Famous Paintings of Architecture to Print, page 3

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

The Building of the Dam, Julian Alden Weir, 1908, oil on canvas

Julian Alden Weir The Building of the Dam, 1908 Cleveland Museum of Art

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s, oil on canvas

Bernardo Bellotto Pirna: The Obertor from the South, mid-1750s The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Venice from the Bacino di San Marco, Francesco Guardi, ca. 1765–75, oil on canvas

Francesco Guardi Venice from the Bacino di San Marco, ca. 1765–75 The Met

Piazza San Marco, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi Piazza San Marco, late 1760s The Met

Santa Maria della Salute, Francesco Guardi, mid- to late 1760s, oil on canvas

Francesco Guardi Santa Maria della Salute, mid- to late 1760s The Met

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Venice: The Dogana and Santa Maria della Salute, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Dogana and Santa Maria della Salute, 1763 The Met

Venice: The Rialto, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Rialto, 1763 The Met

The Villa Loredan, Paese, Francesco Guardi, early 1780s, oil on canvas

Francesco Guardi The Villa Loredan, Paese, early 1780s The Met

The Island of San Michele, Venice, Francesco Guardi, 1770s, oil on canvas

Francesco Guardi The Island of San Michele, Venice, 1770s The Met

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

About a dozen people walk and a few ride horses across a bridge spanning river that cuts through a sandy landscape in this horizontal painting.

Jean-Léon Gérôme View of Medinet El-Fayoum, c. 1868/1870 National Gallery of Art

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

This painting is of a garden landscape in front of a large palace, seen from an elevated perspective.

Bernardo Bellotto Nymphenburg Palace, Munich, c. 1761 National Gallery of Art

This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky.

Jasper Francis Cropsey Warwick Castle, England, 1857 National Gallery of Art

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, Hubert Robert, c.1769, oil on canvas

Hubert Robert Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, c.1769 Cleveland Museum of Art

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Honoré Daumier In Church, 1855/1857 National Gallery of Art

In the distance, a fortress sits on a rocky plateau below a sky filled with lightly rolling white and gray clouds in this horizontal landscape painting.

Bernardo Bellotto The Fortress of Königstein, 1756-1758 National Gallery of Art

Landscape with a Church by a Torrent, Jacob van Ruisdael, c. 1670, oil on canvas

Jacob van Ruisdael Landscape with a Church by a Torrent, c. 1670 Cleveland Museum of Art

Ruin by the Sea, Arnold Böcklin, 1881, oil on fabric

Arnold Böcklin Ruin by the Sea, 1881 Cleveland Museum of Art

Arches in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert Arches in Ruins, 1781 The Met

A Colonnade in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert A Colonnade in Ruins, 1781 The Met

A woman and child stand in an enclosed courtyard in this vertical painting.

Pieter de Hooch Woman and Child in a Courtyard, 1658/1660 National Gallery of Art

A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin.

Pieter de Hooch A Dutch Courtyard, 1658/1660 National Gallery of Art

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

Capriccio: The Lagoon, Francesco Guardi, After 1770, oil on canvas

Francesco Guardi Capriccio: The Lagoon, After 1770 Art Institute of Chicago

Prayer in the Mosque, Jean-Léon Gérôme, by 1874, oil on canvas

Jean-Léon Gérôme Prayer in the Mosque, by 1874 The Met

Landscape with Fisherman and Washerwoman, John Rathbone, 1790–1800, oil on panel

John Rathbone Landscape with Fisherman and Washerwoman, 1790–1800 Art Institute of Chicago

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

This painting shows a landscape with castle-like structures on a green hill, with a group of people gathering in colorful clothing in the bottom left.

Dosso Dossi The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, c. 1520 National Gallery of Art

This painting displays an elevated view of a bustling port town. In the center, a tall tree with dense green foliage stands out against a light blue sky with fluffy white clouds.

Jurgan Frederick Huge Composite Harbor Scene with Castle, c. 1875 National Gallery of Art

Packet Ship Passing Castle Williams, New York Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Packet Ship Passing Castle Williams, New York Harbor, mid 19th century National Gallery of Art

Beneath two tall, tower-like structures, thirteen men, women, and children gather to give or receive food and foodstuff, all against a shiny gold background in this vertical painting. All the people have light skin tinged with green.

Andrea di Bartolo Joachim and Anna Giving Food to the Poor and Offerings to the Temple, c. 1400/1405 National Gallery of Art

Famous Paintings of Architecture (page 3)

Rooms these paintings suit

Styles