Paintings for Dusty Blue Walls (page 17)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 769 to 816 of 1,938.

The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, Peter Paul Rubens, early or mid-1630s, oil on canvas

Peter Paul Rubens The Holy Family with Saints Francis and Anne and the Infant Saint John the Baptist, early or mid-1630s The Met

Arab Horseman Attacked by a Lion, Eugène Delacroix, 1849–50, oil on paperboard

Eugène Delacroix Arab Horseman Attacked by a Lion, 1849–50 Art Institute of Chicago

Shown from the knees up, a pale-skinned woman wears a wide, pleated collar and a black gown in this vertical portrait painting. Her body is angled to our left, and she looks at us from the corners of her light brown eyes.

Anthony van Dyck Portrait of a Flemish Lady, probably 1618 National Gallery of Art

A lone wheat stack, in shadow, rests on a field with traces of snow, the snow taking on reflected shades of pink, yellow, orange, and blue from the unseen setting sun. A line of pale yellow illuminates the horizon above the hills beyond.

Claude Monet Stack of Wheat (Thaw, Sunset), 1890–91 Art Institute of Chicago

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

The image is a portrait showing the upper body of a woman seated next to a wooden table. She is positioned facing slightly to the right, with her arm resting on the table and holding a small pink rose in her left hand.

Charles Peale Polk Hannah Lemmon Corcoran (Mrs. Thomas Corcoran), c. 1802/1810 National Gallery of Art

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin.

Aelbert Cuyp Horsemen and Herdsmen with Cattle, 1655/1660 National Gallery of Art

Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines.

Amedeo Modigliani Girl in a Green Blouse, 1917 National Gallery of Art

Landscape with Fisherman and Washerwoman, John Rathbone, 1790–1800, oil on panel

John Rathbone Landscape with Fisherman and Washerwoman, 1790–1800 Art Institute of Chicago

This painting shows a man seated on a decorative red chair, his body turned towards the left and his head turned to look at us. He has a round face, light skin, and gray curly hair that goes down past his shoulders.

John Singleton Copley Baron Graham, 1804 National Gallery of Art

Haystacks: Autumn, Jean-François Millet, ca. 1874, oil on canvas

Jean-François Millet Haystacks: Autumn, ca. 1874 The Met

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

John Gray (1731–1811) of Newholm, Henry Raeburn, 1800, oil on canvas

Henry Raeburn John Gray (1731–1811) of Newholm, 1800 The Met

Benedikt von Hertenstein (born about 1495, died 1522), Hans Holbein the Younger, 1517, oil and gold on paper, laid down on wood

Hans Holbein the Younger Benedikt von Hertenstein (born about 1495, died 1522), 1517 The Met

The Thinker: Portrait of Louis N. Kenton, Thomas Eakins, 1900, oil on canvas

Thomas Eakins The Thinker: Portrait of Louis N. Kenton, 1900 The Met

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

Two men with pale skin, wearing white sleeveless shirts and royal-blue caps, row in unison in a long, narrow boat on a placid blue river in this horizontal landscape painting.

Thomas Eakins The Biglin Brothers Racing, 1872 National Gallery of Art

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

The Adoration of the Magi, Hieronymus Bosch, ca. 1475, oil and gold on oak

Hieronymus Bosch The Adoration of the Magi, ca. 1475 The Met

Janet Law, Henry Raeburn, 1800, oil on canvas

Henry Raeburn Janet Law, 1800 The Met

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

The Mower, Georges Seurat, 1881–82, oil on wood

Georges Seurat The Mower, 1881–82 The Met

Head of a Young Woman, Jean-Baptiste Greuze, possibly 1780s, oil on canvas

Jean-Baptiste Greuze Head of a Young Woman, possibly 1780s The Met

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

Captain John Gell, Gilbert Stuart, 1785, oil on canvas

Gilbert Stuart Captain John Gell, 1785 The Met

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

Madonna and Child Enthroned with Saints, Raphael, ca. 1504, oil and gold on wood

Raphael Madonna and Child Enthroned with Saints, ca. 1504 The Met

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519, oil on linden

Albrecht Dürer Virgin and Child with Saint Anne, probably 1519 The Met

Margaret of Austria, Jean Hey,, ca. 1490, oil on oak panel

Jean Hey, Margaret of Austria, ca. 1490 The Met

Heart of the Andes, Frederic Edwin Church, 1859, oil on canvas

Frederic Edwin Church Heart of the Andes, 1859 The Met

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

Lake George, John Frederick Kensett, 1869, oil on canvas

John Frederick Kensett Lake George, 1869 The Met

This oval painting shows a cherubic child floating mid-air with one leg bent and their arms outstretched. The cherub has curly hair, a round face, and pale skin dusted with rosy pink and light teal shadows. They are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

Portrait of Charlotte and Sarah Carteret-Hardy, Thomas Lawrence, 1801, oil on canvas

Thomas Lawrence Portrait of Charlotte and Sarah Carteret-Hardy, 1801 Cleveland Museum of Art

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

Light pours over a woman floating in front of a bank of clouds, surrounded by ten mostly nude, toddler-like winged putti in this vertical painting. The woman, Mary, and the putti all have pale, peachy skin.

Anthony van Dyck The Virgin as Intercessor, 1628/1629 National Gallery of Art

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