Paintings for Dusty Blue Walls (page 31)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,441 to 1,488 of 1,938.

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

Newburyport Meadows, Martin Johnson Heade, ca. 1876–81, oil on canvas

Martin Johnson Heade Newburyport Meadows, ca. 1876–81 The Met

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Majas on a Balcony, Francisco de Goya, ca. 1800–1810, oil on canvas

Francisco de Goya Majas on a Balcony, ca. 1800–1810 The Met

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, oil on canvas

Jean-Auguste-Dominique Ingres Aretino in the Studio of Tintoretto, 1848 The Met

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

From a distance, we look slightly down into a lush park filled pairs and groups of elegantly dressed, light-skinned adults and children frolicking and socializing in this vertical painting.

Jean-Honoré Fragonard Blindman's Buff, c. 1775/1780 National Gallery of Art

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Orchid Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Orchid Blossoms, 1873 Cleveland Museum of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

We look down at the end of a narrow table at a white plate, pot, knife, and spoon set on the white tablecloth in this horizontal still life painting.

Henri Fantin-Latour Still Life with Mustard Pot, 1860 National Gallery of Art

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

Wheat Fields, Jacob van Ruisdael, ca. 1670, oil on canvas

Jacob van Ruisdael Wheat Fields, ca. 1670 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

Shown from the knees up against a dark gray background, a young woman with peachy skin stands with her body angled to our left and she looks at us with brown eyes in this vertical portrait painting.

Francisco de Goya Young Lady Wearing a Mantilla and Basquina, c. 1800/1805 National Gallery of Art

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Margaretha van Haexbergen (1614–1676), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Margaretha van Haexbergen (1614–1676), ca. 1666–67 The Met

Autumn: The Woodland Pond, Narcisse Virgilio Díaz de la Peña, 1867, oil on canvas

Narcisse Virgilio Díaz de la Peña Autumn: The Woodland Pond, 1867 The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

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