Paintings for Dusty Blue Walls (page 22)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,009 to 1,056 of 1,938.

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

This square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view that extends into the deep distance to our right.

Leonardo da Vinci Ginevra de' Benci [obverse], c. 1474/1478 National Gallery of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

Toussaint Lemaistre (1807/8–1888), Camille Corot, 1833, oil on canvas

Camille Corot Toussaint Lemaistre (1807/8–1888), 1833 The Met

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

The Calm Sea, Gustave Courbet, 1869, oil on canvas

Gustave Courbet The Calm Sea, 1869 The Met

Virgin and Child with Saints Catherine of Alexandria and Barbara, Hans Memling, early 1480s, oil on wood

Hans Memling Virgin and Child with Saints Catherine of Alexandria and Barbara, early 1480s The Met

The image displays a child standing and facing forward. The child has a round face with rosy cheeks, wide blue eyes, and a small closed mouth. The child's hair is light and short.

Abram Ross Stanley Joshua Lamb, 1842 National Gallery of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80, oil on canvas

James McNeill Whistler Cremorne Gardens, No. 2, ca. 1870–80 The Met

This is a painting of a gathering near a river. The scene depicts a riverside filled with tall trees and grass where several groups of people have gathered. Several canoes are visible on the water and docked along the shore.

George Catlin La Salle Taking Possession of the Land at the Mouth of the Arkansas. March 10, 1682, 1847/1848 National Gallery of Art

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

Head of a Young Boy, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Head of a Young Boy, 1763 The Met

Sun drenches a landscape with trees, grassy hills, and rocky cliffs in this horizonal painting.

Jean-Victor Bertin Shepherd with His Flock, c. 1820 National Gallery of Art

Butter-yellow clouds and water, a periwinkle-blue sky, and pale plum-purple buildings blend in hazy, indistinct bands across this horizontal landscape painting.

Joseph Mallord William Turner Approach to Venice, 1844 National Gallery of Art

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

Mrs. Mary Arthur, Thomas Eakins, 1900, oil on canvas

Thomas Eakins Mrs. Mary Arthur, 1900 The Met

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73, oil on canvas

Jean-François Millet Autumn Landscape with a Flock of Turkeys, 1872–73 The Met

Shown from the chest up, a man with pale, yellow-tinged skin is angled to our right with downcast eyes in this vertical portrait painting. He is cleanshaven with chin-length black hair.

Sandro Botticelli Giuliano de' Medici, c. 1478/1480 National Gallery of Art

Fountain of Venus, François Boucher, 1756, oil on canvas

François Boucher Fountain of Venus, 1756 Cleveland Museum of Art

Shown from the waist up, a pale-skinned man with a mustache stands with one hand on his hip and the other hand held up in this dark-toned, vertical portrait painting.

James McNeill Whistler Gold and Brown: Self-Portrait, c. 1896-1898 National Gallery of Art

A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background.

Fra Bartolommeo The Nativity, 1504–7 Art Institute of Chicago

The painting depicts a busy harbor scene with ships and masts rising into the blue-gray sky. The brushstrokes are loose and impressionistic, in shades of soft grey, brown, and blue, with some pops of red and yellow from indistinct objects.

Eugène Boudin The Trawlers, 1885 National Gallery of Art

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

The Collector of Prints, Edgar Degas, 1866, oil on canvas

Edgar Degas The Collector of Prints, 1866 The Met

Upon first glance, the shapes and colors in this painting are hard to distinguish. After closer inspection, three women become visible, all with pale skin, light hair, and indistinct facial features.

Edgar Degas The Loge, c. 1883 National Gallery of Art

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

A small, shaggy, black and white dog stands in a wood paneled room with its body angled to our right but turning its head, pink tongue out, to our left in this vertical painting.

Édouard Manet Tama, the Japanese Dog, c. 1875 National Gallery of Art

Daniel Crommelin Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Daniel Crommelin Verplanck, 1771 The Met

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

Madonna Adoring the Sleeping Child, Giovanni Bellini, early 1460s, tempera on wood

Giovanni Bellini Madonna Adoring the Sleeping Child, early 1460s The Met

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

Under the Trees (from "The Public Gardens"), Édouard Vuillard, 1894, distemper on fabric

Édouard Vuillard Under the Trees (from "The Public Gardens"), 1894 Cleveland Museum of Art

The Proposal, William-Adolphe Bouguereau, 1872, oil on canvas

William-Adolphe Bouguereau The Proposal, 1872 The Met

Four women with pale, peach skin, wearing long white dresses, stand or sit on a sunny beach in this wide, horizontal painting. People and carriages are painted as hazy gray silhouettes spread along the beach in the distance.

Winslow Homer East Hampton Beach, Long Island, 1874 National Gallery of Art

The Seine: Morning, Charles-François Daubigny, 1874, oil on wood

Charles-François Daubigny The Seine: Morning, 1874 The Met

A profusion of flowers in shades of white, orange, blue, and deep pink, with earthy-green leaves, burst from the narrow opening of a glass vase in this vertical still life painting.

Jan Davidsz de Heem Vase of Flowers, c. 1660 National Gallery of Art

Sunny Autumn Day, George Inness, 1892, oil on canvas

George Inness Sunny Autumn Day, 1892 Cleveland Museum of Art

Josef de Jaudenes y Nebot, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Josef de Jaudenes y Nebot, 1794 The Met

Mademoiselle V. . . in the Costume of an Espada, Édouard Manet, 1862, oil on canvas

Édouard Manet Mademoiselle V. . . in the Costume of an Espada, 1862 The Met

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