Paintings for Dusty Blue Walls (page 24)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,105 to 1,152 of 1,938.

Apples, Paul Cézanne, 1878–79, oil on canvas

Paul Cézanne Apples, 1878–79 The Met

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

The Large Plane Trees (Road Menders at Saint-Rémy), Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh The Large Plane Trees (Road Menders at Saint-Rémy), 1889 Cleveland Museum of Art

The Spanish Singer, Édouard Manet, 1860, oil on canvas

Édouard Manet The Spanish Singer, 1860 The Met

Painting of a red-haired, bearded man with light skin, painted in short brushstrokes and multicolored dots. The background is likewise a mass of small, closely spaced colored dots, these in green, blue, and red-orange.

Vincent van Gogh Self-Portrait, 1887 Art Institute of Chicago

The Old Pine, Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Old Pine, Darien, Connecticut, 1872 The Met

Madame Paul Escudier (Louise Lefevre), John Singer Sargent, 1882, oil on canvas

John Singer Sargent Madame Paul Escudier (Louise Lefevre), 1882 Art Institute of Chicago

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

A man stands and a woman sits near a herd of seven cows under a light-drenched sky in this horizontal landscape painting. The herd gathers on a grassy rise just beyond some large boulders and twiggy branches.

Aelbert Cuyp Herdsmen Tending Cattle, 1655/1660 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

The Troubadour, Honoré Daumier, 1868–73, oil on fabric

Honoré Daumier The Troubadour, 1868–73 Cleveland Museum of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

Fog off Mount Desert, Frederic Edwin Church, 1850, oil on academy board

Frederic Edwin Church Fog off Mount Desert, 1850 National Gallery of Art

The painting depicts a golden, grassy landscape with low green trees in the distance, leading towards vibrant blue water on the horizon.

William Merritt Chase Gathering Autumn Flowers, 1894/1895 National Gallery of Art

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

Breton Brother and Sister, William-Adolphe Bouguereau, 1871, oil on canvas

William-Adolphe Bouguereau Breton Brother and Sister, 1871 The Met

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, Joseph Mallord William Turner, 1836–37, oil on canvas

Joseph Mallord William Turner Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37 Art Institute of Chicago

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Jeanne Hébuterne, Amedeo Modigliani, 1919, oil on canvas

Amedeo Modigliani Jeanne Hébuterne, 1919 The Met

Two girls in acrobatic uniforms stand in an arena, one holds oranges.

Pierre-Auguste Renoir Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg), 1879 Art Institute of Chicago

A Couple Playing Cards, with a Serving Woman, Pieter de Hooch, ca. 1665–75, oil on canvas

Pieter de Hooch A Couple Playing Cards, with a Serving Woman, ca. 1665–75 The Met

Lamentation over the Body of Christ, Gerard David, c. 1500, oil on panel

Gerard David Lamentation over the Body of Christ, c. 1500 Art Institute of Chicago

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

Doge Andrea Gritti, Titian, c. 1535, oil on canvas

Titian Doge Andrea Gritti, c. 1535 Art Institute of Chicago

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

A dilapidated cottage nestles among leafy trees next to a winding dirt road in this square landscape painting. The dirt road runs from the bottom center of the painting into the distance.

Meindert Hobbema Hut among Trees, c. 1664 National Gallery of Art

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

Peasant Woman Cooking by a Fireplace, Vincent van Gogh, 1885, oil on canvas

Vincent van Gogh Peasant Woman Cooking by a Fireplace, 1885 The Met

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Shown from the knees up, a pale-skinned man wears a tall, black hat, wide white ruffs at the neck and cuffs, and a voluminous black garment in this vertical portrait painting.

Anthony van Dyck Giovanni Vincenzo Imperiale, 1626 National Gallery of Art

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

Shown from the hips up, an elegantly dressed woman with smooth, pale skin and ash-brown hair piled high on her head looks off into the distance to our left in front of a loosely painted landscape in this vertical portrait.

Thomas Gainsborough The Hon. Mrs. Thomas Graham, c. 1775/1777 National Gallery of Art

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

The Public Garden at Pontoise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro The Public Garden at Pontoise, 1874 The Met

A woman with pale, smooth skin stands wearing a loosely draped, champagne-peach dress in this vertical portrait painting. Her body faces us but she turns her head to look down and off to our right with brown eyes.

Thomas Gainsborough Georgiana, Duchess of Devonshire, 1783 National Gallery of Art

Shown from the hips up, a man with peachy skin and long, brown curly hair and goatee stands in front of a window opening onto a moonlit sky in this vertical portrait painting.

Frans Hals Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638 National Gallery of Art

Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839), 1823 The Met

Connecticut Village (Going to School), Julian Alden Weir, after 1891, oil on canvas

Julian Alden Weir Connecticut Village (Going to School), after 1891 The Met

Portrait of a Woman, Called the Marchesa Durazzo, Anthony van Dyck, probably ca. 1622–25, oil on canvas

Anthony van Dyck Portrait of a Woman, Called the Marchesa Durazzo, probably ca. 1622–25 The Met

Pushing for Rail, Thomas Eakins, 1874, oil on canvas

Thomas Eakins Pushing for Rail, 1874 The Met

Jean-Auguste-Dominique Ingres Ulysses, 1827 National Gallery of Art

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

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