Paintings for Olive Walls (page 3)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 97 to 144 of 606.

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

This painting features a woman standing, with her body slightly turned to the right and her head facing downward. She has light skin, pink cheeks, and dark hair partially covered by a red-and-white patterned head scarf.

Camille Pissarro Peasant Woman, 1880 National Gallery of Art

Study of Beeches, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Study of Beeches, 1872 The Met

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

We look slightly down onto two girls or young women with light skin sitting close to us in a green, grassy field in this square landscape painting.

Camille Pissarro Young Peasant Girls Resting in the Fields near Pontoise, 1882 National Gallery of Art

The Villa Loredan, Paese, Francesco Guardi, early 1780s, oil on canvas

Francesco Guardi The Villa Loredan, Paese, early 1780s The Met

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

Two creamy-white, long-haired dogs facing our right in a snowy field fill this horizontal painting. The scene is painted with visible, textured strokes in shades of white and ice blue. The dogs have floppy ears and long muzzles.

Franz Marc Siberian Dogs in the Snow, 1909/1910 National Gallery of Art

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

This painting shows a pastoral setting with a large white-and-gray house on a hill to the left. Distant people stand in front of the house, along with a horse-drawn wagon.

Edward Hicks The Grave of William Penn, c. 1847/1848 National Gallery of Art

A small complex of white buildings with red-tile roofs are engulfed in a patchwork of lush, green farm fields over rolling hills in this nearly square painting.

Camille Pissarro Landscape at Les Pâtis, Pontoise, 1868 National Gallery of Art

Gray Day on the Bay, William Merritt Chase, c. 1886, oil on wood

William Merritt Chase Gray Day on the Bay, c. 1886 Cleveland Museum of Art

This painting displays an outdoor scene with a large tree to the left and a low horizon with a few buildings and what look like boats floating on blue water on the right.

Camille Corot Souvenir of Terracina, 1864, reworked slightly later National Gallery of Art

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto, 1730s, oil on canvas

Canaletto The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s The Met

A Meadow Bordered by Trees, Théodore Rousseau, ca. 1845–60, oil on wood

Théodore Rousseau A Meadow Bordered by Trees, ca. 1845–60 The Met

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

Haymaking at Éragny, Camille Pissarro, 1892, oil on canvas

Camille Pissarro Haymaking at Éragny, 1892 Art Institute of Chicago

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

We look across and down into a valley with a person sitting near a tall tree and a train puffing smoke beyond, all enclosed by a band of mountains in the distance in this horizontal landscape painting.

George Inness The Lackawanna Valley, c. 1856 National Gallery of Art

This painting shows a dynamic scene of a green tennis court with a player in action near the bottom-right corner, their hand extended behind their head and one leg in the air.

George Bellows Tennis Tournament, 1920 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

Eleven men, women, and children stand around a freestanding flagpole near a floating dock on a beach in this horizontal landscape painting. The scene is loosely painted, and dozens more people are gathered on the dock.

Eugène Boudin On the Jetty, c. 1869/1870 National Gallery of Art

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

Apple Blossoms, Charles-François Daubigny, 1873, oil on canvas

Charles-François Daubigny Apple Blossoms, 1873 The Met

The image shows a large blue and grey bowl filled with various fruits, including grapes, peaches, and a pineapple. The color palette consists of blues, greens, yellows, oranges, and browns.

William Stearns Bowl of Fruit, c. 1830/1840 National Gallery of Art

We look out onto a landscape with tawny-brown haystacks and trees among a patchwork of moss, lime, mint, and pine-green fields in this stylized, horizontal painting. The scene is painted with mostly flat areas of color.

Paul Gauguin Haystacks in Brittany, 1890 National Gallery of Art

A baby nestles in a mass of frilly white fabric atop a colorful patchwork, perhaps a pile of quilts, against a sage and spring-green background in this square painting.

Gustav Klimt Baby (Cradle), 1917/1918 National Gallery of Art

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below.

Henri de Toulouse-Lautrec Ballet Dancers, 1885–86 Art Institute of Chicago

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings.

Henri-Joseph Harpignies Landscape in Auvergne, 1870 National Gallery of Art

A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting.

George Bellows The Lone Tenement, 1909 National Gallery of Art

The Golden State Entering New York Harbor, Fitz Henry Lane, 1854, oil on canvas

Fitz Henry Lane The Golden State Entering New York Harbor, 1854 The Met

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

Spring Blossoms, Montclair, New Jersey, George Inness, ca. 1891, oil and crayon or charcoal on canvas

George Inness Spring Blossoms, Montclair, New Jersey, ca. 1891 The Met

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

The painting shows a landscape with a calm body of water stretching across the center, beyond a brown bank of rocks and short green grass. A thin tree rises up on the left.

Théodore Rousseau Landscape with Boatman, c. 1860 National Gallery of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Orchid Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Orchid Blossoms, 1873 Cleveland Museum of Art

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Edmond Cavé (1794–1852), Jean-Auguste-Dominique Ingres, 1844, oil on canvas

Jean-Auguste-Dominique Ingres Edmond Cavé (1794–1852), 1844 The Met

Les Andelys, Côte d'Aval, Paul Signac, 1886, oil on canvas

Paul Signac Les Andelys, Côte d'Aval, 1886 Art Institute of Chicago

Winter Scene, Francisco de Goya, c. 1786, oil on canvas

Francisco de Goya Winter Scene, c. 1786 Art Institute of Chicago

Chrysanthemum, Piet Mondrian, 1906–42, oil on canvas

Piet Mondrian Chrysanthemum, 1906–42 Cleveland Museum of Art

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

This painting is a portrait of a woman, her torso facing slightly to the left, her face looking directly at us. The woman has fair skin, rosy cheeks, and red lips in a subtle smile.

Thomas Gainsborough Miss Catherine Tatton, 1786 National Gallery of Art

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