Paintings for Dusty Blue Walls (page 26)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,201 to 1,248 of 1,938.

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

Catharine Lorillard Wolfe (1828–1887), Alexandre Cabanel, 1876, oil on canvas

Alexandre Cabanel Catharine Lorillard Wolfe (1828–1887), 1876 The Met

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

Shown from the lap up, two women with pale skin and dark hair pulled up and back, wearing white dresses with baby-blue polka dots, sit on a couch in this horizontal portrait painting.

Berthe Morisot The Sisters, 1869 National Gallery of Art

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Francisco de Goya, 1804, oil on canvas

Francisco de Goya Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), 1804 The Met

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Eagle Head, Manchester, Massachusetts (High Tide), Winslow Homer, 1870, oil on canvas

Winslow Homer Eagle Head, Manchester, Massachusetts (High Tide), 1870 The Met

On the Beach at Trouville, Eugène Boudin, 1863, oil on wood

Eugène Boudin On the Beach at Trouville, 1863 The Met

Mrs. John Winthrop, John Singleton Copley, 1773, oil on canvas

John Singleton Copley Mrs. John Winthrop, 1773 The Met

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, oil on copper

Peter Paul Rubens Portrait of a Man, Possibly an Architect or Geographer, 1597 The Met

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

The Beeches, Asher Brown Durand, 1845, oil on canvas

Asher Brown Durand The Beeches, 1845 The Met

A young woman reclines and reads a book near a stream that winds through a wooded landscape in this horizontal painting. Painted with rich pine green, trees tower along the riverbanks and fill most of the painting.

Camille Corot Forest of Fontainebleau, 1834 National Gallery of Art

Shown from the shins up, a pale-skinned, balding, bearded man wearing a voluminous rust-red robe lined with black-speckled white fur looks out at us in this vertical portrait painting.

Jacopo Tintoretto A Procurator of Saint Mark's, c. 1575/1585 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

Allegorical Figure Representing Prudence, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Prudence, 1760 The Met

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

The Music Lesson, Gerard ter Borch, c. 1670, oil on canvas

Gerard ter Borch The Music Lesson, c. 1670 Art Institute of Chicago

Shown from the hips up in a room on the far side of a ledge, a young woman props up a naked baby so he stands on a cushion in this vertical painting.

Albrecht Dürer Madonna and Child [obverse], c. 1496/1499 National Gallery of Art

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

Shown from the chest up, a clean-shaven young man with pale, peachy skin looks off to our left against a cloudy sky in this vertical portrait painting.

Giovanni Bellini Portrait of a Young Man in Red, c. 1480 National Gallery of Art

The Peaceable Kingdom, Edward Hicks, c. 1816–18, oil on canvas

Edward Hicks The Peaceable Kingdom, c. 1816–18 Cleveland Museum of Art

A multitude of vibrantly colored shapes interweave with one another.

Marsden Hartley Movement, 1913 Art Institute of Chicago

This painting depicts a while villa partially hidden by greenery. The villa has several buildings on different levels with small windows and reddish-brown roofs. The brushstrokes are loose and broad, giving the image a blurred effect.

Pierre-Auguste Renoir Maison de la Poste, Cagnes, 1906/1907 National Gallery of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

This painting shows a woman standing in front of a wooden dresser with a mirror, her back to us. We can see her face reflected in the mirror. She is gazing at her reflection with both of her hands lifted towards her slightly tilted face.

Eastman Johnson The Toilet, 1873 National Gallery of Art

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

Two Women, Paul Gauguin, 1901 or 1902, oil on canvas

Paul Gauguin Two Women, 1901 or 1902 The Met

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

A vase holding mostly white flowers sits on a floral-patterned cloth in this vertical still life painting. The ice-blue vase has a narrow foot, tall, slightly tapering sides, round shoulders, and a long neck flanked by handles.

Paul Cézanne Vase of Flowers, 1900/1903 National Gallery of Art

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", James McNeill Whistler, 1872–73, oil on canvas

James McNeill Whistler Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73 Art Institute of Chicago

Portrait of a Woman, Amedeo Modigliani, c. 1917/19, oil on cardboard

Amedeo Modigliani Portrait of a Woman, c. 1917/19 Art Institute of Chicago

Madame François Buron, Jacques-Louis David, 1769, oil on canvas

Jacques-Louis David Madame François Buron, 1769 Art Institute of Chicago

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658, oil on canvas

Nicolas Poussin Blind Orion Searching for the Rising Sun, 1658 The Met

Louis-Marie, Vicomte de Noailles, Gilbert Stuart, 1798, oil on canvas

Gilbert Stuart Louis-Marie, Vicomte de Noailles, 1798 The Met

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

Two pale-skinned women sit together surrounded by five sheep and a dog in a lush forest in this vertical painting. The woman to our right sits slightly above the other, with her arm draped around the shoulders of her companion.

François Boucher The Love Letter, 1750 National Gallery of Art

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

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