Paintings for Olive Walls (page 2)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 49 to 96 of 606.

View of Ornans, Gustave Courbet, probably mid-1850s, oil on canvas

Gustave Courbet View of Ornans, probably mid-1850s The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

In a lush, tree-lined park, filtered light falls across a group of about a dozen light-skinned people lounging and frolicking along the banks of a river in this vertical landscape painting.

Jean-Honoré Fragonard A Game of Horse and Rider, c. 1775/1780 National Gallery of Art

A cloud of canary-yellow flowers with pumpkin-orange centers on tall stems with emerald and pine-green leaves fills the top half of this vertical still life painting.

Claude Monet Jerusalem Artichoke Flowers, 1880 National Gallery of Art

Storm Clouds, John Henry Twachtman, 1880, oil on canvas

John Henry Twachtman Storm Clouds, 1880 Cleveland Museum of Art

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

More than three dozen pears clustered densely on leafy branches against a vivid blue sky fill this long, horizontal painting. Most of the pears are golden yellow and touched with blush pink on one side.

Joseph Decker Ripening Pears, c. 1884/1885 National Gallery of Art

American Pasturage - Prairies of the Platte, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin American Pasturage - Prairies of the Platte, 1861/1869 National Gallery of Art

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

The painting features a sandy shore and a calm sea with sailing boats in the distance. At the bottom of the painting, people sit on the sand by the water.

Eugène Boudin Washerwoman near Trouville, c. 1872/1876 National Gallery of Art

A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), Gustave Courbet, probably 1862, oil on canvas

Gustave Courbet A Brook in a Clearing (possibly "Brook, Valley of Fontcouverte; Study"), probably 1862 The Met

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

A person at the center of this loosely painted horizontal landscape rides a dark horse across a field as a man to the left works the field behind a horse-drawn plow.

Camille Corot View near Epernon, 1850/1860 National Gallery of Art

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

This painting depicts a view from an elevated position. The horizon is in the center of the painting, where the blue sky meets distant green hills.

Julian Alden Weir U.S. Thread Company Mills, Willimantic, Connecticut, c. 1893/1897 National Gallery of Art

Harvest Time, George Inness, 1864, oil on canvas

George Inness Harvest Time, 1864 Cleveland Museum of Art

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

Rushing Water, John Singer Sargent, ca. 1901–7, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Rushing Water, ca. 1901–7 The Met

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

A white rose, grapes and other fruit, a squat gourd, a bottle, and a glass are arranged across a dark wood table partly covered by a white cloth in this horizontal still life painting.

Édouard Manet Still Life with Melon and Peaches, c. 1866 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

We look slightly down onto a woman and a young boy, both with pale skin, sitting together on a grassy lawn with a chicken standing nearby in this horizontal painting. The scene is loosely painted with visible brushstrokes throughout.

Pierre-Auguste Renoir Madame Monet and Her Son, 1874 National Gallery of Art

Bouquet of Flowers in a Vase, Vincent van Gogh, 1890, oil on canvas

Vincent van Gogh Bouquet of Flowers in a Vase, 1890 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting.

Berthe Morisot Hanging the Laundry out to Dry, 1875 National Gallery of Art

In the center of this painting, there is a horse-drawn cart turned away from us, facing the right. In the cart is a person wearing dark blue clothing and a dark hat, and next to them is a white-and-pink bundle that could be another person.

Henri de Toulouse-Lautrec The Trap, 1880 National Gallery of Art

The Valley of Wyoming, Jasper Francis Cropsey, 1865, oil on canvas

Jasper Francis Cropsey The Valley of Wyoming, 1865 The Met

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

The Rock of Hautepierre, Gustave Courbet, c. 1869, oil on canvas

Gustave Courbet The Rock of Hautepierre, c. 1869 Art Institute of Chicago

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

This painting shows a woman standing, her left arm raised to her chest. She has dark hair in an updo and adorned with a white accessory, and wears a dress in shades of blue, white, and tan. She has a black necklace around her neck.

Pierre-Auguste Renoir Woman Standing by a Tree, 1866 National Gallery of Art

Brook and Meadow, John Singer Sargent, ca. 1907, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Brook and Meadow, ca. 1907 The Met

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

Haystacks, Morning, Eragny, Camille Pissarro, 1899, oil on canvas

Camille Pissarro Haystacks, Morning, Eragny, 1899 The Met

The painting depicts a busy harbor scene with ships and masts rising into the blue-gray sky. The brushstrokes are loose and impressionistic, in shades of soft grey, brown, and blue, with some pops of red and yellow from indistinct objects.

Eugène Boudin The Trawlers, 1885 National Gallery of Art

A young, smiling boy in a ruffled collar, hat, and cumberbun rides outdoors on a brown ram, a small whip held aloft in his hand.

Francisco de Goya Boy on a Ram, 1786–87 Art Institute of Chicago

Basket of Flowers, Eugène Delacroix, 1848–49, oil on canvas

Eugène Delacroix Basket of Flowers, 1848–49 The Met

Cottage by the River with Washerwomen, Camille Flers, 1835, oil on fabric

Camille Flers Cottage by the River with Washerwomen, 1835 Cleveland Museum of Art

We look slightly down onto a loosely painted scene with three ballerinas in rose-pink costumes and one man, wearing a black suit and top hat, against a backdrop made up of dabs and strokes of lime, mint, and pine green in this vertical…

Edgar Degas Dancers Backstage, 1876/1883 National Gallery of Art

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

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