Paintings for Cream Walls (page 9)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 385 to 432 of 1,235.

Sunflowers, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Sunflowers, 1887 The Met

View of Schroon Mountain, Essex County, New York, After a Storm, Thomas Cole, 1838, oil on canvas

Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838 Cleveland Museum of Art

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

This painting shows a young girl sitting in a wooden chair, facing the right. She has pale skin, rosy cheeks, a slightly upturned nose, and long, brown hair put up behind her head. She is wearing a pale green dress and black shoes.

Eastman Johnson The Pets, 1856 National Gallery of Art

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

This painting shows a woman sitting, her body facing the left and her head turned to look at us, with one arm resting on a wooden surface on the right.

Camille Corot Italian Woman (La Morieri), c. 1872 National Gallery of Art

Bacchante on a Panther, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Bacchante on a Panther, 1855 Cleveland Museum of Art

Haystacks: Autumn, Jean-François Millet, ca. 1874, oil on canvas

Jean-François Millet Haystacks: Autumn, ca. 1874 The Met

Shown from the waist up, a young woman sits on the other side of the edge of a table, leaning toward us on one elbow in this vertical painting. She looks at us with dark brown eyes under faint, arched brows.

Johannes Vermeer Girl with a Flute, c. 1669/1675 National Gallery of Art

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729, oil on canvas

William Hogarth The Wedding of Stephen Beckingham and Mary Cox, 1729 The Met

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

A man and woman greet each other at the center of a group of about a dozen people set within a landscape in this horizontal painting. All the people have pale, peachy skin.

Peter Paul Rubens The Meeting of David and Abigail, c. 1630 National Gallery of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting.

Jean-Baptiste-Siméon Chardin The Little Schoolmistress, after 1740 National Gallery of Art

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

Madame Théodore Gobillard (Yves Morisot, 1838–1893), Edgar Degas, 1869, oil on canvas

Edgar Degas Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869 The Met

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Thomas Cole Distant View of Niagara Falls, 1830 Art Institute of Chicago

Madonna and Child, Duccio di Buoninsegna, ca. 1290–1300, tempera and gold on wood

Duccio di Buoninsegna Madonna and Child, ca. 1290–1300 The Met

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

Orchid Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Orchid Blossoms, 1873 Cleveland Museum of Art

The Rommel-Pot Player, Frans Hals, c. 1630, oil on panel

Frans Hals The Rommel-Pot Player, c. 1630 Art Institute of Chicago

An older man with a tanned skin and a white beard is shown from the waist up against a dark brown background in this vertical portrait painting. His body is angled to our right but he turns his head to look to our left.

Titian Doge Andrea Gritti, c. 1546/1550 National Gallery of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Kitchen Utensils with Leeks, Fish, and Eggs, Jean-Baptiste-Siméon Chardin, c. 1734, oil on canvas

Jean-Baptiste-Siméon Chardin Kitchen Utensils with Leeks, Fish, and Eggs, c. 1734 Cleveland Museum of Art

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

We look onto the side of a rowboat crowded with nine men trying to save a pale, nude young man who flails in the water in front of us as a shark approaches, mouth agape, from our right in this horizontal painting.

John Singleton Copley Watson and the Shark, 1778 National Gallery of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Ruin by the Sea, Arnold Böcklin, 1881, oil on fabric

Arnold Böcklin Ruin by the Sea, 1881 Cleveland Museum of Art

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting.

Rembrandt van Rijn Self-Portrait, 1659 National Gallery of Art

Jean-Honoré Fragonard Young Girl Reading, c. 1769 National Gallery of Art

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

Pillars of the Country, Yao Shou, Ming dynasty (1368–1644), 1494, handscroll; ink and color on paper

Yao Shou Pillars of the Country, Ming dynasty (1368–1644), 1494 Art Institute of Chicago

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

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