Paintings for Powder Blue Walls (page 16)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 721 to 768 of 1,950.

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

Leaving the Oasis, Jean-Léon Gérôme, 1880s, oil on wood panel

Jean-Léon Gérôme Leaving the Oasis, 1880s Cleveland Museum of Art

The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water.

Edward Hicks The Landing of Columbus, c. 1837 National Gallery of Art

This painting image depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

Antiochus and Stratonice, Jean-Auguste-Dominique Ingres, c. 1838, oil on linen

Jean-Auguste-Dominique Ingres Antiochus and Stratonice, c. 1838 Cleveland Museum of Art

Large marine landscape of boats on rough waves, storm clouds.

Joseph Mallord William Turner Fishing Boats with Hucksters Bargaining for Fish, 1837–38 Art Institute of Chicago

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

Peter Paul Rubens Agrippina and Germanicus, c. 1614 National Gallery of Art

Woman with Collie, John Singer Sargent, after 1890, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Woman with Collie, after 1890 The Met

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

A pale-skinned young woman with copper-orange hair, wearing a turquoise-blue robe, stands in a pastel-infused landscape in this stylized, vertical painting. The woman fills most of the left half of the composition.

Odilon Redon Pandora, 1910/1912 National Gallery of Art

Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines.

Amedeo Modigliani Girl in a Green Blouse, 1917 National Gallery of Art

Young Woman with a Turban, Jacques-Louis David, c. 1780, oil on canvas

Jacques-Louis David Young Woman with a Turban, c. 1780 Cleveland Museum of Art

Warm sunlight bathes a scene with a herd of five golden tan, ivory, or chocolate-brown cows lying or standing on a low hill near four people on foot and on horseback in this horizontal landscape painting.

Aelbert Cuyp Landscape with Herdsmen, mid 1650s National Gallery of Art

Study Head of an Old Man with a White Beard, Anthony van Dyck, ca. 1617–20, oil on wood

Anthony van Dyck Study Head of an Old Man with a White Beard, ca. 1617–20 The Met

The Aegean Sea, Frederic Edwin Church, ca. 1877, oil on canvas

Frederic Edwin Church The Aegean Sea, ca. 1877 The Met

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

A long, brightly lit room is filled with at least nine young ballerinas in robin’s egg-blue dance costumes and pale pink shoes in this wide, horizontal painting. They all have light skin and brown or dark blond hair.

Edgar Degas The Dance Lesson, c. 1879 National Gallery of Art

The Clove - A Storm Scene in the Catskill Mountains, Jasper Francis Cropsey, 1851, oil on canvas

Jasper Francis Cropsey The Clove - A Storm Scene in the Catskill Mountains, 1851 Cleveland Museum of Art

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

Ferdinand VII (1784–1833), When Prince of Asturias, Francisco de Goya, ca. 1800, oil on canvas

Francisco de Goya Ferdinand VII (1784–1833), When Prince of Asturias, ca. 1800 The Met

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519, oil on linden

Albrecht Dürer Virgin and Child with Saint Anne, probably 1519 The Met

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", Thomas Eakins, 1876–77, oil on canvas mounted on board

Thomas Eakins Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77 Art Institute of Chicago

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

Portrait of a Young Woman, Edgar Degas, ca. 1885, oil on canvas

Edgar Degas Portrait of a Young Woman, ca. 1885 The Met

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643, oil on canvas

Claude Lorrain The Trojan Women Setting Fire to Their Fleet, ca. 1643 The Met

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

The Meditation on the Passion, Vittore Carpaccio, ca. 1490, oil and tempera on wood

Vittore Carpaccio The Meditation on the Passion, ca. 1490 The Met

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

The Annunciation, Sandro Botticelli, ca. 1490, tempera and gold on wood

Sandro Botticelli The Annunciation, ca. 1490 The Met

Madonna and Child Enthroned with Saints, Raphael, ca. 1504, oil and gold on wood

Raphael Madonna and Child Enthroned with Saints, ca. 1504 The Met

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

A young boy with pale skin and short brown hair, wearing a black and gold jerkin and breeches, white lace collar, and buttercup-yellow stockings, stands facing us with a dog at his heels in this vertical portrait painting.

Anthony van Dyck Filippo Cattaneo, 1623 National Gallery of Art

Arab Horseman Attacked by a Lion, Eugène Delacroix, 1849–50, oil on paperboard

Eugène Delacroix Arab Horseman Attacked by a Lion, 1849–50 Art Institute of Chicago

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