Paintings for Cream Walls (page 8)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 337 to 384 of 1,235.

This painting is a portrait of a woman. She has fair skin, a straight nose, and thin red lips, with her dark hair styled up with flowers.

John Singleton Copley Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 National Gallery of Art

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting.

Winslow Homer The Red School House, 1873 National Gallery of Art

Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, Unknown artist, 1494?, tempera on wood

Unknown artist Portrait of a Woman, possibly Ginevra d'Antonio Lupari Gozzadini, 1494? The Met

Monsieur Suisse, Gustave Courbet, 1861, oil on canvas

Gustave Courbet Monsieur Suisse, 1861 The Met

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

More than a dozen light-skinned men, women, and children eat, drink, talk, and make music around a dancing couple under an arbor in this horizontal painting. Most of the people are dressed in muted tones of green, gray, and black.

Jan Steen The Dancing Couple, 1663 National Gallery of Art

Helena Tromper Du Bois, Anthony van Dyck, c. 1631, oil on canvas

Anthony van Dyck Helena Tromper Du Bois, c. 1631 Art Institute of Chicago

Seven roses in full bloom are clustered in a wide bouquet set against a dark brown background in this horizontal still life painting. The blossom to our left is peach, and a bud dips down in front of that flower.

Henri Fantin-Latour _Roses de Nice_ on a Table, 1882 National Gallery of Art

The Immaculate Conception, Guido Reni, 1627, oil on canvas

Guido Reni The Immaculate Conception, 1627 The Met

Catharine Lorillard Wolfe (1828–1887), Alexandre Cabanel, 1876, oil on canvas

Alexandre Cabanel Catharine Lorillard Wolfe (1828–1887), 1876 The Met

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square…

Titian Saint John the Evangelist on Patmos, c. 1553/1555 National Gallery of Art

Thomas Willing, Charles Willson Peale, 1782, oil on canvas

Charles Willson Peale Thomas Willing, 1782 The Met

For the Little One, William Merritt Chase, ca. 1896, oil on canvas

William Merritt Chase For the Little One, ca. 1896 The Met

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

The Glorification of the Eucharist, Peter Paul Rubens, ca. 1630–32, oil on wood

Peter Paul Rubens The Glorification of the Eucharist, ca. 1630–32 The Met

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

Judith Leyster Young Boy in Profile, c. 1630 National Gallery of Art

In this painting, short, angular brushstrokes suggest a person in motion. The person is bent over, facing the left, raising a large, thin object over one shoulder.

Georges Seurat The Stone Breaker, c. 1882 National Gallery of Art

The head and shoulders of a young woman with gold-tinted, pale skin looks out over our right shoulder from against a tomato-red background in this vertical painting.

James McNeill Whistler Alice Butt, c. 1895 National Gallery of Art

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

Virgin and Child, Hans Memling, ca. 1490–94, oil on wood

Hans Memling Virgin and Child, ca. 1490–94 The Met

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

Dozens of figures in a brown field filled with discarded corn silks form two rows and sit across from each other husking corn, a farm in the background.

Eastman Johnson Husking Bee, Island of Nantucket, 1876 Art Institute of Chicago

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, oil on copper

Peter Paul Rubens Portrait of a Man, Possibly an Architect or Geographer, 1597 The Met

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

Soap Bubbles, Jean-Baptiste-Siméon Chardin, ca. 1733–34, oil on canvas

Jean-Baptiste-Siméon Chardin Soap Bubbles, ca. 1733–34 The Met

The Ford, Claude Lorrain, possibly 1636, oil on canvas

Claude Lorrain The Ford, possibly 1636 The Met

Impressionist painting of woman wearing green dress trying on hats.

Edgar Degas The Millinery Shop, 1879-86 Art Institute of Chicago

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

A man and woman are surrounded by six pudgy children, some with wings, against a deep landscape in this square painting. At the center of the composition, the man, Bacchus, sits astride a wine barrel, which is about half his height.

Giovanni Battista Tiepolo Bacchus and Ariadne, c. 1743/1745 National Gallery of Art

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Pierre-Auguste Renoir Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879 Art Institute of Chicago

The Weeders, Jules Breton, 1868, oil on canvas

Jules Breton The Weeders, 1868 The Met

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

Portrait of Dora Wheeler, William Merritt Chase, 1882–83, oil on canvas

William Merritt Chase Portrait of Dora Wheeler, 1882–83 Cleveland Museum of Art

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

Head of Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Head of Jean-Baptiste Faure (1830–1914), 1882–83 The Met

Shown from about the hips up against a sable-brown background, a pale-skinned woman stands cradling an apple with both hands at her waist in this vertical portrait painting.

Titian Woman Holding an Apple, c. 1550 National Gallery of Art

Shown from the waist up, a cleanshaven man with pale, peachy skin, wearing a black cap and a voluminous fur-lined, black cloak, is positioned behind a crimson-red ledge or tabletop in this vertical portrait painting.

Hans Holbein the Younger Sir Brian Tuke, c. 1527/1528 or c. 1532/1534 National Gallery of Art

Arion on a Sea Horse and Bacchante on a Panther (pair), William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse and Bacchante on a Panther (pair), 1855 Cleveland Museum of Art

Imaginary Landscape with the Palatine Hill from Campo Vaccino, François Boucher, early 1730s, oil on canvas

François Boucher Imaginary Landscape with the Palatine Hill from Campo Vaccino, early 1730s The Met

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

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