Vertical Paintings for the Staircase (page 5)

Showing 193 to 240 of 527 vertical paintings

Portrait of a Man, Possibly a Self-Portrait, Diego Velázquez, ca. 1635, oil on canvas

Diego Velázquez Portrait of a Man, Possibly a Self-Portrait, ca. 1635 The Met

Portrait of a Man, Diego Velázquez, ca. 1650, oil on canvas

Diego Velázquez Portrait of a Man, ca. 1650 The Met

La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh La Berceuse (Woman Rocking a Cradle; Augustine-Alix Pellicot Roulin, 1851–1930), 1889 The Met

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Édouard Manet, 1880, oil on canvas

Édouard Manet Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, 1880 The Met

The Streetwalker, Henri de Toulouse-Lautrec, ca. 1890–91, oil on cardboard

Henri de Toulouse-Lautrec The Streetwalker, ca. 1890–91 The Met

María Teresa, Infanta of Spain, Diego Velázquez, mid-17th century, oil on canvas

Diego Velázquez María Teresa, Infanta of Spain, mid-17th century The Met

Jeanne Hébuterne, Amedeo Modigliani, 1919, oil on canvas

Amedeo Modigliani Jeanne Hébuterne, 1919 The Met

Girl in a Sailor's Blouse, Amedeo Modigliani, 1918, oil on canvas

Amedeo Modigliani Girl in a Sailor's Blouse, 1918 The Met

Young Woman with Her Hand over Her Mouth, Edgar Degas, ca. 1875, oil colors freely mixed with turpentine on canvas

Edgar Degas Young Woman with Her Hand over Her Mouth, ca. 1875 The Met

This painting is a portrait of a woman, her torso facing slightly to the left, her face looking directly at us. The woman has fair skin, rosy cheeks, and red lips in a subtle smile.

Thomas Gainsborough Miss Catherine Tatton, 1786 National Gallery of Art

Shown from the chest up, a man with short, orange hair and green-tinted, pale skin looks at us, wearing a vivid blue painter's smock in this vertical portrait painting.

Vincent van Gogh Self-Portrait, 1889 National Gallery of Art

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left.

Thomas Gainsborough Mrs. Paul Cobb Methuen, c. 1776/1777 National Gallery of Art

Shown from the hips up, an elegantly dressed woman with smooth, pale skin and ash-brown hair piled high on her head looks off into the distance to our left in front of a loosely painted landscape in this vertical portrait.

Thomas Gainsborough The Hon. Mrs. Thomas Graham, c. 1775/1777 National Gallery of Art

Shown from the chest up, a pale-skinned man holds one hand to his chest as he looks at us in this vertical portrait painting.

Frans Hals Portrait of a Man, 1648/1650 National Gallery of Art

Shown from the hips up, a man with pale, peachy skin, dressed in a black suit and tall hat, looks at us from in front of a dark brown background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658 National Gallery of Art

A woman with pale skin, wearing a black dress and holding a full, billowing white ostrich feather, is shown from the hips up against a dark background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Lady with an Ostrich-Feather Fan, c. 1656/1658 National Gallery of Art

Peter Paul Rubens Head of One of the Three Kings: Melchior, The Assyrian King, c. 1618 National Gallery of Art

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

Pierre-Auguste Renoir Head of a Young Girl, c. 1890 National Gallery of Art

Shown from the chest up, a clean-shaven young man with pale, peachy skin looks off to our left against a cloudy sky in this vertical portrait painting.

Giovanni Bellini Portrait of a Young Man in Red, c. 1480 National Gallery of Art

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

Édouard Manet Portrait of a Lady, c. 1879 National Gallery of Art

Shown from the chest up with his body and head facing us, a pale-skinned young man cuts his light-brown eyes sharply to our right in this vertical portrait painting.

Anthony van Dyck Head of a Young Man, c. 1617/1618 National Gallery of Art

Annie C. Lochrey Husson (Mrs. Louis Husson), Thomas Eakins, c. 1905, oil on canvas

Thomas Eakins Annie C. Lochrey Husson (Mrs. Louis Husson), c. 1905 National Gallery of Art

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

Shown from the chest up, a cleanshaven man with peachy skin sits angled to our right in this vertical portrait painting. He has chin-length, curly, auburn-red hair. He gazes off to our right with hazel eyes under thick brows.

Hans Holbein the Younger Portrait of a Young Man, c. 1520/1530 National Gallery of Art

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Shown from the lap up, an older woman with pale, slightly sagging skin and frosty gray hair sits facing us in this loosely painted vertical portrait.

Mary Cassatt Portrait of a Lady, c. 1887 National Gallery of Art

This painting depicts a young woman from the chest upwards, seated in a slightly turned position to the left.

Camille Corot Portrait of a Young Girl, 1850 or 1859 National Gallery of Art

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Portrait of a Man, Jean-François Millet, c. 1845, oil on canvas

Jean-François Millet Portrait of a Man, c. 1845 National Gallery of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting.

Amedeo Modigliani Monsieur Deleu, 1916 National Gallery of Art

This painting depicts the upper half of a person's body. Their body is facing us, but their head is turned to the right in a three-quarters view, looking away from us.

Gustave Courbet Portrait of a Young Girl, 1857 National Gallery of Art

A dark-haired, disembodied head of a haloed man with pale, peach skin floats against a red and yellow background in this vertical portrait.

Paul Gauguin Self-Portrait, 1889 National Gallery of Art

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Shown from the hips up, a pale-skinned woman wearing a tightly corseted dress looks off to our left in this vertical pastel drawing. The portrait is loosely sketched with blended areas, giving it a soft look.

Édouard Manet Madame Michel-Lévy, 1882 National Gallery of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art