Paintings for Dusty Blue Walls (page 18)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 817 to 864 of 1,938.

Manuel Osorio Manrique de Zuñiga (1784–1792), Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88 The Met

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

This painting is a portrait of a child seen from the waist up. The child is seated, with their body turned to the left but their head facing us.

Robert Henri Catharine, 1913 National Gallery of Art

After the Bullfight, Mary Cassatt, 1873, oil on canvas

Mary Cassatt After the Bullfight, 1873 Art Institute of Chicago

The Mountain Ford, Thomas Cole, 1846, oil on canvas

Thomas Cole The Mountain Ford, 1846 The Met

In a space almost entirely shrouded in shadow, light falls across a bearded man kneeling in front of a woman cradling an infant, as about a dozen people to our left look on in this horizontal painting.

Rembrandt van Rijn The Circumcision, 1661 National Gallery of Art

Monsieur Martin, Jean-François Millet, 1840, oil on fabric

Jean-François Millet Monsieur Martin, 1840 Cleveland Museum of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

Himself, Robert Henri, 1913, oil on canvas

Robert Henri Himself, 1913 Art Institute of Chicago

Shown from the chest up, a young, pale-skinned boy dressed in black turns to face us in this vertical portrait painting.

Edgar Degas René de Gas, 1855 National Gallery of Art

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

Graves of Travellers, Fort Kearny, Nebraska, Worthington Whittredge, 1866, oil on paper mounted on canvas

Worthington Whittredge Graves of Travellers, Fort Kearny, Nebraska, 1866 Cleveland Museum of Art

A View near Tivoli (Morning), Thomas Cole, 1832, oil on canvas

Thomas Cole A View near Tivoli (Morning), 1832 The Met

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

A Bearded Man Wearing a Hat, Rembrandt van Rijn, c. 1655–60, oil on canvas

Rembrandt van Rijn A Bearded Man Wearing a Hat, c. 1655–60 Cleveland Museum of Art

Chrysanthemums in the Garden at Petit-Gennevilliers, Gustave Caillebotte, 1893, oil on canvas

Gustave Caillebotte Chrysanthemums in the Garden at Petit-Gennevilliers, 1893 The Met

The Clove - A Storm Scene in the Catskill Mountains, Jasper Francis Cropsey, 1851, oil on canvas

Jasper Francis Cropsey The Clove - A Storm Scene in the Catskill Mountains, 1851 Cleveland Museum of Art

The image features a variety of fruit, including large white melons, a sliced red watermelon, and clusters of dark and white grapes with an assortment of green leaves.

Chipman Melons and Grapes, mid 19th century National Gallery of Art

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap.

Berthe Morisot The Artist's Daughter with a Parakeet, 1890 National Gallery of Art

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress.

Joshua Johnson Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805 Art Institute of Chicago

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

The Artist's Wife and His Setter Dog, Thomas Eakins, ca. 1884–89, oil on canvas

Thomas Eakins The Artist's Wife and His Setter Dog, ca. 1884–89 The Met

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

Signora Gomez d'Arza, Thomas Eakins, 1901–2, oil on canvas

Thomas Eakins Signora Gomez d'Arza, 1901–2 The Met

Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck, ca. 1632–35, oil on canvas

Anthony van Dyck Robert Rich (1587–1658), Second Earl of Warwick, ca. 1632–35 The Met

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

Helena Tromper Du Bois, Anthony van Dyck, c. 1631, oil on canvas

Anthony van Dyck Helena Tromper Du Bois, c. 1631 Art Institute of Chicago

A balding man with peach-colored skin and a drooping white mustache is surrounded by flowers floating in a blue sky with apricot-colored clouds in this vertical painting. He is shown from the waist up facing us at the bottom center.

Odilon Redon Evocation of Roussel, c. 1912 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

Portrait of a Young Woman, Jean-Honoré Fragonard, 1770s, oil on canvas

Jean-Honoré Fragonard Portrait of a Young Woman, 1770s The Met

The Annunciation, Sandro Botticelli, ca. 1490, tempera and gold on wood

Sandro Botticelli The Annunciation, ca. 1490 The Met

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

A man and woman standing with their backs to us face a room where others stand or pose in this vertical painting.

Henri de Toulouse-Lautrec Quadrille at the Moulin Rouge, 1892 National Gallery of Art

Music and Dance, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance, 1740s Cleveland Museum of Art

A young boy with pale skin and short brown hair, wearing a black and gold jerkin and breeches, white lace collar, and buttercup-yellow stockings, stands facing us with a dog at his heels in this vertical portrait painting.

Anthony van Dyck Filippo Cattaneo, 1623 National Gallery of Art

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Back to every group for dusty blue walls

Other wall colors