Paintings for Dusty Blue Walls (page 25)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,153 to 1,200 of 1,938.

Allegorical Figure Representing Fortitude, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Fortitude, 1760 The Met

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

About a dozen women and men, all with pale or suntanned skin, work in a field harvesting grain in this horizontal painting. The women wear long skirts and aprons, and some wear cloths tied around their heads.

Jules Breton The Colza (Harvesting Rapeseed), 1860 National Gallery of Art

Portrait of Hugh Hope, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Portrait of Hugh Hope, c. 1810 Cleveland Museum of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

In a deeply shadowed room, two women and several children are gathered at the center of this wide, oval painting, looking toward a young man and donkey who peer in over a half-door to our left.

Jean-Honoré Fragonard The Happy Family, c. 1775 National Gallery of Art

The Young Virgin, Francisco de Zurbarán, ca. 1632–33, oil on canvas

Francisco de Zurbarán The Young Virgin, ca. 1632–33 The Met

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

Head of Saint John the Evangelist, Jean-Auguste-Dominique Ingres, probably ca. 1818–20, oil on canvas, laid down on wood

Jean-Auguste-Dominique Ingres Head of Saint John the Evangelist, probably ca. 1818–20 The Met

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

The Rommel-Pot Player, Frans Hals, c. 1630, oil on panel

Frans Hals The Rommel-Pot Player, c. 1630 Art Institute of Chicago

Saint Ambrose, Francisco de Goya, c. 1796–99, oil on canvas

Francisco de Goya Saint Ambrose, c. 1796–99 Cleveland Museum of Art

Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), Frans Hals, ca. 1636–38, oil on canvas

Frans Hals Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), ca. 1636–38 The Met

This is a painting of four people outside of a circular stone wall that contains a statue and several trees. The four people are on the left, next to an opening in the curving wall.

Arnold Böcklin The Sanctuary of Hercules, 1884 National Gallery of Art

Lieutenant Colonel Paul Pechell (1724–1800), Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Lieutenant Colonel Paul Pechell (1724–1800), 1768 The Met

A rutted, dirt road curves from the bottom center of the canvas toward and behind a grove of tall trees to our left, beneath a pale blue sky with fluffy white clouds that fills the top two-thirds of this horizontal landscape painting.

Meindert Hobbema A Wooded Landscape, 1663 National Gallery of Art

A placid river winds past low hills with cows to fields blanketed with trees leading back to mountains lining the horizon in this hazy, horizontal, landscape painting.

Asher Brown Durand A Pastoral Scene, 1858 National Gallery of Art

The image is a portrait painting of a woman. She is seated with her body turned slightly to the right, while her head is facing forward towards the viewer. She has a gentle expression with slightly raised eyebrows.

Henry Raeburn Mrs. George Hill, c. 1790/1800 National Gallery of Art

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

Santa Maria della Salute, Francesco Guardi, mid- to late 1760s, oil on canvas

Francesco Guardi Santa Maria della Salute, mid- to late 1760s The Met

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Still Life with Apples and Pitcher, Camille Pissarro, 1872, oil on canvas

Camille Pissarro Still Life with Apples and Pitcher, 1872 The Met

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

Madame Lerolle, Henri Fantin-Latour, 1882, oil on fabric

Henri Fantin-Latour Madame Lerolle, 1882 Cleveland Museum of Art

Rest, William-Adolphe Bouguereau, 1879, oil on fabric

William-Adolphe Bouguereau Rest, 1879 Cleveland Museum of Art

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

The Penitent Magdalen, Georges de La Tour, ca. 1640, oil on canvas

Georges de La Tour The Penitent Magdalen, ca. 1640 The Met

U.S. Mail Boat, Leila T. Bauman, 1855 or later, oil on canvas

Leila T. Bauman U.S. Mail Boat, 1855 or later National Gallery of Art

Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), Joshua Reynolds, 1789, oil on canvas

Joshua Reynolds Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), 1789 The Met

Midshipman Augustus Brine, John Singleton Copley, 1782, oil on canvas

John Singleton Copley Midshipman Augustus Brine, 1782 The Met

This painting depicts a seated woman from the waist up. She has her right elbow resting on one arm of the red chair that she sits in, with her head leaning on her hand. Her left hand is holding white fabric in her lap.

Ezra Ames Maria Gansevoort Melvill (Mrs. Allan Melvill), c. 1815 National Gallery of Art

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

This painting shows a busy marketplace scene at eye level with a crowd of people and cattle. Hills are in the distance under a cloudy gray sky, and in front of them we can see a line of rooftops and a tall church spire.

Eugène Boudin Fair in Brittany, 1874 National Gallery of Art

Forest Stream with Vista, Asher Brown Durand, 1872, oil on canvas

Asher Brown Durand Forest Stream with Vista, 1872 Cleveland Museum of Art

We look slightly down onto a man riding a white horse away from us on a dirt road winding through a sun-drenched, rocky landscape in this horizontal painting.

Camille Corot A View near Volterra, 1838 National Gallery of Art

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

The image shows a large blue and grey bowl filled with various fruits, including grapes, peaches, and a pineapple. The color palette consists of blues, greens, yellows, oranges, and browns.

William Stearns Bowl of Fruit, c. 1830/1840 National Gallery of Art

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right.

Alfred Sisley Boulevard Héloïse, Argenteuil, 1872 National Gallery of Art

An Alpine Scene, Gustave Courbet, 1874, oil on canvas

Gustave Courbet An Alpine Scene, 1874 Art Institute of Chicago

The painting contains two full-body depictions of a man with dark skin in different postures and clothing, placed next to each other against a dark background. On the left, the man stands upright, holding a cane.

Eugène Delacroix Two Studies of an Indian from Calcutta, Seated and Standing, c. 1823/1824 National Gallery of Art

Marguerite-Thérèse (Margot) Berard (1874–1956), Pierre-Auguste Renoir, 1879, oil on canvas

Pierre-Auguste Renoir Marguerite-Thérèse (Margot) Berard (1874–1956), 1879 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

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