Renaissance Paintings (page 2)

Showing 49 to 96 of 155 paintings

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background.

Fra Bartolommeo The Nativity, 1504–7 Art Institute of Chicago

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

A light-skinned, blond Virgin Mary in blue holds a child, his arms reaching around her neck and face upturned toward hers. At left, an angel looks on.

Sandro Botticelli Virgin and Child with an Angel, 1475–85 Art Institute of Chicago

Shown from the waist up, a pale-skinned, round-cheeked young boy wears a brocade red and gold garment and hat in this vertical portrait painting.

Hans Holbein the Younger Edward VI as a Child, probably 1538 National Gallery of Art

A young, pale-skinned boy wearing a brilliant blue toga sits on a rock and holds a gold pitcher in a landscape in this vertical painting.

Giovanni Bellini The Infant Bacchus, probably 1505/1510 National Gallery of Art

Terminus, the Device of Erasmus, Hans Holbein the Younger, c. 1532, oil on wood

Hans Holbein the Younger Terminus, the Device of Erasmus, c. 1532 Cleveland Museum of Art

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Correggio Virgin and Child with the Young Saint John the Baptist, c. 1515 Art Institute of Chicago

Archangel Gabriel; The Virgin Annunciate, Gerard David, ca. 1510, oil on oak panel

Gerard David Archangel Gabriel; The Virgin Annunciate, ca. 1510 The Met

Portrait of Agostino Barbarigo, Paolo Veronese, after c. 1571, oil on canvas

Paolo Veronese Portrait of Agostino Barbarigo, after c. 1571 Cleveland Museum of Art

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

Friedrich III (1463–1525), the Wise, Elector of Saxony, Lucas Cranach the Elder, 1533, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533 The Met

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Johann I (1468–1532), the Constant, Elector of Saxony, Lucas Cranach the Elder, 1532–33, oil on canvas, transferred from wood, with letterpress-printed paper labels

Lucas Cranach the Elder Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33 The Met

Virgin and Child with Saints Catherine of Alexandria and Barbara, Hans Memling, early 1480s, oil on wood

Hans Memling Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s The Met

Portrait of an Old Man, Hans Memling, ca. 1475, oil on wood

Hans Memling Portrait of an Old Man, ca. 1475 The Met

Portrait of a Young Man, Hans Memling, ca. 1472–75, oil on oak panel

Hans Memling Portrait of a Young Man, ca. 1472–75 The Met

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

Virgin and Child, Hans Memling, c. 1485, oil on panel

Hans Memling Virgin and Child, c. 1485 Art Institute of Chicago

Alessandro Vittoria (1525–1608), Paolo Veronese, ca. 1580, oil on canvas

Paolo Veronese Alessandro Vittoria (1525–1608), ca. 1580 The Met

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi, ca. 1440, tempera and gold on wood, transferred from wood

Fra Filippo Lippi Madonna and Child Enthroned with Two Angels, ca. 1440 The Met

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

Virgin and Child, Hans Memling, ca. 1490–94, oil on wood

Hans Memling Virgin and Child, ca. 1490–94 The Met

Against a deep, hilly landscape, a young woman sits facing us on a rocky ledge with a small child in her lap in this square painting. The woman and child, Mary and Jesus, both have pale skin and blond hair.

Gerard David The Rest on the Flight into Egypt, c. 1510 National Gallery of Art

Dozens of men, women, and a few children gather in groups amid a grassy landscape with a mountain in the distance in this horizontal painting. All of the people have pale or ruddy skin and wear flowing cloaks over long tunics or gowns.

Jacopo Tintoretto The Worship of the Golden Calf, c. 1594 National Gallery of Art

Shown from the knees up, a seated woman is surrounded by an arch of disembodied, winged baby heads as she gazes down at an infant lying across her lap in this vertical painting.

Jacopo Tintoretto The Madonna of the Stars, c. 1575/1585 National Gallery of Art

Lamentation over the Body of Christ, Gerard David, c. 1500, oil on panel

Gerard David Lamentation over the Body of Christ, c. 1500 Art Institute of Chicago

The Holy Family with Saint Mary Magdalen, Andrea Mantegna, ca. 1495–1500, distemper on canvas

Andrea Mantegna The Holy Family with Saint Mary Magdalen, ca. 1495–1500 The Met

A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel.

Agnolo Bronzino A Young Woman and Her Little Boy, c. 1540 National Gallery of Art

Two women, a man, and two pudgy children create a close-knit group against a dark brown background in this vertical painting. The people all have pale skin with rosy cheeks, blond or copper-colored hair, and delicate gold rings as halos.

Agnolo Bronzino The Holy Family, c. 1527/1528 National Gallery of Art

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

Saint Alexander, Fra Angelico, ca. 1425, tempera on wood, gold ground

Fra Angelico Saint Alexander, ca. 1425 The Met

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

The Circumcision, Giovanni Bellini, 1511, oil on wood

Giovanni Bellini The Circumcision, 1511 The Met

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

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