Paintings for Dusty Blue Walls (page 14)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 625 to 672 of 1,938.

A Matador, Édouard Manet, 1866–67, oil on canvas

Édouard Manet A Matador, 1866–67 The Met

Fishmarket, Camille Pissarro, 1902, oil on canvas

Camille Pissarro Fishmarket, 1902 Cleveland Museum of Art

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

The image shows a group of Native American men gathered closely together in a dance formation. They are positioned facing slightly towards the right, with their full bodies visible.

George Catlin Bear Dance - K'nisteneux, 1861 National Gallery of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

The Fishing Boat, Gustave Courbet, 1865, oil on canvas

Gustave Courbet The Fishing Boat, 1865 The Met

This painting shows a man depicted from two angles; on the left, he faces us, while on the right, his back is to us. In both views he wears the same clothes and is in the same position.

Eugène Delacroix Two Studies of a Standing Indian from Calcutta, c. 1823/1824 National Gallery of Art

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

The Garden of the Tuileries on a Winter Afternoon, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Winter Afternoon, 1899 The Met

Young Ladies of the Village, Gustave Courbet, 1851–52, oil on canvas

Gustave Courbet Young Ladies of the Village, 1851–52 The Met

Autumn Meadows, George Inness, 1869, oil on canvas

George Inness Autumn Meadows, 1869 The Met

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

This painting shows a person seated on a stool or chair, wearing a long, dark-blue robe or gown.

Thomas Eakins The Chaperone, c. 1908 National Gallery of Art

Cupid and Psyche, Jacques-Louis David, 1817, oil on canvas

Jacques-Louis David Cupid and Psyche, 1817 Cleveland Museum of Art

Shown from about the knees up, a woman, baby, and two angels crowd together in a narrow interior space pierced by three window openings.

Sandro Botticelli Madonna and Child with Angels, 1465/1470 National Gallery of Art

This painting depicts a pastoral scene with grassy marshland dotted with several yellow haystacks. A river winds through the flat green landscape, and on the right side a shallow boat sits next to the edge of the water.

Martin Johnson Heade View of Marshfield, c. 1866/1876 National Gallery of Art

Painted entirely with tones of white and gray, a pudgy, winged baby-like putto, Cupid, holds onto a wheel in this vertical canvas. Cupid’s body is angled to our left, where he hunches over the shoulder-high wheel.

Titian Cupid with the Wheel of Time, c. 1515/1520 National Gallery of Art

The painting depicts a man shown from the knees up, standing with his arms crossed over his chest and his head turned to the right. He has light skin, ruddy cheeks with a brown mole, a long nose, and small red lips in a neutral expression.

Joseph Wright of Derby Portrait of a Gentleman, c. 1770-1773 National Gallery of Art

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting.

Rembrandt van Rijn Self-Portrait, 1659 National Gallery of Art

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

Whalers, Joseph Mallord William Turner, ca. 1845, oil on canvas

Joseph Mallord William Turner Whalers, ca. 1845 The Met

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The Immaculate Conception, Guido Reni, 1627, oil on canvas

Guido Reni The Immaculate Conception, 1627 The Met

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

The Biglin Brothers Turning the Stake, Thomas Eakins, 1873, oil on canvas

Thomas Eakins The Biglin Brothers Turning the Stake, 1873 Cleveland Museum of Art

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

A Cottage in the Woods, Meindert Hobbema, c. 1662, oil on canvas

Meindert Hobbema A Cottage in the Woods, c. 1662 Cleveland Museum of Art

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

Mrs. Charles Gifford Dyer (Mary Anthony), John Singer Sargent, 1880, oil on canvas

John Singer Sargent Mrs. Charles Gifford Dyer (Mary Anthony), 1880 Art Institute of Chicago

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

A young man sets out in a golden boat on a river that winds from the bottom right corner of this horizontal painting across a lush landscape and into the distance before disappearing beyond two rocky outcroppings far off to our right.

Thomas Cole The Voyage of Life: Youth, 1842 National Gallery of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Still Life with Oysters, a Silver Tazza, and Glassware, Willem Claesz Heda, 1635, oil on wood

Willem Claesz Heda Still Life with Oysters, a Silver Tazza, and Glassware, 1635 The Met

George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), Joshua Reynolds, 1768, oil on canvas

Joshua Reynolds George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), 1768 The Met

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

This painting shows a young person from the waist up, sitting with their hands folded on a brown surface. The person is angled slightly to the left, looking up into the distance.

Agnolo di Domenico del Mazziere Portrait of a Youth, c. 1495/1500 National Gallery of Art

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Moonlight, Strandgade 30, Vilhelm Hammershøi, 1900–1906, oil on canvas

Vilhelm Hammershøi Moonlight, Strandgade 30, 1900–1906 The Met

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