Paintings for Dusty Blue Walls (page 16)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 721 to 768 of 1,938.

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright of Derby, 1779, oil on canvas

Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, 1779 The Met

Study Head of an Old Man with a White Beard, Anthony van Dyck, ca. 1617–20, oil on wood

Anthony van Dyck Study Head of an Old Man with a White Beard, ca. 1617–20 The Met

Young Woman with a Turban, Jacques-Louis David, c. 1780, oil on canvas

Jacques-Louis David Young Woman with a Turban, c. 1780 Cleveland Museum of Art

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

A woman wearing a crimson-red brocade dress and gold jewelry fills most of this vertical portrait, but her right hand, on our left, rests on the shoulder of a young boy tucked into the lower left corner of the panel.

Agnolo Bronzino A Young Woman and Her Little Boy, c. 1540 National Gallery of Art

Ferdinand VII (1784–1833), When Prince of Asturias, Francisco de Goya, ca. 1800, oil on canvas

Francisco de Goya Ferdinand VII (1784–1833), When Prince of Asturias, ca. 1800 The Met

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Antiochus and Stratonice, Jean-Auguste-Dominique Ingres, c. 1838, oil on linen

Jean-Auguste-Dominique Ingres Antiochus and Stratonice, c. 1838 Cleveland Museum of Art

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

Portrait of a Young Woman, Edgar Degas, ca. 1885, oil on canvas

Edgar Degas Portrait of a Young Woman, ca. 1885 The Met

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643, oil on canvas

Claude Lorrain The Trojan Women Setting Fire to Their Fleet, ca. 1643 The Met

Figure in Turkish Costume, Eugène Delacroix, c. 1856–1863, oil on paper, glued to canvas

Eugène Delacroix Figure in Turkish Costume, c. 1856–1863 Cleveland Museum of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", Thomas Eakins, 1876–77, oil on canvas mounted on board

Thomas Eakins Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77 Art Institute of Chicago

Allegory of Lyric Poetry, François Boucher, 1753, oil on canvas

François Boucher Allegory of Lyric Poetry, 1753 The Met

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Shown from the knees up, a pale-skinned woman wearing a black dress with white cuffs and a wide, starched collar sits in a wooden chair against a dark brown background in this vertical portrait painting.

Rembrandt van Rijn An Old Lady with a Book, 1637 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

This oval painting shows a cherubic figure floating in mid-air with one leg bent and arms outstretched. The cherub has curly hair, a round face, and rosy cheeks, and they are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

John Philip Simpson The Captive Slave (Ira Aldridge), 1827 Art Institute of Chicago

A woman wearing flowing, pastel-colored robes and two, winged, child-like putti gather on a bank of clouds among musical instruments and sheet music in this horizontal painting. The people all have pale, pink-tinged skin.

François Boucher Allegory of Music, 1764 National Gallery of Art

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

Shown from the knees up, a woman with smooth, pale skin and rosy cheeks wears a satin gown and densely pleated, wide collar in this vertical portrait painting.

Peter Paul Rubens Marchesa Brigida Spinola Doria, 1606 National Gallery of Art

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, 1866 The Met

A broken white and gray birch tree trunk has fallen across a rocky, shallow waterfall at the edge of a dense, deeply shadowed forest in this horizontal landscape painting.

Jacob van Ruisdael Forest Scene, c. 1655 National Gallery of Art

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

Through a golden haze and across an expanse of gently rippling water dotted with boats, ghostly ivory and parchment-white buildings rise along a distant shore in this loosely painted horizontal landscape.

Joseph Mallord William Turner The Dogana and Santa Maria della Salute, Venice, 1843 National Gallery of Art

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Painted portrait of a seated young light-skinned girl with brown hair in a gauzy white dress and hat, eyes downcast, holding a basket.

Berthe Morisot Young Girl with Hat, 1892 Art Institute of Chicago

Portrait of a Young Man, Hans Memling, ca. 1472–75, oil on oak panel

Hans Memling Portrait of a Young Man, ca. 1472–75 The Met

Piping Shepherds, Aelbert Cuyp, ca. 1643–44, oil on canvas

Aelbert Cuyp Piping Shepherds, ca. 1643–44 The Met

Tall grasses lead back to a body of water and then perhaps a town in this loosely painted, horizontal landscape.

Pierre-Auguste Renoir Landscape at Vétheuil, c. 1890 National Gallery of Art

Warm sunlight bathes a scene with a herd of five golden tan, ivory, or chocolate-brown cows lying or standing on a low hill near four people on foot and on horseback in this horizontal landscape painting.

Aelbert Cuyp Landscape with Herdsmen, mid 1650s National Gallery of Art

Shown from the waist up, a bearded man with a tanned, peachy complexion wears a turban and voluminous robes and looks out at us in this vertical portrait painting.

Rembrandt van Rijn Man in Oriental Costume, c. 1635 National Gallery of Art

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