Paintings for Dusty Blue Walls (page 32)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,489 to 1,536 of 1,938.

This painting is a portrait of a man from his chest up. He is positioned slightly angled to the left and looks directly at us.

Gilbert Stuart George Washington, c. 1803 National Gallery of Art

Shown from the chest up, a pale-skinned man holds one hand to his chest as he looks at us in this vertical portrait painting.

Frans Hals Portrait of a Man, 1648/1650 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470, oil on oak

Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470 The Met

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Rembrandt van Rijn Young Woman at an Open Half-Door, 1645 Art Institute of Chicago

In a dance studio, two ballerinas wearing knee-length tutus and ballet slippers sit on a bench and stretch to our right while four more pose at the back of the space, to our left, in this long, horizontal painting.

Edgar Degas Before the Ballet, 1890/1892 National Gallery of Art

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Two Men, Edgar Degas, ca. 1865–69, oil on wood

Edgar Degas Two Men, ca. 1865–69 The Met

In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting.

Claude Monet Interior, after Dinner, 1868/1869 National Gallery of Art

The Curious Little Girl, Camille Corot, 1860–64, oil on cardboard, laid down on wood

Camille Corot The Curious Little Girl, 1860–64 The Met

A white rose, grapes and other fruit, a squat gourd, a bottle, and a glass are arranged across a dark wood table partly covered by a white cloth in this horizontal still life painting.

Édouard Manet Still Life with Melon and Peaches, c. 1866 National Gallery of Art

Barbara Claes (died 1663, called “Malle Babbe”), Frans Hals, 1637, oil on canvas

Frans Hals Barbara Claes (died 1663, called “Malle Babbe”), 1637 The Met

José Costa y Bonells (died l870), Called Pepito, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya José Costa y Bonells (died l870), Called Pepito, ca. 1810 The Met

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky.

Meindert Hobbema A View on a High Road, 1665 National Gallery of Art

Boats on the Seacoast at Etaples, Charles-François Daubigny, 1871, oil on wood

Charles-François Daubigny Boats on the Seacoast at Etaples, 1871 The Met

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met

A Meadow Bordered by Trees, Théodore Rousseau, ca. 1845–60, oil on wood

Théodore Rousseau A Meadow Bordered by Trees, ca. 1845–60 The Met

Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, Hubert Robert, c.1769, oil on canvas

Hubert Robert Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, c.1769 Cleveland Museum of Art