Paintings for Dusty Blue Walls (page 35)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,633 to 1,680 of 1,938.

Painted portrait of woman in green dress and cloud backdrop.

John Singleton Copley Mrs. Daniel Hubbard (Mary Greene), c. 1764 Art Institute of Chicago

A young woman sitting with a nude infant lying in her lap is flanked on either side by an older woman to our left and an elderly man with a nude young boy to our right in this vertical painting. They all have pale skin tinged with blue.

El Greco The Holy Family with Saint Anne and the Infant John the Baptist, c. 1595/1600 National Gallery of Art

Child with Brown Hair, Pierre-Auguste Renoir, 1887/1888, oil on canvas

Pierre-Auguste Renoir Child with Brown Hair, 1887/1888 National Gallery of Art

Portrait of white man dressed in all black with medallion and sword.

Jean-Auguste-Dominique Ingres Amédée-David, the Comte de Pastoret, 1823–26 Art Institute of Chicago

Sleep, Pierre Puvis de Chavannes, ca. 1867–70, oil on canvas

Pierre Puvis de Chavannes Sleep, ca. 1867–70 The Met

The Afternoon Meal (La Merienda), Luis Meléndez, ca. 1772, oil on canvas

Luis Meléndez The Afternoon Meal (La Merienda), ca. 1772 The Met

Retreat from the Storm, Jean-François Millet, ca. 1846, oil on canvas

Jean-François Millet Retreat from the Storm, ca. 1846 The Met

William Robertson (1753–1835), Lord Robertson, Henry Raeburn, 1805, oil on canvas

Henry Raeburn William Robertson (1753–1835), Lord Robertson, 1805 The Met

Portrait of Jeanne Wenz, Henri de Toulouse-Lautrec, 1886, oil on canvas

Henri de Toulouse-Lautrec Portrait of Jeanne Wenz, 1886 Art Institute of Chicago

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

Anna Dummer Powell, John Singleton Copley, 1764, oil on canvas

John Singleton Copley Anna Dummer Powell, 1764 Cleveland Museum of Art

A Knight of Alcántara or Calatrava, Bartolomé Esteban Murillo, ca. 1650–55, oil on canvas

Bartolomé Esteban Murillo A Knight of Alcántara or Calatrava, ca. 1650–55 The Met

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting.

Joshua Reynolds Lady Caroline Howard, 1778 National Gallery of Art

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

Terminus, the Device of Erasmus, Hans Holbein the Younger, c. 1532, oil on wood

Hans Holbein the Younger Terminus, the Device of Erasmus, c. 1532 Cleveland Museum of Art

Shown from the waist up, pale-skinned young man wearing a bowler hat looks at us from the corners of his eyes in this vertical portrait painting.

Paul Cézanne The Artist's Son, Paul, 1886-1887 National Gallery of Art

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Portrait of a Woman, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Woman, probably a Member of the Van Beresteyn Family, 1632 The Met

Bellona, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Bellona, 1633 The Met

Joan of Arc, Jules Bastien-Lepage, 1879, oil on canvas

Jules Bastien-Lepage Joan of Arc, 1879 The Met

An older man with ruddy, peachy skin stands in the lower right of this vertical painting holding a large, green, leafy cabbage. He is shown from the hips up and faces our left with his body angled slightly toward us.

Camille Pissarro The Gardener - Old Peasant with Cabbage, 1883-1895 National Gallery of Art

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Painting of a young woman outdoors in a light purple dress and head covering with a wooden yoke around her neck suspending large bundles of brightly colored flowers.

George Hitchcock Flower Girl in Holland, 1887 Art Institute of Chicago

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Green hills roll back to a turquoise-blue sea in this almost square painting. The scene is built with layers of small dots in lavender, lilac, cool blue, warm green, yellow, and peach.

Georges Seurat Seascape at Port-en-Bessin, Normandy, 1888 National Gallery of Art

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art

Four women with musical instruments lounge in a massive garden courtyard.

Carl Blechen The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834 Art Institute of Chicago

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Canadian Rockies (Lake Louise), Albert Bierstadt, ca. 1889, oil on paper mounted to board

Albert Bierstadt Canadian Rockies (Lake Louise), ca. 1889 The Met

Saint Andrew, El Greco, ca. 1610, oil on canvas

El Greco Saint Andrew, ca. 1610 The Met

Landscape with a Church by a Torrent, Jacob van Ruisdael, c. 1670, oil on canvas

Jacob van Ruisdael Landscape with a Church by a Torrent, c. 1670 Cleveland Museum of Art

Portrait of Tieleman Roosterman, Frans Hals, 1634, oil on canvas

Frans Hals Portrait of Tieleman Roosterman, 1634 Cleveland Museum of Art

The Pool (Memory of the Forest of Chambord), Théodore Rousseau, 1839, oil on wood

Théodore Rousseau The Pool (Memory of the Forest of Chambord), 1839 The Met

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

Shown from the knees up, a woman stands facing and looking at us with her head tilted a little to our left in this vertical portrait painting. She has pale skin, a heart-shaped face with rosy cheeks, and a rose-pink bow mouth.

Élisabeth Louise Vigée Le Brun Madame du Barry, 1782 National Gallery of Art

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

The Golden State Entering New York Harbor, Fitz Henry Lane, 1854, oil on canvas

Fitz Henry Lane The Golden State Entering New York Harbor, 1854 The Met

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

Richard Dana, John Singleton Copley, ca. 1770, oil on canvas

John Singleton Copley Richard Dana, ca. 1770 The Met

This painting depicts a man from the waist up, facing us. He has light skin with a curled white mustache and pointed beard, and gray, wavy hair.

William Merritt Chase Self-Portrait, 1915 National Gallery of Art

A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden tabletop in front of a gray wall in this horizontal still life painting.

Édouard Manet Oysters, 1862 National Gallery of Art

A young girl with pale skin and long brown hair looks at us as she braces a tall, wooden hoop with one hand by her hip in this vertical painting.

Pierre-Auguste Renoir Girl with a Hoop, 1885 National Gallery of Art

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

Mount Starr King, Yosemite, Albert Bierstadt, 1866, oil on canvas on panel-back stretcher

Albert Bierstadt Mount Starr King, Yosemite, 1866 Cleveland Museum of Art

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