Post-Impressionist Paintings for the Living Room (page 2)

Showing 49 to 74 of 74 Post-Impressionist paintings

The Flowering Orchard, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh The Flowering Orchard, 1888 The Met

Woman in the Garden of Monsieur Forest, Henri de Toulouse-Lautrec, 1889–91, oil on canvas

Henri de Toulouse-Lautrec Woman in the Garden of Monsieur Forest, 1889–91 The Met

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

Gardanne, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Gardanne, 1885–86 The Met

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

We look across a placid pond at sandstone-white buildings with brown and terracotta-red roofs nestled within a grove of green trees and plants in this vertical landscape painting.

Paul Cézanne House of Père Lacroix, 1873 National Gallery of Art

Two people, perhaps a woman and man, and a baby sit at a table in a courtyard surrounded by vine-covered walls in this square painting. The scene is loosely painted with visible dabs, dashes, or smudges. The table is to the left of center.

Édouard Vuillard Repast in a Garden, 1898 National Gallery of Art

In the Waves (Dans les Vagues), Paul Gauguin, 1889, oil on canvas

Paul Gauguin In the Waves (Dans les Vagues), 1889 Cleveland Museum of Art

Still Life: Wood Tankard and Metal Pitcher, Paul Gauguin, 1880, oil on linen canvas

Paul Gauguin Still Life: Wood Tankard and Metal Pitcher, 1880 Art Institute of Chicago

Painting of bedroom, blue walls, green window, tan bed, red bedding.

Vincent van Gogh The Bedroom, 1889 Art Institute of Chicago

Mount Sainte-Victoire, Paul Cézanne, c. 1904, oil on fabric

Paul Cézanne Mount Sainte-Victoire, c. 1904 Cleveland Museum of Art

The Large Plane Trees (Road Menders at Saint-Rémy), Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh The Large Plane Trees (Road Menders at Saint-Rémy), 1889 Cleveland Museum of Art

Riverbank with Trees, Vincent van Gogh, 1887

Vincent van Gogh Riverbank with Trees, 1887 Rijksmuseum

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

The Brook, Paul Cézanne, c. 1895–1900, oil on fabric

Paul Cézanne The Brook, c. 1895–1900 Cleveland Museum of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

Five monkeys rest and play amid a lush jungle landscape in this horizontal landscape painting. Painted with areas of flat color, thick vegetation fills most of the scene, with giant leaves overlapping in shades of green.

Henri Rousseau Tropical Forest with Monkeys, 1910 National Gallery of Art

The Large Tree, Paul Gauguin, 1891, oil on canvas

Paul Gauguin The Large Tree, 1891 Cleveland Museum of Art

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh Two Poplars in the Alpilles near Saint-Rémy, 1889 Cleveland Museum of Art

Seven people with cream-white skin crowd together, sitting at or standing among tables in an interior space in this vertical painting. The composition is dominated by shades of blue and pale green.

Henri de Toulouse-Lautrec A Corner of the Moulin de la Galette, 1892 National Gallery of Art

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art