Famous Paintings of Architecture (page 2)

Showing 49 to 96 of 140 paintings

Street in Moret, Alfred Sisley, c. 1890, oil on canvas

Alfred Sisley Street in Moret, c. 1890 Art Institute of Chicago

Te burao (The Hibiscus Tree), Paul Gauguin, 1892, oil on canvas

Paul Gauguin Te burao (The Hibiscus Tree), 1892 Art Institute of Chicago

Light-colored snowscape with visible brushstrokes featuring a bridge in front of red and white barns and farmhouses, surrounded by trees.

Claude Monet Sandvika, Norway, 1895 Art Institute of Chicago

A Turn in the Road, Alfred Sisley, 1873, oil on canvas

Alfred Sisley A Turn in the Road, 1873 Art Institute of Chicago

The Pigeon Tower at Bellevue, Paul Cézanne, 1890, oil on fabric

Paul Cézanne The Pigeon Tower at Bellevue, 1890 Cleveland Museum of Art

Villas at Trouville, Gustave Caillebotte, 1884, oil on canvas

Gustave Caillebotte Villas at Trouville, 1884 Cleveland Museum of Art

A View near Tivoli (Morning), Thomas Cole, 1832, oil on canvas

Thomas Cole A View near Tivoli (Morning), 1832 The Met

Green Door, Santa Maria della Salute, John Singer Sargent, ca. 1904, watercolor, graphite, gouache, and wax crayon on white wove paper

John Singer Sargent Green Door, Santa Maria della Salute, ca. 1904 The Met

Imaginary Landscape with the Palatine Hill from Campo Vaccino, François Boucher, early 1730s, oil on canvas

François Boucher Imaginary Landscape with the Palatine Hill from Campo Vaccino, early 1730s The Met

River with a Distant Tower, Camille Corot, 1865, oil on canvas

Camille Corot River with a Distant Tower, 1865 The Met

The Boulevard Montmartre on a Winter Morning, Camille Pissarro, 1897, oil on canvas

Camille Pissarro The Boulevard Montmartre on a Winter Morning, 1897 The Met

The Bridge at Villeneuve-la-Garenne, Alfred Sisley, 1872, oil on canvas

Alfred Sisley The Bridge at Villeneuve-la-Garenne, 1872 The Met

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, 1730s The Met

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

A Lock, a Column, and a Church beside a Lagoon, Canaletto, 1743, oil on canvas

Canaletto A Lock, a Column, and a Church beside a Lagoon, 1743 The Met

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Sparrow Hall, Winslow Homer, c. 1881-1882, oil on canvas

Winslow Homer Sparrow Hall, c. 1881-1882 National Gallery of Art

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

A long haired, bearded man holds a whip and stands in the middle of a crowd of about two dozen people who stand or twist, all in a building with columns and arches in this horizontal painting.

El Greco Christ Cleansing the Temple, probably before 1570 National Gallery of Art

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

A row of spire-like structures of different heights is silhouetted in azure blue against a soft pink, yellow, peach, and lavender-purple sunset and reflected in a rippling river in this nearly square landscape painting.

Claude Monet The Houses of Parliament, Sunset, 1903 National Gallery of Art

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

We look across a rocky, grass-covered promontory at a crumbling, round brick tower overlooking topaz-blue water in this horizontal landscape painting.

Thomas Cole Italian Coast Scene with Ruined Tower, 1838 National Gallery of Art

Venetian Passageway, John Singer Sargent, ca. 1905, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Venetian Passageway, ca. 1905 The Met

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

The Monastery of San Pedro (Our Lady of the Snows), Frederic Edwin Church, 1879, oil on canvas

Frederic Edwin Church The Monastery of San Pedro (Our Lady of the Snows), 1879 Cleveland Museum of Art

The Parthenon, Frederic Edwin Church, 1871, oil on canvas

Frederic Edwin Church The Parthenon, 1871 The Met

Courtyard, Tétouan, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Courtyard, Tétouan, Morocco, 1879–80 The Met

House and Courtyard, John Singer Sargent, 1895–1903 (?), watercolor and gouache on white wove paper

John Singer Sargent House and Courtyard, 1895–1903 (?) The Met

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Imaginary View with a Tomb by the Lagoon, Canaletto, early 1740s, oil on canvas

Canaletto Imaginary View with a Tomb by the Lagoon, early 1740s The Met

Woman and Child at the Well, Camille Pissarro, 1882, oil on canvas

Camille Pissarro Woman and Child at the Well, 1882 Art Institute of Chicago

Gardanne, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Gardanne, 1885–86 The Met

Rue de l'Epicerie, Rouen (Effect of Sunlight), Camille Pissarro, 1898, oil on canvas

Camille Pissarro Rue de l'Epicerie, Rouen (Effect of Sunlight), 1898 The Met

The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo, ca. 1751–52, oil on canvas

Giovanni Battista Tiepolo The Investiture of Bishop Harold as Duke of Franconia, ca. 1751–52 The Met

We look up at the exterior of a church that soars the height of this vertical painting.

Claude Monet Rouen Cathedral, West Façade, 1894 National Gallery of Art

We look up at the exterior of a church that soars the height of this vertical painting.

Claude Monet Rouen Cathedral, West Façade, Sunlight, 1894 National Gallery of Art

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

The Sheepshearers, Jean-François Millet, c. 1857–61, oil on canvas

Jean-François Millet The Sheepshearers, c. 1857–61 Art Institute of Chicago

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

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