone, Thomas Moran, 1893-1901, oil on canvas

Thomas Moran The Grand Canyon of the Yellowstone, 1893-1901 Smithsonian American Art Museum

Cliffs of the Upper Colorado River, Wyoming Territory, Thomas Moran, 1882, oil on canvas

Thomas Moran Cliffs of the Upper Colorado River, Wyoming Territory, 1882 Smithsonian American Art Museum

Greenwood Lake, Jasper Francis Cropsey, 1875, oil on canvas mounted on masonite

Jasper Francis Cropsey Greenwood Lake, 1875 Smithsonian American Art Museum

Seconnet Point, Rhode Island, Worthington Whittredge, ca. 1880, oil on canvas

Worthington Whittredge Seconnet Point, Rhode Island, ca. 1880 Smithsonian American Art Museum

Valley of Cuernavaca, Thomas Moran, 1903, oil on canvas

Thomas Moran Valley of Cuernavaca, 1903 Smithsonian American Art Museum

Along the Hudson, John Frederick Kensett, 1852, oil on canvas

John Frederick Kensett Along the Hudson, 1852 Smithsonian American Art Museum

Dover Plains, Dutchess County, New York, Asher Brown Durand, 1848, oil on canvas

Asher Brown Durand Dover Plains, Dutchess County, New York, 1848 Smithsonian American Art Museum

The Amphitheatre of Tusculum and Albano Mountains, Rome, Worthington Whittredge, 1860, oil on canvas

Worthington Whittredge The Amphitheatre of Tusculum and Albano Mountains, Rome, 1860 Smithsonian American Art Museum

The Coast of Genoa, Jasper Francis Cropsey, 1854, oil on canvas

Jasper Francis Cropsey The Coast of Genoa, 1854 Smithsonian American Art Museum

Rainbow over the Grand Canyon of the Yellowstone, Thomas Moran, 1900, oil on canvas

Thomas Moran Rainbow over the Grand Canyon of the Yellowstone, 1900 Smithsonian American Art Museum

Clearing Off, John Frederick Kensett, ca. 1865, oil on canvas

John Frederick Kensett Clearing Off, ca. 1865 Smithsonian American Art Museum

Upper Ausable Lake, Homer Dodge Martin, 1868, oil on canvas

Homer Dodge Martin Upper Ausable Lake, 1868 Smithsonian American Art Museum

Evening on the Thames, Homer Dodge Martin, ca. 1876, oil on canvas

Homer Dodge Martin Evening on the Thames, ca. 1876 Smithsonian American Art Museum

The Iron Mine, Port Henry, New York, Homer Dodge Martin, ca. 1862, oil on canvas mounted on fiberboard

Homer Dodge Martin The Iron Mine, Port Henry, New York, ca. 1862 Smithsonian American Art Museum

River View with Hunters and Dogs, Thomas Doughty, ca. 1850, oil on canvas

Thomas Doughty River View with Hunters and Dogs, ca. 1850 Smithsonian American Art Museum

Valley Pasture, Robert S. Duncanson, 1857, oil on canvas

Robert S. Duncanson Valley Pasture, 1857 Smithsonian American Art Museum

Noon in the Orchard, Worthington Whittredge, 1900, oil on canvas

Worthington Whittredge Noon in the Orchard, 1900 Smithsonian American Art Museum

Painting of a small stream in the middle of the woods. In the center of the painting, there is a small waterfall over a large boulder.

Albert Bierstadt Mountain Brook, 1863 Art Institute of Chicago

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

Near Ariccia, Italy, Sanford Robinson Gifford, 1868, oil on canvas

Sanford Robinson Gifford Near Ariccia, Italy, 1868 Smithsonian American Art Museum

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Catskill Creek, Jasper Francis Cropsey, 1850, oil on canvas

Jasper Francis Cropsey Catskill Creek, 1850 Smithsonian American Art Museum