Paintings for Cream Walls (page 11)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 481 to 528 of 1,235.

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

The painting shows a woman's figure from the waist up, seated, and her body is turned slightly to our left. Her head is turned to face the viewer.

Charles Willson Peale Rebecca Bryan White (Mrs. John White), 1788 National Gallery of Art

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

Landscape with the Flight into Egypt, Aelbert Cuyp, ca. 1650, oil on wood

Aelbert Cuyp Landscape with the Flight into Egypt, ca. 1650 The Met

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

Painting of several light-skinned people gathered around a table in front of a gilded mirror, playing instruments. At left, seated next to a woman in an off-the-shoulder gown, a man in a plumed hat plays a lute.

Jan Steen The Family Concert, 1666 Art Institute of Chicago

Boy with Pitcher (La Régalade), Édouard Manet, 1862–72, oil on canvas

Édouard Manet Boy with Pitcher (La Régalade), 1862–72 Art Institute of Chicago

A woman wearing a pale yellow silk dress sits playing a lute in front of a table while a man, wearing a black suit and hat, stands behind her in this vertical painting. Both have light skin.

Gerard ter Borch The Music Lesson, c. 1670 National Gallery of Art

Mlle. Alexandrine-Julie de la Boutraye, Eugène Delacroix, c. 1832–34, oil on fabric

Eugène Delacroix Mlle. Alexandrine-Julie de la Boutraye, c. 1832–34 Cleveland Museum of Art

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

A crouching tiger to our left bares its fangs at a hissing snake wound around a tree to our right in this nearly square painting.

Eugène Delacroix Tiger and Snake, 1862 National Gallery of Art

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

A woman with pale skin, wearing a shimmering, azure-blue gown, stands next to a child with a pale pink complexion, wearing a flame-red suit in this vertical portrait painting.

Anthony van Dyck Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 National Gallery of Art

This painting shows a man standing upright, his body slightly turned to the right.

Francisco de Goya Charles IV of Spain as Huntsman, c. 1799/1800 National Gallery of Art

The Adoration of the Magi, Bartolo di Fredi, ca. 1390, tempera and gold on wood

Bartolo di Fredi The Adoration of the Magi, ca. 1390 The Met

Boy with a Sword, Édouard Manet, 1861, oil on canvas

Édouard Manet Boy with a Sword, 1861 The Met

More than three dozen pears clustered densely on leafy branches against a vivid blue sky fill this long, horizontal painting. Most of the pears are golden yellow and touched with blush pink on one side.

Joseph Decker Ripening Pears, c. 1884/1885 National Gallery of Art

Hagar in the Wilderness, Camille Corot, 1835, oil on canvas

Camille Corot Hagar in the Wilderness, 1835 The Met

Landscape—Scene from "Thanatopsis", Asher Brown Durand, 1850, oil on canvas

Asher Brown Durand Landscape—Scene from "Thanatopsis", 1850 The Met

Pushing for Rail, Thomas Eakins, 1874, oil on canvas

Thomas Eakins Pushing for Rail, 1874 The Met

A Meadow Bordered by Trees, Théodore Rousseau, ca. 1845–60, oil on wood

Théodore Rousseau A Meadow Bordered by Trees, ca. 1845–60 The Met

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

High Tide on the Marshes, Martin Johnson Heade, 1872, oil on canvas

Martin Johnson Heade High Tide on the Marshes, 1872 Cleveland Museum of Art

This horizontal, rectangular painting is created entirely with dots and touches of sky and royal blue, butter and sunshine yellow, and spring green.

Georges Seurat Seascape (Gravelines), 1890 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

A bearded man, a young man, and five monks stand in a cream-white hall hung with a map and paintings in this horizontal painting. The people all have pale, peachy skin.

Eugène Delacroix Christopher Columbus and His Son at La Rábida, 1838 National Gallery of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

The Burning of the Houses of Lords and Commons, 16 October 1834, Joseph Mallord William Turner, 1835, oil on canvas

Joseph Mallord William Turner The Burning of the Houses of Lords and Commons, 16 October 1834, 1835 Cleveland Museum of Art

This square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view that extends into the deep distance to our right.

Leonardo da Vinci Ginevra de' Benci [obverse], c. 1474/1478 National Gallery of Art

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

A woman and child stand in an enclosed courtyard in this vertical painting.

Pieter de Hooch Woman and Child in a Courtyard, 1658/1660 National Gallery of Art

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

We look across a river and slightly up at a pair of tall, leafy trees framed by steely-gray clouds against a a vivid blue sky in this nearly square landscape painting.

Jacob van Ruisdael Landscape, c. 1670 National Gallery of Art

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Correggio Virgin and Child with the Young Saint John the Baptist, c. 1515 Art Institute of Chicago

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

Ovid among the Scythians, Eugène Delacroix, 1862, oil on paper, laid down on wood

Eugène Delacroix Ovid among the Scythians, 1862 The Met

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

Leisure Time in an Elegant Setting, Pieter de Hooch, ca. 1663–65, oil on canvas

Pieter de Hooch Leisure Time in an Elegant Setting, ca. 1663–65 The Met

A young boy with pale skin and short brown hair, wearing a black and gold jerkin and breeches, white lace collar, and buttercup-yellow stockings, stands facing us with a dog at his heels in this vertical portrait painting.

Anthony van Dyck Filippo Cattaneo, 1623 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

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