Paintings for Dusty Blue Walls (page 20)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 913 to 960 of 1,938.

Gray Day on the Bay, William Merritt Chase, c. 1886, oil on wood

William Merritt Chase Gray Day on the Bay, c. 1886 Cleveland Museum of Art

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

The image shows a woman's upper body. She is looking directly at the viewer with a calm expression. The woman has fair skin, dark brown hair styled away from her face, blue eyes, and delicate features.

William Jennys Mrs. Asa Benjamin, 1795 National Gallery of Art

Fish Market, Joachim Beuckelaer, 1568, oil on Baltic oak

Joachim Beuckelaer Fish Market, 1568 The Met

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Shown from the waist-up, a pale-skinned woman wearing a gold-colored gown and a muted dark pink shawl stands before a hazy landscape in this vertical portrait painting.

Benjamin West Mary Bethel Boude (Mrs. Samuel Boude), 1755/1756 National Gallery of Art

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

A woman with pale skin, wearing a black dress and holding a full, billowing white ostrich feather, is shown from the hips up against a dark background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Lady with an Ostrich-Feather Fan, c. 1656/1658 National Gallery of Art

Bayside, New Rochelle, New York, Eastman Johnson, 1886, oil on canvas

Eastman Johnson Bayside, New Rochelle, New York, 1886 The Met

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.

Claude Monet Stacks of Wheat (End of Summer), 1890–91 Art Institute of Chicago

Pine Grove of the Barberini Villa, George Inness, 1876, oil on canvas

George Inness Pine Grove of the Barberini Villa, 1876 The Met

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

The Holy Family with Saint Mary Magdalen, Andrea Mantegna, ca. 1495–1500, distemper on canvas

Andrea Mantegna The Holy Family with Saint Mary Magdalen, ca. 1495–1500 The Met

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

We look down onto a pile with a newspaper, theater program, pipe, a black and white checkerboard, and other objects painted as abstracted, geometric forms on a tabletop in this nearly square still life painting.

Juan Gris Fantômas, 1915 National Gallery of Art

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

The Dance Class, Edgar Degas, 1874, oil on canvas

Edgar Degas The Dance Class, 1874 The Met

Landscape with Haywain, Worthington Whittredge, 1861, oil on canvas

Worthington Whittredge Landscape with Haywain, 1861 Cleveland Museum of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Two men and a dog walk or stand on a rutted dirt road that stretches into the distance in front of us, between a grove of trees to our left and a shallow, narrow canal or ditch to our right in this horizontal landscape painting.

Meindert Hobbema Wooded Landscape with Figures, c. 1658 National Gallery of Art

The Adoration of the Shepherds, El Greco, ca. 1612–14, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1612–14 The Met

The Dissolute Household, Jan Steen, ca. 1663–64, oil on canvas

Jan Steen The Dissolute Household, ca. 1663–64 The Met

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting.

John Singleton Copley Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 National Gallery of Art

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Henri de Toulouse-Lautrec Rue des Moulins, 1894, 1894 National Gallery of Art

Portrait of a Man, Possibly a Self-Portrait, Diego Velázquez, ca. 1635, oil on canvas

Diego Velázquez Portrait of a Man, Possibly a Self-Portrait, ca. 1635 The Met

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

A young woman draws on an oval surface with white chalk while three winged, baby-like putti gather nearby, all on a bank of pale pink clouds in this horizontal painting.

François Boucher Allegory of Painting, 1765 National Gallery of Art

The image shows a person standing upright, facing slightly to the right. The person has indistinct facial features with a mustache and medium-length dark hair, wearing a dark overcoat and trousers with a white collar.

James McNeill Whistler Alexander Arnold Hannay, c. 1896 National Gallery of Art

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

On the brick pavement of a sunny veranda, a young toddler leans heavily on her right arm, to our left, as she reaches for a wooden block in this horizontal painting.

Thomas Eakins Baby at Play, 1876 National Gallery of Art

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

Back to every group for dusty blue walls

Other wall colors