Paintings for Olive Walls (page 6)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 241 to 288 of 606.

The painting shows a coastal landscape from an elevated point of view. A structure resembling a thatched-roof cottage is on the right, partially obscured by the rolling green hills that take up the bottom right area of the painting.

Henri Moret The Island of Raguenez, Brittany, 1890/1895 National Gallery of Art

Warwick Castle, Canaletto, 1748, oil on canvas

Canaletto Warwick Castle, 1748 The Met

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Repose, John White Alexander, 1895, oil on canvas

John White Alexander Repose, 1895 The Met

Hagar in the Wilderness, Camille Corot, 1835, oil on canvas

Camille Corot Hagar in the Wilderness, 1835 The Met

Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, Édouard Manet, 1880, oil on canvas

Édouard Manet Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue, 1880 The Met

The image displays a child standing and facing forward. The child has a round face with rosy cheeks, wide blue eyes, and a small closed mouth. The child's hair is light and short.

Abram Ross Stanley Joshua Lamb, 1842 National Gallery of Art

The Interrupted Sleep, François Boucher, 1750, oil on canvas

François Boucher The Interrupted Sleep, 1750 The Met

Portrait of the Artist, Gilbert Stuart, ca. 1786, oil on canvas

Gilbert Stuart Portrait of the Artist, ca. 1786 The Met

Young Herdsmen with Cows, Aelbert Cuyp, ca. 1655–60, oil on canvas

Aelbert Cuyp Young Herdsmen with Cows, ca. 1655–60 The Met

This painting displays a young girl sitting, her head and body slightly turned to the left. She has fair skin and light reddish-brown hair tied back with a blue ribbon, a few curls framing her face.

Berthe Morisot Young Girl with an Apron, 1891 National Gallery of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

Shown from the hips up, a pale-skinned woman holds an open, gold-colored fan in her lap in this vertical, loosely painted portrait.

Mary Cassatt Woman with a Fan, c. 1878/1879 National Gallery of Art

The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages.

John Ferneley Heaton Park Races, 1829 National Gallery of Art

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

Alpine Pool, John Singer Sargent, 1907, oil on canvas

John Singer Sargent Alpine Pool, 1907 The Met

Grey and Silver: Old Battersea Reach, James McNeill Whistler, 1863, oil on canvas

James McNeill Whistler Grey and Silver: Old Battersea Reach, 1863 Art Institute of Chicago

The Weeders, Jules Breton, 1868, oil on canvas

Jules Breton The Weeders, 1868 The Met

The Old Road to the Sea, William Merritt Chase, c. 1893, oil on canvas

William Merritt Chase The Old Road to the Sea, c. 1893 Cleveland Museum of Art

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

On the Beach at Trouville, Eugène Boudin, 1863, oil on wood

Eugène Boudin On the Beach at Trouville, 1863 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

The Garden of the Tuileries on a Winter Afternoon, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Winter Afternoon, 1899 The Met

In the Waves (Dans les Vagues), Paul Gauguin, 1889, oil on canvas

Paul Gauguin In the Waves (Dans les Vagues), 1889 Cleveland Museum of Art

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

The Old Mill, George Inness, 1849, oil on canvas

George Inness The Old Mill, 1849 Art Institute of Chicago

Te raau rahi (The Big Tree), Paul Gauguin, 1891, oil on jute canvas

Paul Gauguin Te raau rahi (The Big Tree), 1891 Art Institute of Chicago

Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), Edgar Degas, 1879, distemper, metallic paint, and pastel, on canvas

Edgar Degas Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), 1879 Art Institute of Chicago

Boboli Garden, Florence, John Singer Sargent, ca. 1906–7, watercolor, gouache, and graphite on white wove paper, mounted on board

John Singer Sargent Boboli Garden, Florence, ca. 1906–7 The Met

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

The Brook of Les Puits-Noir, Gustave Courbet, c. 1855, oil on canvas

Gustave Courbet The Brook of Les Puits-Noir, c. 1855 Art Institute of Chicago

The Seine: Morning, Charles-François Daubigny, 1874, oil on wood

Charles-François Daubigny The Seine: Morning, 1874 The Met

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

Study for Eagle Head, Manchester, Massachusetts, Winslow Homer, 1869 (?), oil on wood

Winslow Homer Study for Eagle Head, Manchester, Massachusetts, 1869 (?) The Met

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

Emma Van Name, Joshua Johnson, ca. 1805, oil on canvasPainting

Joshua Johnson Emma Van Name, ca. 1805 The Met

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

The Monet Family in Their Garden at Argenteuil, Édouard Manet, 1874, oil on canvas

Édouard Manet The Monet Family in Their Garden at Argenteuil, 1874 The Met

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Claude Monet Cliff Walk at Pourville, 1882 Art Institute of Chicago

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

Lush treetops give way to a body of water and a hill in this loosely painted horizontal landscape.

Pierre-Auguste Renoir View of Monte Carlo from Cap Martin, c. 1884 National Gallery of Art

Open Valley, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Open Valley, Dolomites, ca. 1913–14 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

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