Famous Cityscape Paintings (page 3)

Showing 97 to 144 of 166 paintings

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

Shown from the knees up, a young woman wearing a white gown and bonnet sits in front of a balcony railing on a sunny day, holding a small dog on her lap in this vertical portrait painting.

Mary Cassatt Young Girl at a Window, c. 1883-1884 National Gallery of Art

Variations in Violet and Grey—Market Place, Dieppe, James McNeill Whistler, 1885, gouache and watercolor on off-white wove paper, mounted on academy board

James McNeill Whistler Variations in Violet and Grey—Market Place, Dieppe, 1885 The Met

Street, Tangier, John Singer Sargent, 1895, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent Street, Tangier, 1895 The Met

A Village Street: Dardagny, Camille Corot, 1852, 1857, or 1863, oil on canvas

Camille Corot A Village Street: Dardagny, 1852, 1857, or 1863 The Met

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

Portrait of Agostino Barbarigo, Paolo Veronese, after c. 1571, oil on canvas

Paolo Veronese Portrait of Agostino Barbarigo, after c. 1571 Cleveland Museum of Art

Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, c. 1783 Cleveland Museum of Art

Piazza San Marco, Venice, Bernardo Bellotto, c. 1740, oil on canvas

Bernardo Bellotto Piazza San Marco, Venice, c. 1740 Cleveland Museum of Art

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

View of Bordeaux, from the Quai des Chartrons, Eugène Boudin, 1874, oil on fabric

Eugène Boudin View of Bordeaux, from the Quai des Chartrons, 1874 Cleveland Museum of Art

Harbor of Boston, with the City in the Distance, Fitz Henry Lane, c. 1846–47, oil on canvas

Fitz Henry Lane Harbor of Boston, with the City in the Distance, c. 1846–47 Cleveland Museum of Art

Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, Jasper Francis Cropsey, ca. 1870–75, oil on canvas

Jasper Francis Cropsey Autumn Landscape, Sugar Loaf Mountain, Orange County, New York, ca. 1870–75 The Met

View near Sherburne, Chenango County, New York, Jasper Francis Cropsey, 1853, oil on canvas

Jasper Francis Cropsey View near Sherburne, Chenango County, New York, 1853 The Met

Bayside, New Rochelle, New York, Eastman Johnson, 1886, oil on canvas

Eastman Johnson Bayside, New Rochelle, New York, 1886 The Met

On the Unadilla, New York, Eastman Johnson, 1884, oil on canvas

Eastman Johnson On the Unadilla, New York, 1884 The Met

Lake George, New York, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, New York, 1872 The Met

The Golden State Entering New York Harbor, Fitz Henry Lane, 1854, oil on canvas

Fitz Henry Lane The Golden State Entering New York Harbor, 1854 The Met

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

Vaprio d'Adda, Bernardo Bellotto, 1744, oil on canvas

Bernardo Bellotto Vaprio d'Adda, 1744 The Met

The Hamlet of Optevoz, Charles-François Daubigny, ca. 1852, oil on canvas

Charles-François Daubigny The Hamlet of Optevoz, ca. 1852 The Met

Venice from the Bacino di San Marco, Francesco Guardi, ca. 1765–75, oil on canvas

Francesco Guardi Venice from the Bacino di San Marco, ca. 1765–75 The Met

Piazza San Marco, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi Piazza San Marco, late 1760s The Met

Santa Maria della Salute, Francesco Guardi, mid- to late 1760s, oil on canvas

Francesco Guardi Santa Maria della Salute, mid- to late 1760s The Met

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Venice: The Dogana and Santa Maria della Salute, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Dogana and Santa Maria della Salute, 1763 The Met

Venice: The Rialto, Francesco Guardi, 1763, oil on wood

Francesco Guardi Venice: The Rialto, 1763 The Met

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

The Ridotto Pubblico at Palazzo Dandolo, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Ridotto Pubblico at Palazzo Dandolo, ca. 1765–68 The Met

The Island of San Michele, Venice, Francesco Guardi, 1770s, oil on canvas

Francesco Guardi The Island of San Michele, Venice, 1770s The Met

View from the Quai d'Orsay, Johan Barthold Jongkind, 1854, oil on canvas, mounted on wood

Johan Barthold Jongkind View from the Quai d'Orsay, 1854 The Met

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting.

Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747 National Gallery of Art

We look down and across a canal filled with more than two dozen gondolas and sailing boats, and flanked by rows golden-yellow and parchment-white buildings connected by a wide, arched bridge in this horizontal landscape painting.

Francesco Guardi Grand Canal with the Rialto Bridge, Venice, probably c. 1780 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

From a point of view over the water, we look across a bustling canal at a bridge, which is flanked by rows of buildings to each side in this horizontal painting.

Francesco Guardi View on the Cannaregio Canal, Venice, c. 1775-1780 National Gallery of Art

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

The painting shows a cityscape with a large cylindrical reddish-brown fortress on the right. In the center, a wide river winds through the city, with people by the riverbank and more people walking along a winding road on the left.

Francesco Guardi Fanciful View of the Castel Sant'Angelo, Rome, c. 1785 National Gallery of Art

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

From under an elevated train track, we look at a cluster of people hammering and working on the far side of a wooden fence, all against a silvery-blue building that fills most of the background in this horizontal painting.

George Bellows Blue Morning, 1909 National Gallery of Art

A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting.

George Bellows The Lone Tenement, 1909 National Gallery of Art

This painting shows a riverside with a cream-colored bridge cutting horizontally across the scene in front of a bustling city. The bridge is decorated with flags that have stripes of red, white, and blue.

Armand Guillaumin The Bridge of Louis Philippe, 1875 National Gallery of Art

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