Paintings for Dusty Blue Walls (page 28)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,297 to 1,344 of 1,938.

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Saint Jerome as Scholar, El Greco, ca. 1610, oil on canvas

El Greco Saint Jerome as Scholar, ca. 1610 The Met

Allegorical Figure Representing a Virtue, Possibly Patriotism, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing a Virtue, Possibly Patriotism, 1760 The Met

Man in a Turban, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Man in a Turban, 1632 The Met

Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting.

Paolo Veronese The Finding of Moses, c. 1581/1582 National Gallery of Art

In this painting, a pile of cherries is displayed on a grassy ground. The cherries are in different shades of red, orange, and light yellow, set against a dark green background. Some cherries are scattered in the grass around the pile.

William Mason Brown Mound of Cherries, n.d. National Gallery of Art

A man and two women standing near a bar nearly fill this vertical painting.

Henri de Toulouse-Lautrec Alfred la Guigne, 1894 National Gallery of Art

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

The Dreamer (La Rêveuse), Antoine Watteau, 1712–14, oil on panel

Antoine Watteau The Dreamer (La Rêveuse), 1712–14 Art Institute of Chicago

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings.

Henri-Joseph Harpignies Landscape in Auvergne, 1870 National Gallery of Art

The Brioche, Édouard Manet, 1870, oil on canvas

Édouard Manet The Brioche, 1870 The Met

Shown from the knees up, two young women with pale, peachy skin wearing white gowns sit close together and almost fill this vertical painting. The women are angled to our left and look in that direction.

Mary Cassatt The Loge, c. 1878-1880 National Gallery of Art

Seventeenth Century Lady, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Seventeenth Century Lady, ca. 1895 The Met

A Shaded Avenue, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard A Shaded Avenue, ca. 1775 The Met

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

This painting displays an outdoor scene with a large tree to the left and a low horizon with a few buildings and what look like boats floating on blue water on the right.

Camille Corot Souvenir of Terracina, 1864, reworked slightly later National Gallery of Art

Hunting near Hartenfels Castle, Lucas Cranach the Elder, 1540, oil, originally on wood, transferred to masonite

Lucas Cranach the Elder Hunting near Hartenfels Castle, 1540 Cleveland Museum of Art

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

Shown from the lap up, an older woman with pale, slightly sagging skin and frosty gray hair sits facing us in this loosely painted vertical portrait.

Mary Cassatt Portrait of a Lady, c. 1887 National Gallery of Art

Padre Sebastiano, John Singer Sargent, ca. 1904–6, oil on canvas

John Singer Sargent Padre Sebastiano, ca. 1904–6 The Met

Large English country landscape painting, farmers with horses, green trees.

John Constable Stoke-by-Nayland, 1836 Art Institute of Chicago

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

George Washington, Charles Willson Peale, ca. 1779–81, oil on canvas

Charles Willson Peale George Washington, ca. 1779–81 The Met

We look down at and across a sun-soaked landscape with tile-roofed, white-stucco buildings and plowed fields in this horizontal painting.

Willard Leroy Metcalf Midsummer Twilight, c. 1890 National Gallery of Art

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Trees and Houses Near the Jas de Bouffan, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Trees and Houses Near the Jas de Bouffan, 1885–86 The Met

Madame Roulin and Her Baby, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Madame Roulin and Her Baby, 1888 The Met

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Paul Cézanne Madame Cezanne in a Yellow Chair, 1888–90 Art Institute of Chicago

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

The Forest of Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1874, oil on wood

Narcisse Virgilio Díaz de la Peña The Forest of Fontainebleau, 1874 The Met

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

Shown from the knees up, a pale-skinned, clean-shaven man stands looking off to our right in this vertical portrait painting.

Jean-François Millet Leconte de Lisle, c. 1840/1841 National Gallery of Art

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

This painting shows a man standing upright, his body slightly turned to the right.

Francisco de Goya Charles IV of Spain as Huntsman, c. 1799/1800 National Gallery of Art

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