Paintings for Cream Walls (page 6)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 241 to 288 of 1,235.

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

The Smoker, Frans Hals, ca. 1623–25, oil on wood

Frans Hals The Smoker, ca. 1623–25 The Met

Alessandro Vittoria (1525–1608), Paolo Veronese, ca. 1580, oil on canvas

Paolo Veronese Alessandro Vittoria (1525–1608), ca. 1580 The Met

Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting.

Martin Johnson Heade Rio de Janeiro Bay, 1864 National Gallery of Art

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

A woman supports a pudgy baby who sits on a stone ledge in this vertical painting. They both have pale skin, rosy cheeks, blond hair, and subtle halos made of gold dots. The woman’s body faces us, and her head tips to our left.

Fra Filippo Lippi Madonna and Child, c. 1440 National Gallery of Art

The Agony in the Garden, Nicolas Poussin, 1626–27, oil on copper

Nicolas Poussin The Agony in the Garden, 1626–27 The Met

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

Three Pears and an Apple, Eastman Johnson, 1857, oil on board

Eastman Johnson Three Pears and an Apple, 1857 National Gallery of Art

A Hunting Scene, Piero di Cosimo, ca. 1494–1500, tempera and oil transferred to Masonite

Piero di Cosimo A Hunting Scene, ca. 1494–1500 The Met

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

The Parthenon, Frederic Edwin Church, 1871, oil on canvas

Frederic Edwin Church The Parthenon, 1871 The Met

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

The image depicts a person standing beside a black horse. The person has long dark hair with feathers, wearing skin trousers, moccasins, a quiver, and a bow slung across their back.

George Catlin A Cheyenne Warrior Resting His Horse, 1861/1869 National Gallery of Art

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887 The Met

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

Pierre-Auguste Renoir Suzanne Valadon, c. 1885 National Gallery of Art

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

Berthe Morisot with a Muff, Édouard Manet, c. 1871–72, oil on canvas

Édouard Manet Berthe Morisot with a Muff, c. 1871–72 Cleveland Museum of Art

The image shows a landscape with people at a campsite in the foreground. There are tents under trees, a plain leading to a hill in the background, and more hills further away.

George Catlin Expedition Encamped on a Texas Prairie. April 1686, 1847/1848 National Gallery of Art

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

This painting depicts a street scene from a slightly elevated perspective. A tan dirt road stretches into the distance, lined with white houses on the left side.

Alfred Sisley Marly-le-Roi, c. 1875 National Gallery of Art

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73, oil on canvas

Jean-François Millet Autumn Landscape with a Flock of Turkeys, 1872–73 The Met

Chrysanthemum, Piet Mondrian, 1906–42, oil on canvas

Piet Mondrian Chrysanthemum, 1906–42 Cleveland Museum of Art

This painting image depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Symbolic Head, Odilon Redon, c. 1890, oil on paper mounted on canvas

Odilon Redon Symbolic Head, c. 1890 Cleveland Museum of Art

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), Vincent van Gogh, 1888–89, oil on canvas

Vincent van Gogh L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), 1888–89 The Met

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Peasants Bringing Home a Calf Born in the Fields, Jean-François Millet, 1864, oil on canvas

Jean-François Millet Peasants Bringing Home a Calf Born in the Fields, 1864 Art Institute of Chicago

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up.

Eugène Delacroix A Horse Hitched to a Post, c. 1820 National Gallery of Art

Virgin and Child with Two Angels, Sandro Botticelli, 1485–95, tempera on panel

Sandro Botticelli Virgin and Child with Two Angels, 1485–95 Art Institute of Chicago

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

British Manufactory; A Sketch, Benjamin West, 1791, oil on paper mounted on wood

Benjamin West British Manufactory; A Sketch, 1791 Cleveland Museum of Art

The face of a young man with peachy-colored skin and dark hair fills this vertical painting. The man is lit from our left but is angled to slightly to our right, so his face is mostly in shadow.

Edgar Degas Self-Portrait with White Collar, c. 1857 National Gallery of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

The image is a portrait painting of a woman. She is seated with her body turned slightly to the right, while her head is facing forward towards the viewer. She has a gentle expression with slightly raised eyebrows.

Henry Raeburn Mrs. George Hill, c. 1790/1800 National Gallery of Art

A pale-skinned young woman with copper-orange hair, wearing a turquoise-blue robe, stands in a pastel-infused landscape in this stylized, vertical painting. The woman fills most of the left half of the composition.

Odilon Redon Pandora, 1910/1912 National Gallery of Art

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

Study of Palm Trees, Jean-Léon Gérôme, 1855/56, oil on canvas, laid down on board

Jean-Léon Gérôme Study of Palm Trees, 1855/56 The Met

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

The image displays a child standing and facing forward. The child has a round face with rosy cheeks, wide blue eyes, and a small closed mouth. The child's hair is light and short.

Abram Ross Stanley Joshua Lamb, 1842 National Gallery of Art

Cider Making, William Sidney Mount, 1840–41, oil on canvas

William Sidney Mount Cider Making, 1840–41 The Met

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

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